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Jogen Chowdhury Untitled, Dry Pastel on Paper 17.5 x 23 inches (unframed size ) ( Framed & Delivered ) Style : He has immense contribution in inspiring young artists of India. Jog...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Pomme Bouche, Brooch, Claude Lalanne, French, Design, 1990's, Bronze, Jewels Brooch Pomme Bouche 1990 Edition Arthus-bertrand, Paris Bronze with a golden...

Keith Haring, Julian Schnabel, & Robert Rauschenberg & more: ART/New York 1983: Rare historical 1980s announcement card published on the occasion of Videotapes of the 1982-83 Art Season ART/New York. Featuring a who’s who list in New York artists including, Keith Haring, Julian Schnabel, Robert Rauschenberg, Brice Marden and Nam June Paik. Medium: Offset printed folded announcement. Dimensions: Approximately 10 x 12.25 inches. (unfolded) Fold-line in center as originally issued; good to very good overall vintage condition. Unsigned from an edition of unknown. --- Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, The Broad Museum Los Angeles and the Albertina Museum in Vienna, among other key institutions. Julian Schnabel (America, b.1951) is an artist, filmmaker, musician, and writer, best known in the art community for his hasty rise to fame after the exhibition of his famous Plate Paintings at Mary Boone Gallery in 1979. Encouraged to draw by his mother during his childhood in Brooklyn, Schnabel’s artistic interest piqued as a teenager when he encountered the art of the Mexican muralists. After earning his BFA at Houston University in 1973, Schnabel enrolled in the very prestigious Independent Study Program at the Whitney Museum, and began his career as an artist. Rapidly achieving notoriety in the late 1970s, Schnabel became the infamous star of the internationalist Neo-Expressionist movement in the 1980s, with his works on unusual materials such as velvet, and garnering as much attention through his brash remarks and self-aggrandization as through his art. Along with fellow Neo-Expressionists David Salle (American, b.1952), Eric Fischl (American, b.1948), and Sigmar Polke (German, 1941–2010), Schnabel’s art can be seen as a reaction against the cool compositions of Minimalism and Conceptualism, in its rough texture and violently expressive return to addressing the human condition in painting. In 1996, he began a career as a filmmaker with Basquiat and his movie The Diving Bell and the Butterfly based on the novel by Jean-Dominique Bauby had a great success. Since 2010, a selection of his Polaroids taken since 2002 has been held in London, Milan and Paris, which are repainted to underline the highlights of the pictures. He still lives and works in New York. Robert Rauschenberg was a prominent member of the American Post-War avant-garde. The artist’s sculpture-painting hybrids, known as Combines, broke through the two dimensionality of the canvas at a time when Abstract Expressionism dominated the scene. His seminal Neo-Dada work, Erased de Kooning (1953), consisted of ritualistically wiping out an original drawing he purchased from the famed painter. “I don't really trust ideas, especially good ones,” he once said. “Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.” Born Milton Ernest Rauschenberg on October 22, 1925 in Port Arthur, TX, he was drafted into the Navy during World War II where he served as medical technician in San Diego. After the war, he traveled to Paris to study at the Académie Julian on the GI bill, where he met his future wife, Susan Weil. The pair went on to attend the Black Mountain College in North Carolina alongside John Cage and Merce Cunningham. After settling in New York in 1949, Rauschenberg began questioning the nature of painting through works such as Bed (1955) and Monogram (1955–1959), which utilized commercial imagery and mass produced objects. Many of the artist’s ideas foresaw the emergence of Andy Warhol and Pop Art in the 1960s. The artist died on May 12, 2008 in Captiva, FL. Rauschenberg’s works are held in the collections of the Tate Gallery in London, The Museum of Modern Art in New York, the Walker Art Center in Minneapolis, and the Kunstmuseum Basel, among others. Brice Marden is a contemporary American painter known for his subtle explorations of color and gestural lines. Like Robert Ryman, Robert Mangold, and Agnes Martin, Marden’s canvases are the product of an ongoing investigation into the nature of abstraction and the medium of painting itself. “A painting, you know, it's all dirty material. But it's about transformation,” the artist mused. “Taking that earth, that heavy earthen kind of thing, turning it into air and light.” Born on October 15, 1938 in Bronxville, NY, Marden received his BFA from Boston University in 1961 and his MFA from Yale University in 1963, where he was taught by both Alex Katz and Jon Schueler...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large...

