Wood Mixed Media

Walnut Blue Wall Sculpture (Can be hung vertically or horizontally) 7.2"x 9.5" x 6.2" Resin and WalnutWood Thomas is interested in creating complex compositions out of elements t...

BlueTwo is a mixed media wall sculpture. It is constructed with a high end birch panel, acrylic, acrylic washes and completed with a hand waxed semi-gloss finish. The acrylic wash al...

Summer Jibilee Wall Sculpture (Can be hung vertically or horizontally) 2022. Epoxy Resin on wood panel Thomas is interested in creating complex compositions out of elements that ov...

"BlackHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

PARFAITE RENCONTRE 8 by Pascal Pierme is a mahogany that measures 30.00 X 14.00 in and is priced at $6,250.00. French-born sculptor, Pascal Pierme is inspired by his surroundings. F...

2006 trip to Rome and Florence had a tremendous impact on my work.

Crayon Canyon Wall Sculpture (Can be hung vertically or horizontally) 2022. Epoxy Resin on wood panel Thomas is interested in creating complex compositions out of elements that ove...

Spring Eclipse Wall Sculpture (Can be hung vertically or horizontally) 2022. Epoxy Resin on wood panel Thomas is interested in creating complex compositions out of elements that ov...

Parrots Nest Wall Sculpture 2022. Epoxy Resin on wood panel Thomas is interested in creating complex compositions out of elements that overlap each other, through a variety of pla...

Parallax III is a discreet and elegant minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. The...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Solar Trees is a modern abstract three piece wall...

Trapeze3 is a discreet and elegant, minimalist, monochromatic, contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a satin lacquer fi...

Varujan Boghosian was a sculptor, assembler, constructionist, and builder as well as a beachcomber, scavenger, collector, historian, and conservator. His work was inspired by the pas...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

"Sled" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but is...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This is a rare example of Pettibone's iconic Appropriation Print, as it's silkscreened and sculpted on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster...

NOTE: This is for a commission piece based on the original. Colors and size can be customized. Allow 4-6 weeks. Quiet Riot V is a large mixed media wall sculpture. Layers of MDF ...

"SKA" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and minim...

"Stout" is a modern, minimalist, wood wall sculpture made from several different types of repurposed woods included oak, cherry, mahogany, pine, walnut and maple. It also includes fo...

Untitled, an exquisite artwork by Steven H. Rehfeld, is a captivating exploration of contrasts and harmonies. Created on wood, this striking piece incorporates textured elements alon...

Judith Hoyt's work is included in the collections of the Guggenheim Museum (New York), Pennsylvania Academy of Arts (Philadelphia), The Smithsonian Museum,...

Tarkka is an aggressive, angular minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes, walnut hardwood and completed with a sem...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of the word LOVE, airbrushed with liquid acrylic paint and pinned with stain...

Modern surrealist abstract wooden sculpture by Texas artist Roy Fridge. The work features a prominent spade shape with two open recesses. The top opening exposes a teardrop shape and the bottom shows more machine-like forms. Currently mounted onto a stable, black base. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

Paul McCarthy Doll, Limited Edition Skate Deck, 2016 Silkscreen on 7-Ply Canadian Maplewood Skate Deck. Numbered from the edition of 250. Signed on the deck. (Printed). Numbered from...

Citrus is a discreet and elegant minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer di...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint. This multi-dimensional 18-inch square and 3.25-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The sides of this artwork are finished by the artist as a continuation of the front, and it does not require framing. The artist signs and titles the artwork on the back. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions that defy conventional perceptions. Through strategic placement and a rich color palette, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been exhibited and collected throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon SELECT GROUP EXHIBITIONS 2023 “Fluro Colour Forever”, Civic Center, Nampa, ID 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho 1987 La Quinta Juried Art Festival, La Quinta, California 1984 Courtyard Gallery, Portland, Oregon 1983 Courtyard Gallery, Portland, Oregon 1982 Courtyard Gallery, Portland, Oregon 1981 Courtyard Gallery, Portland, Oregon 1980 Salon de Refuses, Portland Center for the Visual Arts (PCVA), Portland, Oregon Courtyard Gallery, Portland, Oregon 1979 Courtyard Gallery, Portland, Oregon 1978 Artists of Oregon, Portland Art Museum, Portland, Oregon (juror: Wayne Thiebaud) Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon 1977-1974 Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon PUBLICATIONS 2010 ArtDaily, Feb 5–May 25, 2010 2010 Boise Weekly Vol. 19 Issue 15, Oct 6–12, 2010 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

There are many wonderful textures created within this piece of wood block. There are areas of this piece that are finished wood, and areas that are more distressed where the wood has...

