Robert Indiana

ALL SEASONS LOVE - 4 PIECES

2006

Robert Indiana Classic LOVE (Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framed) Tuft - Multiple 1996/2007 Size: 29.1x29.1in Edition: 10.000 COA provided Ref.: 924802-1819 *framed in a black or white frame made from composite wood/plastic. No glass. ** This piece has a lead time of 1-2 weeks Tags: Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framedhy Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal Service...

Robert Indiana Swedish LOVE Multiple wool, handtufed Year: 2006 Numbered, verso numbered and with COA. With printed signature on the COA. Size: 14.9 × 14.9 inches *Edition number mi...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...

Keith Young No Rain Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11x2in Signed by hand COA provided Ready to hang Ref.: 924802-1139 ------------------------...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WAR...

(After) Andy Warhol Flowers, 1968 Hand Woven Wool Tapestry 183 x 183 cm (72 x 72 in) Edition of 20 With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse Published by Modern Master Tapestries, NY Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized. The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

DREAM New York City, USA Provenance: Charles Byron Gallery, [1965] Silkscreen on linen pillowcase Hand signed. this is not numbered. (it says on gallery label verso edition of 100, I do not know how many were actually made) This is from an early-1960s series of pillows that married cloth, text, metal (including plumbing pipes and nails) and other found objects. The last pillow in the series incorporated the word “DREAM” in neon letters. Stephen Antonakos (Greek: Στυλιανός Αντωνάκος) born in 1926 in Agios Nikolaos, Laconia, Greece – died in 2013 in New York City. Antonakos moved with his family from Greece to the United States at the age of 4 and was raised in the Brooklyn, New York neighborhood of Bay Ridge. Antonakos' work has been included in several important international exhibitions including Documenta 6 in 1977 in Kassel, Germany and he represented Greece at the Venice Biennale in 1997. Anatonakos’s long career, characterized by his creation of brightly colored light installations. Works like Arrival (2008) and Neon Table #1 (1986) have a kinship with the works of Dan Flavin, and the 1960s Light and Space movement of Southern California that included Larry Bell, Bruce Nauman, and Doug Wheeler...

Keith Haring Party of Life 1986 (Keith Haring birthday invite 1986): 
Rare original silkscreened t-shirt invitation to Keith Haring’s third ...

After Andy Warhol Camouflage Exhibition Gagosian Gallery Announcement Scarf/Bandana, 1998 Silkscreened letters on cotton cloth fabric 21 1/2 × 21 1/2 inches Unframed Collectible souvenir scarf/bandana issued as an invitation to attend the opening reception on November 7, 1998 of the ANDY WARHOL Camouflage Exhibition which ran through January 9, 1999 at Gagosian Gallery downtown on Wooster Street...

Close Before Striking IV, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________...