1950s More Art

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. November 20th, 1958. Signed "Fabrizio". One page, double-sided. In Italian. Excellent conditi...

This is an Autograph Letter Signed by Tristan Tzara (Moinești, 1896 – Paris 1963), the Romanian and French avant-garde poet and artist, to the Swissh edi...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Le Carrousel du Louvre Lithograph from 1954. Dimensions of sheet: 38 x 28 cm D...

Important and rare Catalogue of the Exhibition held in Circle Volley from March 17th to April 17th, 1954. Printed by Mourlot, the Catalogue's cover is a photolithograph d'après a work by Dubuffet. It includes 193 descriptions of Dubuffet's artworks and 4 reproductions on photolithograph. Includes the invitation to the exhibition, which is a lithograph not signed d'après the work "Personnage" by Dubuffet. Ref. Cat. Bordas 25 and 25b / Weber 388 and 289. Near perfect conditions. Catalogue aussi rare qu'important de l'exposition qui s'est tenue au Circle Volley du 17 Mars au 17 Avril 1954. Imprimé par Mourlot, la couverture du catalogue est une photolithographie d'après une œuvre de Dubuffet. Il comprend 193 descriptions des œuvres de Dubuffet ainsi que 4 reproductions de type photolithographie. L'exemplaire comprend une invitation à l'exposition. Il s'agit d'une lithographie non signée d'après l'œuvre "Personnage" de Dubuffet. Ref. Cat. Bordas 25 et 25b / Weber 388 et 289. Dans des conditions presque parfaites. Edition: Paris, Cercle Volant René Drouin...

Vintage postcard of Appenzellerbilder, Heiden, Kur & Waldpark is an vintage postcard from 1957. The postcard is adressed to Mrs Ferrari. Good conditions.

L.T.S. (Lettre dactylographiée signée) Typewritten Letter Signed by Albert Field, on letter headed paper with double heading, central “The Salvador Dalì Catalog”, top right “Compiler Albert Field, 20-25 29th Street, Astoria 5, N.Y.” addressed to the Countess Anna Laetitia Pecci -Blunt. Dated 8th March 1958. One page (27.8 x 21.5 cm). In English. Perfect condition with usual folds in the paper. With some pencil and blue ink notes by the Countess. With this letter, in formal terms and on headed paper, Albert Field, as official compiler of Dalì's work, asks to the Countess make the catalogue complete with some information concerning "Instrument masochiste" and "Ossification prèmature d'une gare", bought by the Countess in 1934. The background: While the Catalonian artist was exhibiting his work at the National Gallery in Washington, he commissioned to Albert Field the creation of his Official Catalogue of Graphic Works, a guide to the artist’s works for collectors, dealers, gallery owners and museums: an opus magnum encompassing 40 years of production and comprising 1900 illustrations, of which 1500 in color. Albert Field was Dalí’s official archivist, besides the topmost authority regarding the artist’s work, who discovered approximately 17 types of falsification, as he reported to the St. Petersburg Times in 1987. Therefore, the catalog had the function of uncovering false Dalís scattered throughout the world. Nevertheless, Dalí himself reacted to the falsification phenomenon by saying: “Someone who is subjected to forgery the way I am must really be fantastically good''. An eccentric genius like Dalí thus found a kindred spirit in Mr. Field, an English, science, and maths teacher, as well as collector of playing cards, who had a passion for nudism and rambling, and who combined all of his interests by climbing the Appalachian Trail completely naked. At the sight of “Dream of Venus...

Autograph Postcard Signed by Mimi Quilici Buzzacchi to Silvio Perina. Ferrara, May 5th 1958. In Italian. On the front, a black and white photo of the Duomo of Ferrara. On the back...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Color lithograph on Rives BFK wove paper, 1957. Signed by the artist in pencil, lower right margin, and numbered 96/100 in pencil, lower left margin. Published by Hedwig Marbach, B...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Tristan Tzara's Letter is Autograph Letter Signed by the Romanian and French avant-garde poet Tristan Tzara ((Moinești, 1896 – Paris 1963) to Nesto Jaco...

