1970s Mixed Media

The artwork is dated, signed and inscribed verso. Franka Lechner was born in Vienna in 1944. The woven tapestrie-artworks constitute an important part of her oeuvre. The boundaries...

Da una rara e limitata serie di dècollage su cartoncino degli anni '70. Grazie all'unicità del processo di décollage, ogni esemplare appare come una sorta di esemplare unico. L'edizione è composta da 120 esemplari in numeri arabi oltre a 120 in numeri romani. L'opera è l'edizione XVIII/120 + CXX + 120AP ed è elegantemente incorniciata in una cornice di legno nero, dotata di vetro da museo. Firmato e numerato in alto a sinistra Il pezzo è accompagnato da una certificazione di autenticità rilasciata da una galleria. Le condizioni dell'opera sono per lo più perfette: nessuna traccia del tempo, nessun graffio e margini perfettamente conservati. Il pezzo viaggia non incorniciato in modo da avere una spedizione più economica e sicura su richiesta dell'acquirente. Poiché il pezzo viaggia dall'Italia, si prega di considerare che l'espletamento delle pratiche di esportazione richiede un minimo di una settimana dal momento dell'acquisto. Mimmo Rotella, che ha rappresentato l'Italia alla Biennale di Venezia del 1964, è stato sperimentale fino in fondo: nelle sue poesie, nei dipinti, nelle fotografie, negli assemblaggi scultorei e nei collage ha abbattuto le convenzioni, lasciando dietro di sé un corpus di opere stravaganti. All'inizio degli anni Cinquanta dipinge astrazioni geometriche, poi si allontana dal suo studio e si rivolge al mondo che lo circonda. Lì trovò i manifesti pubblicitari e cinematografici deteriorati, che strappò dalle pareti, attaccò alle tele e strappò ulteriormente per sviluppare composizioni semi-astratte dalle immagini dei mass media, che chiamò "doppi décollages". Grazie ai suoi collage, è stato associato a Raymond Hains, Jacques Villeglé...

Abstract mixed media painting on canvas by SOULIE, France, 1970s. Geometric abstract decor in white, gray, carmine and vermilion colors on a yellow. Background appearing in places. A...

Atmospheric Impressionistic Painting of a Dense Forest in European Woodland. A skilfully painted depiction of a clearing in the trees, with light cascading through towards a path in ...

7749 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back. 

White, Red, Yellow, Orange 7522 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media Hand signed, titled and dated on the back

7512 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media Hand signed, titled and dated on the back

7517 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media.  Hand signed, titled and dated on the back. 

7527  is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

White Orange Red 7532 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

7416 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media Hand signed, titled and dated on the back

7542 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

7502 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

7535 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

7552 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

7518 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back. 

7525 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media.  Hand signed, titled and dated on the back. 

7437 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1974. Mixed media.  Hand signed, titled and dated on the back.  

White Red - 7553 is an artwork made by the Italian artist  Renato Spagnoli  (Livorno, 1928-Livorno, 2019) in 1975. Mixed media Hand signed, titled and dated on the back

Joel BASS (1942-2019) Adjusted silhouette n°2, 1975 Mixed media, collage, gouache, adhesive on paper Signed, dated and. titled Work : 17,5 x 28 cm Frame : 3...

This graphic multiple was designed in 1970 by Mivio Cavelli and printed for the Spazio Zero Gallery in Milan in a limited edition (1/20). It has the original 3D aluminum frame and is...

mixed media on paper Unique work hand signed and dated by artist in red pen in lower left corner paper size: 41,5 x 30,2 cm framed size: 71 x 60,5 cm good conditions , some slight si...

Rafael Duran Benet (1931-2015) - Dream scene - Mixed technique Drawing measurements 64x43 cm. Frame measurements 79x59 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32

Nails on painted wooden board by unknown artist inspired by Bernard Aubertin. W/frame

Fantasy Landscape is an artwork realized by Mario Sinisca in 1980s.  Oil on Canvas, 140 x 180 cm.  140 x 180 cm.  Very good conditions

Abstract Green Composition is an artwork realized by Leo Guida, in 1970s.  Oil painting on canvas, with frame.  122 x 81 cm. Good conditions

Abstract composition is an artwork realized byLeo Guida, in 1970s.  Mixed media painting. 153 x 77 cm; framed. Good conditions!