Robert Colescott Semaphore 1980: Rare original 1980s announcement card published on the occasion of Robert Colescott's exhibition at Semaphore Gallery from January 6 - January 31, 1980; 462 West Broadway, New York, NY. Features an offset illustration of Colescott's work "The Collector (Tea for Two)" from 1980. Medium: Offset printed gallery announcement card. Approximate Dimensions: 4 x 6 inches Good overall vintage condition. Post marked on the reverse. Unsigned from an edition of unknown. Robert Colescott was an African-American artist known for his expressionistic paintings which dealt with his identity and Black history. In his work George Washington Carver Crossing the Delaware: Page from an American History Textbook (1975), Colescott humorously conflated the famous Emanuel Gottlieb Leutze painting of George Washington with the pioneering African-American chemist. Born Robert H. Colescott on August 26, 1925 in Oakland, CA, he played instruments and saw the work of his parents’ friend Sargent Johnson as well as Diego Rivera painting...

Double sided page produced as part of a special art insert from a well respected art publication

ARTIST: Salvador Dali TITLE: Still Life By The Light of The Moon - Nature au Clair De Lune MEDIUM: Woven Tapestry SIGNED: Woven in the Tapestry EDITION NUMBER: 27/50 MEASUREMENTS: 35.6" x 54" YEAR: 1980 PUBLISHER: Walton-Gilbert Galleries, San Fransisco WOVEN BY: Art in Tapestry, El Paso Texas CONDITION: Excellent NOTE: Designed from a 1927 painting...

Original large format fabric sample for Wright's Schumacher fabric line. The line was designed in the 1950's by Wright and reissued in fresh colorways in the 1980s. Linen with edges...

Twentieth Century Traditional style Figurative Portrait Oil Painting on Canvas of Lady in a Victorian Dress. Beautiful Model in a white Victorian Gown wearing elegant gloves and looking pensive. Beautifully modelled and featuring Helen as the model who worked with the artist in the late 1980's. RENE JEROME LEGRAND British born 1953 Rene Legrand...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

Red abstract sunset painting that incorporates impressionist and pointillism techniques by artist Michael Frary. Signed by the artist. Artist...

Jane Dickson New York 1988: A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...

Through The Ages by Toko Shinoda, black and white signed lithograph calligraphy 11/35 obituary published by CNN March 2021 Celebra...

Contemporary Impressionist Landscape Oil Painting of Fishermen in a Boat. His work is firmly in the Dutch tradition with a nod to the Barbazon School of Landscape Painters. The Oil P...

To find our other views of Oxford and Cambridge scroll down to and click on 'view more from this seller'. Sir Hugh Casson CH, KCVO, PRA, RDI (1910-1999) St John’s College, Oxford, C...

Great piece of Graffiti and Music history with cover art by Futura. Very early recording by the Graffiti legend featuring vocals from Futura, Dondi and Fab 5 Freddy. Original release...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

This Sculpture was created by DM, from sand cast brass. The Figurative Sculpture " Standing Man ” is a piece created by David Marshall in 1999, sand cast in brass and lost wax t...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Cubist Style Mid Century Color Blue Watusi The Watusi /wɑːtuːsi/ is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

Salvador Dali (1904-1989) - Le Picador Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wor...

KG Subramanyan Untitled ( Flowers ), Water Colour on Paper 11 x 10 inches 27.9 x 25.4 cm 1982 ( Framed & Delivered ) Style : K G Subramanyan was one of the leading artists who wa...

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. E...

Modern Maritime Marine Oil Painting of Clipper Ship at Sea as the Sun goes down. A large and very appealing Oil on Canvas, mounted on Stret...

A colorful impressionist floral still life with fruit by American artist Humbert Howard (1905-1990). Howard was born in Philadelphia and considered an important figure among contemporary African-American artists. He was educated at Howard University in Washington, D.C., the University of Pennsylvania in Philadelphia, and the Barnes Foundation in Merion, Pennsylvania. Howard was also art director of the Pyramid Club, a respected black cultural center in Philadelphia. As director of the club’s art exhibitions, he selected works by both black and white artists for display. By the time he retired in 1971, he had developed a loyal following of collectors and dealers in the Philadelphia area. In the eighties, he became increasingly involved with younger members of the local art scene and became a mentor to emerging black artists...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Bugs in Bow Tie" Signed by Chuck Jones

Using simple methods and ephemeral forms, Felix Gonzalez-Torres explored the complex social and political issues surrounding community, identity, loss, ...