L.T.S addressed to the collector Nesto Jacometti, on headed paper "Marcello Mascherini - Sculptor - Trieste - Via Fabio Severo 20". Trieste, 2 May ...

MEDIUM: ​Original Production Cel IMAGE SIZE: 10.5" x 12.5" YEAR: 1955 ABOUT THE IMAGE: Slim and Shorty make repeated attempts to crack the safe, yet they are thwarted by their own incompetence or by Droopy. Each time one or both outlaws must run off to the hills to yell, scream or laugh so as not to wake the sheriff...

Letter from Giovanni Comisso (1895-1969). Content of the letter: The writer is probably addressing a friend ("My dear.."), speaking of his journey to Vienna on the 10.30 pm train, i...

Marc Chagall (1887-1985) - La Lice et sa compagne Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer 22...

Edition of 1010 copies. Copy on Alfa paper. Superb copy in perfect conditions and uncut.Paul Eluard was born in 1895 and died in 1952. He was a French poet and one of the founders of...

Cy Twombly Exhibition Leaflet - Galleria La Tartaruga 1958 is a very rare and precious exhibition leaflet of Cy Twombly. Ivory colored cardboard. ...

Marc Chagall (1887-1985) - L'Ivrogne et sa Femme Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer 22....

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche II Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Autograph letter signed by Gino Severini to Veno Pilon. Nice, Avril 7th 1958. One double-sided page, in Italian. With some notes in pencil. Excellent condit...

Confidential Letter by the General of the Armies, John Joseph Pershing to Cecil Charles Blunt. Typewritten Letter Signed. Washington, November 16th, 1920. One page, single-sided. In English. On letterhead paper "General of the Armies Washington". Excellent condition, including original envelope. Letter of apology sent to the Count Cecil Charles Blumentahal, later changed to Blunt, a wealthy Jewish banker from New York: "I reget very much that I was unable to see you while you were in Washington". John Joseph Pershing (Laclede, 1860 - Washington, 1948) John Joseph Pershing, best-known as "Black Jack", was an American general. He distinguished himself in the Spanish-American war for his courage and after a long and brilliant career in the Philippines and Mexico against the rebels of the two countries. Pershing led the US expedition in World War I and later served as chief of staff of the United States Army. for this reason he is considered the mentor of a generation of US generals who fought in World War II such as George Marshall, Dwight D. Eisenhower, Omar Bradley, Lesley James McNair, George Smith Patton and Douglas MacArthur. Like George Washington, he was the only soldier to obtain the highest US military rank, that of General of the Armies of the United States. Pershing was one of the first generals in history to be able to coordinate light infantry with twentieth-century war inventions such as tanks and armored cars for the great offensives during the punitive expedition to Mexico against Pancho Villa...

Telegram by Eduardo De Filippo (1900-1984), Italian playwright, director, actor and poet addressed to the Countess Anna -Laetitia Pecci-Blunt. One-page. V...

L.T.S. (Lettre dactylographiée signée) Typewritten letter signed by Albert Field. Headed paper with double heading: in the center “The Salvador Dalì Catalog”, on the upper right “Compiler Albert Field, 20-25 29th Street, Astoria 5, N.Y.” addressed to the Countess Anna Laetitia Pecci - Blunt. Dated: 18th March 1958. One page, only front. In English. Very good conditions with usual folds in the paper and a rip on the higher left corner. Very interesting and amusing letter signed by Albert Field, the official compiler of Dalí’s work, for the Countess Anna Laetitia Pecci-Blunt. A thank-you letter for her "prompt and informative reply" to the previous Field letter of the 8th March 1958. "I must play detective all the time, and of course while this irritates me as a scholar, it fascinates me at the same time". The background: The Surrealist Dalí commissioned to Albert Field the creation of his Official Catalogue of Graphic Works, a guide to the artist’s works for collectors, dealers, gallery owners and museums: an opus magnum encompassing 40 years of production and comprising 1900 illustrations, of which 1500 in color. Albert Field was Dalí’s official archivist, besides the topmost authority regarding the artist’s work, who discovered approximately 17 types of falsification, as he reported to the St. Petersburg Times in 1987. Therefore, the catalog had the function of uncovering false Dalís scattered throughout the world. Nevertheless, Dalí himself reacted to the falsification phenomenon by saying: “Someone who is subjected to forgery the way I am must really be fantastically good''. An eccentric genius like Dalí thus found a kindred spirit in Mr. Field, an English, science, and maths teacher, as well as collector of playing cards, who had a passion for nudism and rambling, and who combined all of his interests by climbing the Appalachian Trail completely naked. At the sight of “Dream of Venus...

