Ink Mixed Media

Réalisée durant plusieurs live-painting à Nouméa en 2022, Neotokyo est une ville dystopique/futuriste inspirée des livres "Où est Charlie". On peut y trouver et compter certains éléments, comme les ballons rouges qui sont un hommage à l'artiste Banksy. Sous l’autoroute est représenté l’ancienTokyo avec des bâtiments ruraux, le temple étant le plus vieux bâtiment de la ville autour duquel elle s'est construite. La partie haute représente quant à elle un Tokyo futuriste dans lequel se glissent de nombreux éléments de Pop Culture. Les véhicules, engins, plantes et personnages sont inspirés des univers de Miyazaki, Star Wars, MARVEL, Seigneurs de Anneaux, du Jeu-Vidéo (Mario), de dessins-animés, etc. La partie gauche du tableau représente l'aspect industriel de la ville (et la destruction de la Nature par l’Homme) alors que la partie droite évoque l’aspect économique et communautaire ainsi que la nature qui reprend ses droits (tsunami, volcan). Le tableau est fourni avec un cadre équipé d'un ruban LED 120 RGB et d’un cache LED pour tamiser les points lumineux. La télécommande proposant différents modes d'éclairage (réglage des couleurs, de l'intensité, du balayage). 2 possibilités de branchements possible : cadre autonome avec batterie (autonomie 4/5h selon l'intensité de la lumière) ou branchement sur secteur en 220V. La critique du monsieur Yves Kobry sur l'œuvre : Cette ville imaginaire est décrite par Maxime Rouault à partir de Tokyo mais il pourrait s'agir de n'importe quelle ville imaginaire. Le peintre met en scène un conglomérat de temples, de gratte ciel, de bâtiments industriels, commerciaux et d'habitation, sans oublier les zeppelins...

Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...

Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...

Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...

Yuroz Exclusive Studios (YES) is introducing an exciting new collection called "Icono" on 1stDibs, The collection consists of original drawing studies that will later serve as the ba...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink, hand signed in pencil lower right. It is not titled on it. Michele Oka Doner...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated. Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young." Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016). Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York. In 1981, Oka Doner moved to New York City and embarked on a series of public art installations. In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City. The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky." In 2009–2010, Oka Doner installed SoulCatchers, approximately 400 shamanistic sculptures in the kiln room at the Nymphenburg Porcelain Manufactury, Munich, Germany.). Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck, Diane Brown...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry.

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Araldi uses ink pen and go...

Contemporary abstract collage inspired by the beauty of a natural landscape of New York State. The artist employs paper, gold leaf, ink, and glass to recreate silhouettes of mountain...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry.

Sarah Alexander's "Lost in Thought" is a 54 x 44 x 1.5 inch botanically inspired India ink drawing on canvas with real gold leaf accents, and watercolor paint made from crushed semi ...

Sarah Alexander's "When the Storm is Over" is a rich watercolor on canvas with accents of genuine white gold, watercolor made from crushed semi-precious stones, and India ink careful...

NOTE: This split portrait artwork is part of a limited collection of one of a kind pieces. Please inquire as to whether this specific piece is still available. If not, artist Andrew Cotton...

The Birth, Fatherhood, Parenthood, and Self Portrait, 2018 by Magda von Hanau From the series "The Family Tree". Archival Pigment Print Overall size: 59.5 in. H x 43.5 in. W Indivi...

Parenthood, The Birth, and Self Portrait, Triptych, 2018 by Magda von Hanau From the series "The Family Tree". Archival Pigment Print Overall size: 29.75 in. H x 65.2 in. W Individ...

The Birth, Self Portrait, Fatherhood, Triptych, 2018 by Magda von Hanau From the series "The Family Tree". Archival Pigment Print Overall size: 29.75 in. H x 65.2 in. W Individual ...

Self Portrait and Fatherhood, Diptych, 2018 by Magda von Hanau From the series "The Family Tree". Archival Pigment Print Overall size: 29.75 in. H x 43.2 in. W Individual image siz...

Parenthood and The Birth, Diptych, 2018 by Magda von Hanau From the series "The Family Tree". Archival Pigment Print Overall size: 29.75 in. H x 43.2 in. W Individual image size: 2...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic i...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic i...

'The Family Tree' Complete Series by Magda von Hanau Limited edition prints 2/8 + 1 AP. Photograph of the original artist drawing intervened with metallic-gold Japanese ink and pen...

Fatherhood by Magda von Hanau 29.75 in. H x 21.75 in. W Limited edition print 2/8 + 1 AP. A photograph of the original artist's drawing intervened with metallic-gold Japanese ink ...

Parenthood by Magda von Hanau From the series "Family Tree" 29.75 in. H x 21.75 in. W Limited edition print 2/8 + 1 AP. A photograph of the original artist drawing intervened with ...

The Birth by Magda von Hanau, From the series "The Family Tree". 29.75 in. H x 21.75 in. W Limited edition print 2/8 + 1 AP. Photograph of the original artist drawing intervened wit...

Motherhood by Magda von Hanau, from the series "The Family Tree". 26.5 in. H x 34.5 in. W Limited edition print 2/8 + 1 AP. Photograph of the original artist drawing intervened with...

Self Portrait by Magda von Hanau, from the series "The Family Tree". 29.75 in. H x 21.75 in. W Limited edition print 2/8 + 1 AP A photograph of the original artist drawing intervened...

Another from the artists Kate Moss series. Love it ! Gold leaf and ink on paper.

Carlos Rolón “I saw them as green and lovely as trees are in Spain in the month of May. Some of them were covered with blossoms, some with fruit, and some in other conditions, accord...

Steven Gagnon is a Miami Beach-based artist born in 1973 whose work focuses on critiquing American culture using classic iconography. He is known internationally for his paintings, p...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in London’s West End...