Digital More Art

Jean-Michel Basquiat - Both Poles Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Both Poles (1982), an iconic work by Jean-Michel Basquiat that encapsulates the tensions running through his visual language: past and present, earth and sky, history and immediacy. The original piece, executed in acrylic, oil stick, and collage, presents a fragmented scene dominated by a symbolic mountain, a crescent moon, and charged elements such as a sickle and a post. Here, Basquiat confronts “both poles” of his inner and outer worlds: excavation and invocation, memory and transmission. This edition brings that conceptual force into the urban language of skateboarding, becoming both a collectible object and a contemporary artistic statement. Transposed onto the skateboard format, the work becomes a visual declaration that bridges art and street culture, while preserving the expressive and conceptual intensity of the original. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

Jean-Michel Basquiat - Charles The First Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York This skateboard set reproduces Charles The First (1982), a key work by Jean-Michel Basquiat that pays tribute to Charlie Parker, the influential jazz saxophonist known as "Bird." Basquiat captures the frantic energy and complexity of Parker through his signature style, blending elements of Black culture, music, and the figure of the artist in a raw and powerful representation. The original painting, executed with acrylics, oils, and pastels, presents a stylized figure that recalls both a portrait and a symbol. The face is fragmented, filled with quick strokes and vibrant colors, while the outline and details evoke both divinity and struggle. Basquiat uses his unique visual language to convey the chaos and beauty of Parker’s life, a metaphor for creativity as a form of resistance and expression. Transposed onto the skateboard format, Charles The First becomes a dynamic work of art that not only celebrates the life of a musical icon but also merges contemporary art with urban culture. This piece transcends simple reproduction, inviting a connection between visual art and movement in the streets, with the same vigor and attitude Basquiat infused into his work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Edward Hopper - Early Sunday Morning Date of creation: 2022 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displ...

Tamara de Lempicka (1894-1980) - The Blue Scarf, 1930 Giclée from 2023. The edition no. 2 out of 100. Dimensions of work: 70 x 52.5 cm. Publisher: Chelsea Green Editions. High-q...

Tamara de Lempicka (1894-1980) - Saitn Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #76 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Nick Thomm 'GHOSTS' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 199 Hand Signed and Numbered #113 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW. Wo...

Nick Thomm 'After Dark' (Green) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Nick Thomm 'The Dreaming' (OPAL) 69cm x 92cm (27"×36″). Limited Edition of 99. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Sold Unframed

Ed Ruscha GOD, 2010 Digital Light Jet Print in Artist-Designed Frame Edition 48/50 Hand-signed by artist, Signed, numbered and dated 48/50 by Ed Ruscha in black marker on the back P...

M.F. Husain - Untitled Edition - 96/150 39.5 x 27.5 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for var...

M.F. Husain - Untitled Edition - 11/125 40 x 22 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for various...

Nick Thomm ARCHANGEL (XL SIZE 36" x 48"). Limited Edition #22 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopened in...

Art Production Fund Limited Edition Beach Towel (NEW in shrinkwrap), 2014 Digital print on brushed cotton beach towel 70 × 60 inches Edition of 1000 Fabric manufacturer's label to ed...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #84 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW....

Roy Lichtenstein - OH, JEFF... I LOVE YOU, TOO... BUT... Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: I...

A Bigger Splash By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid us...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #106 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Nick Thomm - ONYX - SET (XL SIZE 36" x 48" per print). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW -...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

M.F. Husain - Untitled Edition - 92/150 39.5 x 27.5 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for var...

