L'Ouroboros - L'Alchimie des Philosophes - 1976 - Salvador Dalì - Modern Art
View Similar Items
Salvador DalíL'Ouroboros - L'Alchimie des Philosophes - 1976 - Salvador Dalì - Modern Art1976
1976
About the Item
- Creator:Salvador Dalí (1904 - 1989, Spanish)
- Creation Year:1976
- Dimensions:Height: 29.93 in (76 cm)Width: 22.05 in (56 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1003791stDibs: LU65033691922
Salvador Dalí
Instantly recognizable by his waxed, upturned mustache, the flamboyant Salvador Dalí is one of modern art’s most distinctive figures. He is also one of the icons of the 20-century avant-garde Surrealist movement, whose dreamlike images, drawn from the depths of the unconscious, he deployed in paintings, sculptures, prints and fashion, as well as in film collaborations with Luis Buñuel and Alfred Hitchcock.
Dalí was born in Figueres, Catalonia, and even as a youngster, displayed the sensitivity, sharp perception and vivid imagination that would later define his artworks. In these, he conjured childhood memories and employed religious symbols and Freudian imagery like staircases, keys and dripping candles to create unexpected, often shocking pieces.
Dalí's use of hyperrealism in conveying Surrealist symbols and concepts that subvert accepted notions of reality is epitomized in what is perhaps his most recognizable painting, The Persistence of Memory (1931), in which he depicts the fluidity of time through melting clocks, their forms inspired by Camembert cheese melting in the sun. His artistic genius, eccentric personality and eternal quest for fame made him a global celebrity.
“Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”
Find original Salvador Dalí paintings, prints, sculptures and other works on 1stDibs.
- Souvenir d'Espagne - Mixed Media by August Roedel - 1903Located in Roma, ITSouvenir d'Espagne is an original artwork realized by Auguste Roedel in 1903. Original lithoraph with pencil drawing on the lower central margin. Hand-signed in pencil by the artist...Category
Early 19th Century More Prints
MaterialsMixed Media
- Mother - Original Lithograph by Jacques Pecnard - Mid-20th CenturyLocated in Roma, ITMother is an original lithograph realized by Jacques Pecnard in the Mid-20th Century. Good conditions. The artwork is depicted through harmonious col...Category
Mid-20th Century Modern More Prints
MaterialsLithograph
- Conversation - Original Lithograph by Jacques Pecnard - Mid-20th CenturyLocated in Roma, ITConversation is an original lithograph realized by Jacques Pecnard in the Mid-20th Century. Good conditions. The artwork is depicted through harmonio...Category
Mid-20th Century Modern More Prints
MaterialsLithograph
- Tout Simplement - Vintage Offset by Paul Delmet - Late 19th CenturyLocated in Roma, ITTout Simplement is a vintage offset print -musical sheet- realized for a Romance by Paul Delmet (1862-1904), realized in the late 19th Century. Good condition on a yellowed paper. ...Category
Late 19th Century Modern More Prints
MaterialsOffset
- Faces - Linocut Print by Mino Maccari - 1940sBy Mino MaccariLocated in Roma, ITFaces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good co...Category
1940s Modern More Prints
MaterialsLinocut
- Faces - Linocut Print by Mino Maccari - 1940sBy Mino MaccariLocated in Roma, ITFaces is an linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...Category
1940s Modern More Prints
MaterialsLinocut
- Mo'jamBy Farah KhelilLocated in Los Angeles, CAFarah Khelil, Mo’jam, Fine Art Print, 99.7 x 150 cm, 2015 antoine lefebvre editions bookworm, curated by Antoine Lefebvre The boundaries between passion and destruction fade away. bookworms is an transnational transmedia artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction. From the encounter with a destroyed book stems a reflection between two artists who are both passionate about books. It is important for us to present this project in different countries because the issues of transmission of knowledge are everywhere the same. This project is about the ignorants for whom knowledge, intelligence and education has become a threat and who seek to drag others with them into darkness. For Khelil, the book eaters are thinkers and intellectuals against conservatism and dogmatism. *** bookworms is an artists’ project about book-loving and book-eating, conservation and conservatism, passion and destruction This project is the fruit of a very special encounter with an object… After the death of her grandfather in 2012, Tunisian artist Farah Khelil (b. 1980) explored his library and found an old family dictionary in Arabic (Mo'jam Arabia), at least what was left of it, for it had been devoured by book eaters. She decided to collect some fragments without knowing what she would do with them. Impressed by how carefully cut the pieces were, she wanted to transform them into artworks that would