Georges Braque (1882-1963) - Le Coq Lithograph from 1952. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Modigliani Exhibition is a lot, composed of two items between Palma Bucarelli and the Countess Pecci Blunt, concerning the extension of the successfull Modigliani's exhibition at the National Modern Art Gallery in Rome in 1954. In Italian. Very good conditions,except for minor aging signs. In details: a Typewritten document of the Superintendence at the National Gallery of Modern Art, addressed to the Countess Mimì Pecci Blunt. A formal letter of request, asking for the extension of the courtesy of Pecci Blunt's Portrait of Jean Cocteau...

Vintage and rare catalogue of the works exhibited by Hamaguchi at Berggruen Gallery in 1958. Includes reproduction of works and their descriptions. Language: French. Very good condit...

Ex Libris - Ladislav Hodny is an Artwork realized in 1950 s. by the Artist Jaroslav Vojna, from Czech Republic.  Woodcut B./W. print on ivory paper. Signed on plate on back. The wor...

Ticket a map to reach the Villa Reale in Lucca, Countess Pecci-Blunt's country residence . With sketches and notes by the great Italian writer. Good conditions.

Volume III of the collection dedicated to Picasso's lithographs. It includes reproductions of the etching created between 1949 and 1956. Copy on Velin paper. Cover and frontispiece a...

Robert Jacobson Danish, 1912–1993 Abstract Composition, 1950 Wool tapestry/Carpet 108 L x 71 W in. Multicolored hues to the obverse. Signed Woven by Danish Ege Axminster

Edition of 715 copies including 30 original full-page woodcuts by the author. Copy on teinté paper. Includes a nice dedication on frontispiece to Nesto Jacometti by the author.   Co...

This Lot of Autographs by the Italian artist Giovanni Omiccioli to Silvio Perina, the director of the CIM warehouses in Rome, includes 3 items, written around 1953, in Italian : - ...

Autograph Merry Christmas and Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 23rd 1954 . In 24°. In French. Excellent condition: As good as New. A Mr. and Mrs. Nicols Nabokov Business card with autograph notes of thanks, attached ( on letterhead paper "American Academy in Rome". Original envelope included. Collect or present this unique pieces of the Russian master. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Never forgot to write to the mentor and patron of art A.L. Pecci Blunt, with this touching postcard he reveals the "naissance du petit Alexandre". Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

Ex Libris - T. Wevers is a Modern Artwork realized in 1953 by the Author Herbert Stefan Ott . Ex Libris. B/W woodcut on ivory paper. Signed on plate and dated on the back. The wor...

Autograph Merry Christmas and Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 23rd 1954 . In 24°. In French. Excellent con...

This set is composed by 2 Autograph Letters Signed by Renato Guttuso and addressed to Gaetano Chiurazzi. In 8. In Italian. One page, One side. Signed and dated. On ivory colored pa...

Autograph Card Signed by Afro Basaldella to the Countess Anna Laetitia Pecci-Blunt. Rome, 1950's (1958-1959). In 24°. In Italian. Excellent condition: ...

Autograph Letter Signed by Vittorio Gassmann (Genova, 1922 - Rome, 2000) to the Italian costume designer, Maria De Matteis. Dated January, 8th. After 1952. ...