Jean-Michel Basquiat - Six Fifty Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York Six Fifty (1982) powerfully distills the symbolic universe and raw energy that define Jean-Michel Basquiat’s artistic language. In this piece, the artist uses a loaded iconography—lightning bolts, bones, swords, arrows, crowns—that serves as a kind of visual alphabet through which he explores themes of identity, violence, power, and cultural heritage. With his gestural and spontaneous style, Basquiat turns the canvas into a field of tension between chaos and control, between the urgency of the street and the depth of critical thought. Like much of his work, this piece does not seek a single interpretation but instead opens multiple layers of meaning through graphic elements that seem to arise directly from the urban subconscious. Six Fifty is not just a visual representation—it is a visceral statement, a fragment of the noise and pulse of 1980s New York, where Basquiat emerged as a radical voice in contemporary art. His ability to combine the immediacy of graffiti with historical, anatomical, and cultural references is fully evident here. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

Jeff Koons Seated Ballerina Skateboard, 2025 High-end digital print on Canadian maple, silver foil pattern. Includes Certificate of Authenticity Sk8ology Invisible Floating Skateboa...

Nick Thomm - ONYX - Dusk (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopene...

Ballerina Dancing Print signed initials Metallic print on board, framed framed: 10 x 12 inches size: 6 x 8 inches Provenance: private collection Condition: very good condition For ...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Nick Thomm - ONYX - Amber (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopen...

CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS 290gsm natural white print INVENTORY ID N/A CATEGORIES Lithograph / Contemporary Academic Realism / Graffiti and Street Art...

SUPERMAN MAN OF TOMORROW Alex Ross MEDIUM: Giclée on Paper Edition SIZE: 15.75" x 28" EDITION SIZE: 295 ARTIST: Alex Ross SIGNED: Artist Alex Ross SUPERMAN MAN OF TOMORROW OVERSIZED CANVAS...

ANDY WARHOL (after) Marilyn Orange-Pink, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompan...

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: N...

Graceful interweaving of plants cucumber and tomatoes on the peach colors background. inspired by designs of William Morris - Limited edition giclee Print - with archival inks o...

Homage to the iconic Chanel No. 5 perfume. This playful, one-of-a-kind Giclèe print is printed on archival, acid-free, cold press paper. The lush, yellow brush stroke is hand painted...

ANDY WARHOL (after) Blue Elvis Edition of 49 From Rosenthal Studio Line 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze (fac-simile signature), numbered on the reverse on label In woode...

Jean-Michel Basquiat - Horn Players, 1983 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York "Horn Players" (1983) is one of Jean-Michel Basquiat's most famous works, and a great example of his unique style, which blends graffiti, pop art, and expressionist painting. In this piece, Basquiat depicts two jazz musicians, probably inspired by legends like Charlie Parker and Dizzy Gillespie. The figures are stylized with exaggerated features, something typical of his work. The painting is dominated by vibrant colors like yellow, red, and blue, with a background full of marks and strokes that give the sense of movement, as if you were hearing the music the characters are playing. Basquiat also incorporates text, such as the words “SAX” and “BIRD” (referring to Charlie "Bird" Parker), which not only provide more information about the characters but also add an extra layer of meaning, creating a connection between the music, the words, and the image. The piece can be interpreted as a tribute to African American culture and its impact on music, especially jazz, which was born in that community. But it also reflects deeper themes of identity, as the musicians are not just represented physically but also symbolically, through the music and the words surrounding them. Basquiat, who often explored themes of race, power, violence, and inequality, uses this work to highlight how jazz serves as a form of expression and resistance for Black culture. In 1983, when Basquiat created "Horn Players", he was already at the peak of his career. He had gained significant recognition in New York, and his work was widely acknowledged in the contemporary art world. This painting is part of a series where he pays homage to musicians and the history of jazz, a recurring theme in his work. Additionally, there’s an interesting connection between Basquiat’s art and the world of skateboarding. Skateboarding, much like Basquiat’s art, is defined by its rebellious spirit, its focus on urban culture, and its drive for self-expression. Basquiat's graffiti-style brushstrokes, with their raw energy, evoke the same defiant attitude seen in skateboarding culture, where skaters, much like artists, break free from established norms and create something unique. The influence of graffiti, which is central to skateboarding’s aesthetic, is also present in Basquiat’s works, forming a natural link between these two worlds of rebellion and creativity. "Horn Players" is a representative piece of Basquiat because it captures his vibrant style, his love for cultural references, and his ability to blend visual art with music. Moreover, it’s a work that celebrates Black culture, rebellion, and creative energy—values that also strongly resonate in the world of skateboarding. All of this showcases Basquiat’s mastery in merging different forms of artistic expression, connecting music, urban art, and the culture of resistance in a powerful work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Roy Lichtenstein - Drowning Girl, 1963 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions ...