A rare edition work from “The Generals” series, dated back to the early Seventies. Mixed media with passamentrie and collage on brocade with originals medals and pins limited edition...

Composition is an artwork realized by Leo Guida in 1970s.  Fabric, 120 x 78 cm; framed. Good conditions.

Landscape is an artwork realized by Mario Sinisca, 1970s.  Mixed media on canvas, 143 x 245 cm; not framed. Hand signed lower left. Good conditions. 

’Geranium’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 5/20 Signed - Yes Size - 510mm x 660mm Date - 1978 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Oiseau bleu Ed. 21/250 pcs 1979 Bronze H. 19 cm Signed and numbered underside : FXL, 21/250 Certificate of authenticity issued by Edition Artcurial.

Tamsin Pender (b.1965) Tamsin Pender is a contemporary printmaker living and working in London. The daughter of Cornish artist Jack Pender (1918-1998),...

Victor Vasarely Kinetics 3 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

Floral Composition is a composition realized by an unknown, 1970s. Collage on Wooden Table. 29.5 x 21.5 cm ; 37 x 29.5 cm Good conditions!

Mixed media on board Image size: 22 1/2 x 14 1/2 inches (57 x 37 cm) Original frame A very fine three-dimensional original by the well listed British born artist, Peter Manzaroli (b...

Pair of stools in bent wood and black leather h 37 x 60 x 60cm 70s - Denmark

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Geometric Table is an original design furniture realized by Mario Ceroli in 1970. A unique design table realized in iron and glass with inside the artwork "Squadra e curvilinee". Pu...

’Pisces’ Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is... By Yutaka Takayanagi. Medium - Relief print Edition - AP Signed - Yes Size - 510mm x 660mm Date - 1973 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Victor Vasarely Kinetics 5 double screen print on rhodoid and cardboard editions of the griffon neuchatel (switzerland) 1st edition . 1973 white wood fra...

’Minimum colour contrast with orange’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 1/20 Signed - Yes Size - 790mm x 570mm Date -1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Abstract composition is a contemporary artwork realized by Conrad Marca Relli in 1978. Acrylic and collage on paper. Hand signed and dated "Marca Relli '78" on the lower right marg...

Title: River Pebbel, ca. 1970 Technique: Original Signed Stone, Photograph, Velvet and Plexiglass Object size: 17 x 12.5 x 13.5 cm / 6.7 x 4.9 x 5.3 in Additional Information: A u...

Charcoal, ink and ink wash, and collage on paper, signed and dated (lower right), 70cm x 51cm (78cm x 59cm framed). The picture is floated within the frame, behind non-reflective UV glass. Renowned as Australia’s foremost surrealist painter and poet, James Gleeson...

Girl is an original modern artwork realized by Antonio Bueno in 1970s. Bounded bronze framed. Signature and specimen inscribed on the lower margin. Edi...

Mixed media with frame and "passe-partout" Total size with the frame: 60x50x2 cm

Mickey Mouse is an original modern artwork realized by John S. Fawcett in 1972. Mixed colored collage on paper. Hand signed and dated on the lower margin. Includes frame: 36 x 28....

Homage to futurism is a mixed media artwork realized by Stefania Lotti in 1976. Hand signed by the artist on the right margin. The artwork is framed (36.5 x 2 x 48.4 cm). The w...

French School, circa 1970's paper stuck on canvas with cut out magazine shapes 21.5 x 15 inches provenance: from a private collection in Paris, France The painting is in sound condit...

Collage is an original work by Sergio Barletta. A wonderful collage on paper with the great touch of the Italian Pop artist. Signed and dated in pen on the lower left. Very good c...

Resurrection is an original modern artwork realized by Pericle Fazzini in 1970s. Bonded bronze framed. Signature and number inscribed on the lower marg...