Robert Elkon Untitled Constructivist Sculpture, 1979 on wood plinth Steel on wood plinth with Robert Elkon Gallery label verso 5 3/4 × 4 × 1 in 14.6 × 10.2 × 2.5 cm Bears original Robert Elkon Gallery on the underside, expressly stating the work is unique (see photo) This is a unique work This late 1970s work bears the original Robert Elkon Gallery on the underside, expressly stating it is a unique maquette. Elkon first represented William Tucker...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

SSB6 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create ...

Perler beads and mixed media in bitten frame - 1/1 the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Divergence is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. It is ...

Merchant of Speed is an elegant contemporary wall sculpture. It is constructed with high-end birch plywood, acrylic and acrylic washes and completed with a hand waxed and distressed ...

SSB5 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create ...

Hitchcock is a modern wall sculpture created from mdf, reclaimed black cherry wood and acrylic and metallic enamel paint. The piece balances a complex composition with a limited colo...

This abstract work by Chicago artist Patrick Fitzgerald is one of a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculpture...

This work is sourced directly from the artist. Butterflies cut from International Currency and gold foil, arranged in the shape of a target, and pinned with stainless steel entomology pins to canvas. Framed in a white, wooden frame. About Charles Patrick Charles Patrick is best known for his intricately cut paper butterflies, suspended like museum specimens on individual entomology pins and clustered together to form icons, logos, and symbols against the backdrop of pristine canvases. Living in a world between the paper and digital ages, these works conjure feelings of nostalgia for the tactility of paper, created from vintage comic books, children’s books, currency, maps, and other obsolete ephemera. This stands in jarring contrast to the clean, pixelated designs that the butterflies form which exchange individual emotion for the universal immediacy of today’s contemporary visual language. Targets, hearts, ohms, and stars pop from the canvas in three-dimension - a fresh departure from the flat screens that are the norm today. With a background in vintage poster restoration, illustration, and printmaking, Charles Patrick combines his love of paper, art history, and design to create works that are both strikingly beautiful and poignantly thought-provoking. Charles lives and works between Cos Cob...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

Breaker is a modern mixed media wall sculpture, constructed from MDF, acrylic, varnish and repurposed Black cherry wood. The limited monochrome color palette emphasizes the form and ...

SSB2 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create ...

SSB1 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create a...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

materials: Greatest Batman Stories 1938-83 (excerpts) --- TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author and educator. For over three deca...

Mixed Media Collage Piece. Chanel theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti a...

Serpentine Dance- 48 X 36 Mixed Media. Acrylic medium is troweled onto the surface, A layer of resin and acrylic paint with silver leaf encasing the fish. acrylic resin is applied to protect the silver leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

This piece titled "Bonus Zone" is an original artwork made from screenprinting on wood by Luke O'Sullivan. This piece measures 33”h x 9”w x 9"d "Surprise and luck are always present...

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...

Evergreen Channel 40 X 60 Acrylic medium is troweled onto the wood surface. A layer of resin is applied and acrylic paint. Silver leaf is then applied encasing the fish with a coat of acrylic resin to protect the gold leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

PYRITE SERIES: This series by Chloe Hedden and Bill Hedden explores the growth forms of the mineral pyrite. Pyrite or 'fools gold' grows in organic ever expanding interconnected cub...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of a solid circle, airbrushed with liquid acrylic paint and pinned with stai...

Mixed Media Collage Piece. Miami theme of luxury. On Wood. About the artist: Seek One, a native of Philadelphia, Pennsylvania, began writing graffiti at...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

"ALPHA" Mixed media sculpture 24" x 60" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in, Kolodny creates art for our short attent...

"Hot Mess" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. It is part of my "Small Pop...