Mousepad featuring Yoshitomo Nara's Smoking Girl

Of all Andy Warhol's celebrity subjects, none seem more emblematic of how the artist perceived and synthesised America than Marilyn Monroe. The artist saw in her all the promises, th...

ANDY WARHOL (after) Marilyn Silver, 2010 Porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Facsimile signature in glaze, numbered on the reverse on label In wooden box, accompanie...

BATMAN OVER SAN PROSPERO CANVAS MEDIUM: Giclée on Canvas Edition SIZE: 26.25" x 19.75" EDITION SIZE: 100 ARTIST: Jim Lee SIGNED: Artist Jim Lee SKU: CP140...

Roy Lichtenstein - Explosion, 1967 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and ...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 29"h x 29"w. Gary Mankus was b...

Roy Lichtenstein - Girl in Mirror, c. 1964 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never...

MEDIUM: Dimensional Sericel EDITION: 1000 SIZE: 12" x 13.5" SKU: SC1017 Batman is on the descent, presumably from Catwoman, in this dizzying image taken from the 1990s series, “Batman,” produced by Alan Burnett, Paul Dini and Bruce Timm...

BATMAN THE LEGEND CANVAS MEDIUM: Giclée on Canvas Edition SIZE: 28.5" x 26.5" EDITION SIZE: 100 ARTIST: Alex Ross SIGNED: Artist Alex Ross SKU: CP1554D ABOUT THE IMAGE: Alex Ross has the unique ability to capture the spirit of the original Golden Age of Comics and bring it forward in a way that makes it feel dynamic and new again. In this homage to the history of the world’s most revered superhero, Ross draws inspiration from one of Bob Kane’s initial images of the Dark Knight. His design and spectacular rendering of the dramatic Gotham City background captures the feeling and deco tonal design of Fritz Lang’s infamous Metropolis poster...

Celebrating the King of Pop Michael Jackson by Mauro Oliveira. The colorful pinstripes represent the music and the happiness the King of Pop brought to the world. Limited edition of...

Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. This hand signed silk textile scarf work is acquired directly from the publisher. Extremely uncommon to find this piece in new condition and comes in the original red silk box. This art piece can be framed and hung on the wall or be a worn as a wearable art piece. This dazzling, large, hand signed, silkscreen on 100% Italian silk shawl was created by Frank Stella in collaboration with his longtime publisher Kenneth Tyler of the famed Tyler Graphics Studio. "The Whale Watch...

MEDIUM: Gicleé on Canvas EDITION SIZE: 100 SIZE: 26″ x 17.5″ ARTIST: Jim Lee SKU: CP1597D The original art for “Heroes Unite” was created for DC Comics' Batm...

Digital print on cotton paper

Celebrating the King of Pop Michael Jackson by Mauro Oliveira. The colorful pinstripes represent the music and the happiness the King of Pop brought to the world. Limited edition of...

MEDIUM: Giclée on Canvas Edition SIZE: 41.75" x 31" EDITION SIZE: 100 SIGNATURE: Jim Lee SKU: CP1599D DESCRIPTION: The original art for "Batman 1000" was iss...

MEDIUM: Giclée on Paper EDITION: 100 SIZE: 17” x 13.5” SIGNED BY: Alan Burnett, Paul Dini & Bruce Timm DESCRIPTION: Some of Gotham's greatest villains circle Batman and the place they call home in this signed hand-painted limited edition cel. Featuring The Riddler, Scarecrow, The Joker, Harley Quinn...