honor the memory of her grandfather. Because she knew how important the book object is in my artistic practice, she showed me the fragments and invited me to participate in an exhibition at the Tunisian gallery A.GORGI in her hometown Sidi Bou Said. I then thought about introducing her to Barbara Denis-Morel, the curator of the Avranches Library. This library conserves, among other treasures, more than 200 medieval manuscripts from the abbey of the Mont Saint-Michel, but it also holds a few books that were entirely devoured. Thanks to the curator, we could consult old books that were infected, quarantined, pierced by galleries and routes that revealed the passage of book-eating insects. We filmed these pages to create a video that we entitled ALL THE MEMORY IN THE WORLD, Toute la mémoire du monde, which is an appropriation of the eponymous film by Alain Resnais. Farah had also kept some intact pages of the devoured dictionary. Then we used this sequence of 120 pages to build the lay-out structure of an artist’s book. The idea was to empty all the textual content —captions and definitions— to keep only the figures, the dropped initials, and the page numbers. The emptied columns of the dictionary were then filled with artistic contributions and texts that we commissioned to invited authors. Printed in an edition of 500 copies, this artist book was made by Farah Khelil and antoine lefebvre editions from the remains of a devoured book. It will be a key element, of this second presentation of the project, and a special edition with a bookstand will produced especially for the fair. Behind the idea of book-eating insects, there is the issue of conservation but also of conservatism, as in Solitaire, an installation Khelil made with a peg solitaire game and mothballs. This work is a “portrait” of her grandfather, Abdelaziz Majdoub, who taught Arabic at the Sadiki High School for a long time where he specialized in “ilm al-kalam,” the science of language. This project is imbued with nostalgia, it is reminder for the artist of the time she spent as a child with this thinker always with his head in books. These encyclopedic pieces transformed into artworks draw the territories and communal places of knowledge. They are extensions of a family memory and reflect a culture going back and forth between book-loving and book-eating, conservation and conservatism. This idea of book destruction is one of the main dangers threatening the library and the books that compose it: fire, water and confinement. But there is also this minor or mediocre scourge that intend to harm the books: the book eaters. This exhibition is a metaphor, a reflection on ignorance, not as opposed to knowledge but as an enemy of knowledge. Ignorance is what attempts to undermine the intelligence, kill or reduce it. Just like the bookworms...Category
21st Century and Contemporary Conceptual Mixed Media
MaterialsMixed Media
Price Upon Request - I'm Staying Adam! : mixed media collageLocated in New York, NYContemporary digitally reprinted collage by Florence Alfano McEwin. Watercolor digitally reprinted two plate photo intaglio with collage and chine collé of found, painted, torn, cut...Category
2010s Contemporary Mixed Media
MaterialsMixed Media
- Batman in Gotham, 3D Backlit Digital Print by DJ Leon, 28 x 45 inBy DJ LeonLocated in White Plains, NY'Batman in Gotham' by DJ Leon, 2015. The piece measures 28 x 45 inches, Ed. of 10. This 3D backlit print incorporates images and text found in batman comics. Embedded LEDs are place...Category
2010s Contemporary More Prints
MaterialsDigital, LED Light, Mixed Media
- Limited Edition Skate Deck (Hand Signed and Dated by renowned Minimalist artist)By Christopher WoolLocated in New York, NYChristopher Wool Skate Deck, 2008 (Hand Signed and Dated 2017) Silkscreen on Maplewood (Hand Signed by Christopher Wool, with a dateline of New York, 2017) 31 × 8 × 3/10 inches Boldly signed and dated 2017 with the dateline "NYC" in black marker This skateboard was created in 2008 by Supreme, Inc. and is signed on the deck...Category
Early 2000s Contemporary Mixed Media
MaterialsWood, Permanent Marker, Screen, Mixed Media
- Secret Seas: Acrylic, Silkscreen Ink on paper (unique signed numbered variant)By FaileLocated in New York, NYFAILE Secret Seas, 2019 Acrylic, Silkscreen Ink on Lenox 100 Paper. (two sided) Hand Signed, titled, dated and numbered 6/250 (each unique) 25 × 19 inches Hand signed and annotated o...Category
2010s Street Art Mixed Media
MaterialsInk, Acrylic, Handmade Paper, Paper, Mixed Media
- STONE AGE SOPHISTICATION! Street Art, Pop Art, Dino, FlintstoneBy Jay-CLocated in Munich, DEEdition 5 Fred Flintstone is painting a Dino in Basquiat style on the wall. JAY-C – the pseudonym of this innovative young artist known for his subve...Category
2010s Street Art Animal Paintings
MaterialsMixed Media, Pigment, Archival Pigment