Bronze More Art

Kiomba is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 29.5 × 16 × 15 cm (11.6 × 6.3 × 5.9 in). The sculpture is signed and numbered, it is part of a l...

Divyendu Anand - Primodial Awareness Edition 3 of 9 Oxidised Bronze over Stone Composite Granite Base H 30 x W 24 x D 24 inches Growing up with the thoughts of altruism, idealism an...

Chandan Das - Untitled Bronze H 16 x W 7 x D 6 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art & ...

Subrata Paul - Exploration-II Bronze & Wood, H 29 x W 28 x D 16 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition Oh, rotating bronze sculpt...

Figurative cast bronze cachepot. This cachepot depicts two nude female figures floating along the top, as though they are immersed in water. Their hair is long and floats on the side...

Subrata Paul - Fish Bronze & Wood, H 31 x W 27 x D 8 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

Divyendu Anand - Piscine, 2023 Patinated Bronze, Oxidised Bronze over Stone Composite Granite Base Edition 1 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism,...

Divyendu Anand - Transmuted Leaves Edition of 8 Oxidised Bronze over Stone Composite Granite Base H 14 x W 21 x D 9 inches, 2019 Growing up with the thoughts of altruism, idealism a...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

A pair of gilded bronze torchere lamps with Alabaster shades on top and exquisite detailed bottom part supported by multi level round carved marble base. Measurement: 91”height x 2...

Divyendu Anand - Piscine - Red, 2023 Oxidised Bronze over Stone Composite Granite Base Edition 2 of 5 H 33 x W 24 x D 14 inches Growing up with the thoughts of altruism, idealism an...

Divyendu Anand - The Zen Tree, Edition 9 / 9 Oxidised Bronze over Stone Composite Granite Base H 34 x W 13.5 x D 9.5 inches, 2021 Growing up with the thoughts of altruism, idealism ...

Divyendu Anand - Soaring High Oxidised Bronze over Stone Composite Granite Base, Edition of 9 H 27 x W 13 x D 6 inches, 2025 Growing up with the thoughts of altruism, idealism and b...

Divyendu Anand - Birth of Bauhinia Patina & Enamel Over Bronze Granite, Edition of 3 H 24 x W 16 x D 12 inches, 2024 Growing up with the thoughts of altruism, idealism and beauty, D...

Judaica Shabbat Continental Hanging Solid Brass Oil Lamp with Central Six Pointed Jewish Star Shaped Body Dimensions Approx: with Chain 23"H x 8 11 x 8 x 8 chain is 22" long Antique...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending art piece that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull creation encrusted with genuine Swarovski and Czech crystals. The ultimate homage to Evita Peron...

Jogen Chowdhury Bronze, Edition 5/6 H 12 x W 8.5 x D 5 inches, 2022 ( Delivered ) Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had develo...

Large Neoclassical French Gilt and Silvered Bronze Two Handle Vase A large cylindrical vase with a silvered body and gilt neck and base. Topped by two masks, one modeled after the f...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

"Life is Short Relax II" by Henk Jan Sanderman is a captivating ceramic tabletop sculpture that invites viewers to embrace the beauty of relaxation and tranquility. This original art...

Tushar Kanti Das Roy - Heritage Bronze H 36 x W 15 x D 8 inchches 2024 ( Delivered ) About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.A...

Tushar Kanti Das Roy - Rickshawala Bronze H 14 x W 20 x D 12 inchches 2023 ( Delivered ) About the Artist & his work : Born : 1968. Education : He has completed his education from I...

Tushar Kanti Das Roy - Rickshawala Bronze H 14 x W 20 x D 12 inchches 2023 ( Delivered ) About the Artist & his work : Born : 1968. Education : He has completed his education from I...

These whimsical mixed metal bronze pots feature plump bug-eyed toads, warts and all with gaping mouths. These make excellent vases and have metal removable liners. The toads’ bellie...

Chandan Das - Untitled Bronze H 30 x W 23 x D 14 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art ...

"Leap of Faith" by Henk Jan Sanderman is a mesmerizing blend of sculpture and painting that captures the essence of courage and exploration. This original artwork features porcelain ...

Anthony Caro Bronze Belt Buckle, 1993 Bronze sculpted belt buckle. Stamped on the verso 3 × 4 1/2 inches Unframed The present art work is an original bron...

"Speed of Light Panda" by Henk Jan Sanderman is a captivating fusion of sculpture and painting, seamlessly integrating a ceramic panda sculpture within a bronze rocket ship frame ont...

Chandan Das - Untitled Bronze H 21 x W 16 x D 9 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art &...

Chandan Das - Untitled Bronze H 9 x W 22 x D 4 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art & ...

Chandan Das - Untitled Bronze H 12 x W 8 x D 3 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art & ...

Chandan Das - Untitled Bronze H 18 x W 16 x D 5 inches ( Delivered ) DATE OF BIRTH : 01.01.1968, Kolkata EDUCATION : Passed Degree of B.V.A in Sculpture from Govt. College of Art &...