Digital print on cotton paper

MEDIUM: Giclée Canvas Limited Edition SIZE: 18" x 27" EDITION SIZE: 195 ARTIST: Peter Ellenshaw SKU: DFA-LE-POOHFRIENDS ABOUT THE IMAGE: Inspired by W...

MEDIUM: Gicleé on Canvas EDITION SIZE: 50 + 15 Artist Proofs IMAGE SIZE: 30" x 20″ SIGNED AND REMARQUED BY: Lee Bermejo SKU: LB2019D DESCRIPTION: This i...

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 300 ARTIST: Peter Ellenshaw SKU: DFA-LE-AURORASRESCUE ABOUT THE IMAGE: Cinderella ...

MEDIUM: Limited Edition Hand-Painted Cel EDITION SIZE: 100 SIZE: 12” x 20” SIGNED BY: Bruce Timm SKU: CC1183 ABOUT THE ART: "Batman and Beyond" charts the Dark Knight's progression from the award-winning Warner Bros. Animated series, running from 1992 through 2000. Designed by Juan Ortiz, this pan cel when viewed from left to right, portrays the three Bruce Timm art-directed versions of batman. The first Batman from the first season, in the dark and vengeful character who exists in the equally vengeful Gotham City. The second Batman (Wearing his Jet-Wing) reverts to a more classic Bob Kane style, with notably grayer tones in Batman's suit as well as his utility belt...

MEDIUM: Giclée on Oversized Canvas Edition SIZE: 44" x 24.5" EDITION SIZE: 25 ARTIST: Alex Ross SKU: CP1528DD ABOUT THE IMAGE: The Caped Crusader f...

Jean-Michel Basquiat - Untitled Head (Skull 2), 1982 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York Untitled Head (Skull 2), 1982, is one of Jean-Michel Basquiat’s most iconic and enigmatic works, reflecting the artist’s complex relationship with life, death, and identity. Created during an early but intense phase of his career, this piece is characterized by its raw, expressive style, but also by its ability to convey a deep and multifaceted message. The painting depicts a large skull, both grotesque and vibrant. The outlines of the skull are simple yet powerful, with angular strokes and dramatic lines. Basquiat uses a contrasting color palette, dominated by warm, earthy tones such as red, orange, and yellow, along with touches of blue and white. The skull seems to overflow with energy, full of marks and textures that evoke a sense of violence and chaos. The skull is not only a symbol of death, but also carries connotations of internal struggle and personal suffering. Basquiat, known for his personal history marked by adversity, uses the figure of the skull to explore themes such as the fragility of life and the dehumanization of people, especially in African American communities. In his work, death is not presented merely as an abstract concept, but as something very real and close, connected to the everyday experience of those facing violence, racism, and poverty. Through this piece, Basquiat also addresses identity and alienation, as the skull, with its exaggerated and distorted features, can be seen as a representation of an individual stripped of their humanity or cultural identity, particularly in the context of the experiences of Black communities in the United States. Basquiat often incorporates words, phrases, and symbols in his works that reflect his interest in cryptic messages and the deconstruction of meaning, and Untitled Head (Skull 2), is no exception. The skull, often associated with mortality, in Basquiat’s context may also suggest the relentless presence of social oppression and how, in many cases, people’s lives are shaped by circumstances beyond their control. This approach to death is Basquiat’s way of engaging with the collective and personal traumas that defined his life, as well as the racial and social tensions of his time. Untitled Head (Skull 2) is a work full of energy, with a strong symbolic charge, that breaks away from convention and offers a raw, direct view of life, death, and existential struggle. It is an example of how Basquiat used art to express his deepest emotions, challenging traditional representation and creating a piece that remains relevant today, both for its message and its unique style. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...