Cubism Style Post Modern American Modern Acrylic on Canvas Comes UNFRAMED About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New Y...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Very rare crewel work artwork of a sailing ship with two sailboats decorated above the main vessel. Most likely American. Done in a primitive, naive style. Circa 1875 and in very goo...

Egyptian Scene III-Painting on Pith Rice Paper. Measures approximately 21 .25 x 17.25 Signed (signature is undecipherable). The date of creation is unknown. ...

LIMITED AVAILABILITY! MEDIUM: Limited Edition Hand-Painted Cel SIZE: 15.5" x 18.5" EDITION SIZE: 65 SIGNED BY: Muhammed Ali SKU: WB1065 ABOUT THE IMAGE: "Float like a butterfly, sting like a bee, the Looney Tunes are in the ring with Muhammad Ali!" This dynamic image captures "The Greatest" Muhammad Ali preparing for a title bout with the heayweight champion of cartoon comedy, "That Oscar-winning Rabbit," Bugs Bunny. Referee Yosemite Sam...

Contemporary in a Traditional style Impressionist Figurative Portrait Oil Painting of Model in White Gown adjusting the suspenders on her silk Stockings...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Sylvester and Tweety Mysteries, A Ticket To Crime SKU: IFA8300 ABOUT THE IMAGE: The Sylvester...

Jenny Holzer, Ten for Ten: Celebrating Printed Matter, 10th-anniversary reading, New York, 1986, Announcement Card Rare, Jenny Holzer 1980s announcement card published on the occasion of Ten for Ten: Celebrating Printed Matter - the 10th-anniversary reading. The event was held at The Great Hall of Cooper Union on November 19, 1986. It featured John Giorno, Eric Bogosian, Constance DeJong, Richard Prince, Cookie Mueller, Roz Chast, Richard Nonas...

Ed Ruscha Records 1971: Ed Ruscha's "Records" is a introspective photographic survey of thirty vinyl phonograph records (and their album covera) from the artist's personal collection...

Thangka painting dates back to 7th century after Buddhism was spread in the Himalayan region (Nepal, Bhutan, Tibet and Northern India). In Eastern world Thangka is considered to be a...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche IX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

Hessian covered hardcover book Housed in hessian covered clamshell box Special limited edition, numbered 0646 of 1100 Signed by Christo 13 ½ x 10 inches Published by Taschen, 2010 T...

Jean-Michel Basquiat, Fred Hoffman Fine Art, Beverly Hills 1993; Rare vintage 1990s Basquiat announcement card published on the occasion of: Jean-Michel Basquiat, 'Paintings, Drawing...

Keith Haring Three Eyed Smiling sticker c. 1982: A timeless Keith Haring collectible originally given out at Haring's first solo exhibit in 1982; and later sold at Haring's Pop Shop circa mid 1980s. Vintage Pop Shop sticker featuring original design by Keith Haring; offset printed. Approx. 3 inches square in size. Very good overall vintage condition; missing back adhesive, but appears unused. Unsigned from an edition of unknown. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals and affordable clothing and gift items all featuring Keith Haring's unique icons. In September, 2005, the Pop Shop finally closed its doors to the public. Keith Haring's work continues to be displayed around the world at galleries and museums and in public spaces...

A beautiful stoneware vase by Annette Chatting from the Myrtle Pottery, Hampshire England. Makers mark

Keith Haring, Run DMC Christmas: Super rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall a...

A Pair of Italian Carved Gilt Wood Antique Frames , Mirror not included. Circa 1755. Frame Size: Width: 20.25″ X Height: 23.75″ Thickness: 4″ Pict...

Poster designed by Keith Haring in 1986 "Crackdown on Crack" concert in New York City. The concert was organized by famed concert promoter and producer Bill Graham to raise funds to ...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche VII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Andy Warhol 1970s Cover Art, "Twenty Years Leo Castelli Gallery, New York, 1977” - a monograph honoring the twenty years of Leo Castelli Gallery featuring a cover illustration by An...

Ex-Libris - Bird is an Artwork realized in Mid 20th Century, by J. Halberstat. Woodcut B./W. print on tissue paper. Hand signed on back. The work is glued on orange cardboard. Tota...

Sunny path. Cardboard, oil, 66x43 cm The painting portrays a path illuminated by sunlight. The artist has used oil paints on cardboard to capture the play of light and shadow, creat...