Letter from Tchelitchew to Countess Pecci-Blunt is an original postcard hand-written by Pavel Tchelitchew to Contessa Pecci Blunt in 1950. The postcard is written from Molveno, Tren...

A Night Walk – A.L.S. is a lot of 2 Autograph Letters Signed by Vittorio Rieti to the Countess A.L. Pecci-Blunt, written in Italian during the year 1949. Excellent condition, includ...

Marc Chagall (1887-1985) - The Miller, His Son, and the Donkey Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Referen...

This is a set of 2 Autograph Letters Signed by Vittorio Rieti to the Countess A.L. Pecci-Blunt, written in Italian, 1953. Excellent condition, includi...

Photographic portrait with autograph dedication signed by the American jazz singer Ella Fitzgerald (Newport, 1917 - Beverly Hills, 1996). In fine cond...

Gloria ai Pecci Blunt! (Glory to the family Pecci-Blunt!) is a lot of 2 Autograph Letters Signed by Dino Grandi to the Countess A.L. Pecci- Blunt. Written in Italian, on letterhead ...

Autographs by Ossip Zadkine to Nesto Jacometti, is a lot composed of 5 items, written in French, 1958-1959, concerning Zadkine's exhibitions. In detail: Autograph Letter Signed. Pa...

Autograph Postcard Signed by Giuseppe Santomaso (Venice, 1907 - 1990) to the Capogrossi family. May, 11, 1955. Dated. In Italian On the front, a colored reproduction of Capogrossi'...

Autograph Card Signed by Pietro Garinei and Sandro Giovannini to their costume designer, Mara De Matteis. Around 1950s. One page, double-sided. In Ital...

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. April 4th, 1956. Signed "Fabrizio". One page, single-sided. In Italian. Excellent condition, ...

In the letter the italian painter Silvano Bozzolini (1911-1998) writes about a project for an exhibition to his friend Nesto Jacometti.

This is an Autograph Poscard Signed by Alberto Burri to Nesto Jacometti. May 2nd 1950 On the front, a reproduction of “Le Portrait de Genyere F.G.” with the monogram B.A. Perfec...

Dubuffet's Autographs are a beautiful lot of correspondence between Jean Dubuffet and Nesto Jacometti, written in 1955. Two autographs lettes signed and dated by the founder of Art ...

Original Title: Visite à Picasso. Un film de Paul Haesaerts. Prix International du documentaire au Festival d'Art Cinématographique de Venise, 1950. Direction, scenario and commentary by Paul Haesaerts. Spoken by Gérard Philipe...

This is a Fabrizio Clerici's Autograph Letter Signed, to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Rome, July 24th. Around 1957. Signed "Fabrizio". One page, singl...

Un Plan de Travail en Amérique Latine (A Working Plan in Latin America) is the main content of this autograph correspondance between Jean-Pierre Guillermet and Nesto Jacometti. Com...

This is an Invitation Autograph Letter Signed by Franco Gentilini to the Countess Anna Laetitia Pecci-Blunt. Not dated. Around 1950s. One page, single-sided. In Italian. In Excell...

This is a Autograph Letter Signed by Vittorio Rieti and Nicolas Nabokov, to the Countess A.L. Pecci-Blunt, written in Italian and French. Rome, July 16th 1952. Excellent condition, ...

This is a private writing between the Countess and mentor, Anna Laetitia Pecci-Blunt and the artist Franco Gentilini, after a sale of his artwork at the Rive Gauche Galery, Paris. ...

Take a look at this "Aladin - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of 6 items written from 1957 to 1960, in French, perfectly readable. In excellent ...

Marc Chagall (1887-1985) - La Rieur et Les Poissons Etching from 1954. Edition of 85. Enhanced with watercolour by the artist. Dimensions of work: 39 x 30 cm. Reference: Cramer ...

Letter to Contessa Pecci Blunt is an original manuscript realized by Piero Sadun in 1958. Original letter written by Piero Sadun to Contessa Pecci Blu...