Lothar Baumgarten

LOTHAR BAUMGARTEN: Carbon [Signed]

1991

BALDESSARI, John. Brutus Killed Caesar. [4] pp. Illustrated with 33 photographic tryptichs. Oblong 8vo., 100 x 275 mm, bound in publisher's spiral-bound wrappers. Preserved in tan cloth box. Akron: The Emily H. Davis Art Gallery of The University of Akron, [1976]. $ 2500.00 First Edition. Printed in a limited edition. The artist John Baldessari juxtaposes three images in a triptych format. Each page repeats the use of the same two portraits: an young man on the left and and an older man on the right. The center image then creates the crucial dialogue between the other two - Baldessari makes use of a variety of objects that could all be used as murder weapons - some a bit more mundane than others: a kitchen knife...

Schutz, Anton (1894-1977). 543 Hub of the World. Published in New York, 1927. Original etching. Signed in pencil. Sheet size: 19 x 13 5/8 in. Plate size: 13 7/8 x 10 5/8 in.

Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...

McKenney, Thomas and James Hall. History of the Indian Tribes of North America. Unknown publisher and date, probably 1840s. ESH-TA-HUM...

"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...

The painting is being offered with a work and authenticity certificate

Stephan Küthe Untitled IV Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...

"Cameron’s “Collage Paintings,” 2021–22, which he has been assembling in parts ever since relocating to Berlin from the United States in 2015. The source materials are photographs that Cameron has been taking as he perambulates through the city, their compositional logic derived from African American quilting...