Chain measures 19.5 inches in length Pendant measures 2.4 X 1.5 X .5 inches Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Chaim Gross Three little girls, three Graces. 1981. Bronze sculptural relief plaque mounted to verdigris marble. signed and dated on marble Marble approx 7.5" x 7" x 1.5". Bronze: 5.25" x 4" x 1" Chaim Gross, born in Wolowa, Austria in 1904, was educated at the Beaux Arts Institute of Design and at the Art Student's League in New York. Chaim Gross's work was greatly influenced by his experiences during a period of international conflict, World War II. He had moved to Kolomyia from Wolowa to get a better education, but the Germans came to occupy, killing, raping, and looting. Gross and his family were chased from one village to the next. He wrote, "We were sleeping on roofs and in the fields, with the sound of cannon fire always in the distance,". Eventually, he ended up in Budapest with his two brothers, where Anti­ Semitism was not as severe, and that is where he began to sculpt and draw. He even had a few odd jobs there as a gold­ and silversmith. When he was seventeen, Gross immigrated to America where his older brother was. There he was a student and then a teacher at the Educational Alliance on the Lower East Side. Teaching became a big part of his philosophy, as he believed that an artist must pass on the knowledge which he had received from others in his artwork. He was part of an artist emigre community which included Raphael Soyer, Moses Soyer, Arnold Newman, Max Weber and David Burliuk. His daughter is the artist Mimi Grooms and his son in law was Red Grooms. Chaim Gross works reflect his Jewish and Austrian roots and his Hasidic Jewish upbringing. The figures in his art reflect the Hasidic spirit of being happy and making other people happy. This opiece has children playing and is perfect for a kids room. In his pieces, Jews sing and dance in celebration of the Jewish Sabbath and festivals. They are shown rejoicing in the great gifts of love and life. Chaim Gross was honored with a number of prestigious awards including: the Award of Merit Medal from the National Institute of Arts and Letters in 1963, and the Gold Medal award from the National Academy of Design in 1985. He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin, Raphael Soyer and Moses Soyer). Gross was a member of the New York Artists Equity Association and the Federation of Modern Painters and Sculptors. He was a founder and served as the first president of the Sculptors Guild. He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel.He is in the collections of the Museum of Modern Art; the Metropolitan Museum of Art; the Whitney Museum of American Art; the Philadelphia Museum of Art; the Art Institute of Chicago; the Tel Aviv Museum of Art, Israel. And the EIN HAROD Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Amedeo Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Joseph Constant and Leon Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zeev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Sternschuss, David Palombo ( who executed the iron...

6.5 X 4.5 X 4.5 18" chain Antique Judaica brass hanging Sabbath or Synagogue Oil Lamp with seven wick oil reservoir. Heavy brass or bronze chain and hook for hanging. Estimated to the 19th century or earlier. there are no markings but similar pieces have been in the Bezalel Museum collection and the Israel Museum collection and the Jewish Museum collection in New York city.. Judaic Shabbat...

"Feel like Flying" by Henk Jan Sanderman is a captivating wall sculpture that embodies the essence of freedom and imagination. This original artwork combines porcelain and bronze to ...

"Life is Short, Relax" by Henk Jan Sanderman is a captivating ceramic tabletop sculpture that invites viewers to embrace the beauty of life and the importance of relaxation. This ori...

#garden #sculpture #contempraryart #decoration #outdoors #bronze #nature #acorn This large bronze sculpture is a contemporary art piece which can also serve as art for the garden or outdoors. María José de...

Oxygen Cutting is an original artwork realized by Italian artist, painter as well as sculptor, Angelo Bozzola in 1983 in Turin. Flame cutting on bronze...

Tushar Kanti Das Roy The green Tree Bronze Hight- 34 inch, length- 24 inch, Depth- 14 inch About the Artist & his work : Born : 1968. Education : He has completed his education from...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.25 x W 8 x D 6.5 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Lalu Prasad Shaw - Bouthakurani - H 44 x W 18 x D 13.5 inches Bronze, Edition of 5 + AP ( Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and cou...

Samuel Latour - Collision n°1 - Original Bronze Sculpture 19 x 8 x 8 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in Pa...

Subrata Paul - Power Bronze, H 21 x W 34 x D 10 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

Subrata Biswas - Innocent Life Bronze, H 9.5 x W 4.5 x D 3.5 inches Style : The motive of a child in its most basic form appears quite repeatedly in the works of Subrata Biswas. The...

Subrata Paul - Rhythm of Nature Bronze, H 22 x W 22 x D 7 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

B. Vithal – Horse – H 13 x W 14 x D 5 inches Bronze Born : 1935 Vardha Maharashtra Died : 1992 Education : Sir J.J. School of Art, Mumbai Exhibitions : Selected Posthumous Exhibitions 2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi 2011 'Agape', Hacienda Art...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 13 x W 10 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Rakesh Sadhak - Non-Stop Wood & Bronze, H 60 x 22 x 12 inches Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculpture from I.K.S. V...

Enrique "Sebastian" Carbajal (Born 1947) bronze sculpture Brilliant bronze sculpture by listed Mexican artist Enrique "Sebastian" Carbajal. This Mexican modernist bronze sculpture sits atop a marble base. Signed in the bronze. The base measures: 4.5" wide x 3" deep. The sculpture stands 24" tall. Sebastián (born Enrique Carbajal González...

Tushar Kanti Das Roy - Rain - 9 x 6.5 x 3 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at Kolka...

The Tree Bronze Sculpture. Ed. 20/100. Jalisco, Mexico.

Subrata Biswas - Innocent Life Bronze, H 9.5 x W 7 x D 2.75 inches Style : The motive of a child in its most basic form appears quite repeatedly in the works of Subrata Biswas. The ...

Stuart Mathews was a prolific sculptor who studied at the Art Institute of Chicago and Cranbrook in the 1950s. His work is characterized by his ability to combine a variety of differ...

Tushar Kanti Das Roy - Rain-2 - 8.5 x 2 x 3 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at Kol...

Tushar Kanti Das Roy - Rakhal - 7 x 4 x 2.5 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at Kol...