1950s More Art

Vintage and rare catalogue of the works exhibited by Hamaguchi at Berggruen Gallery in 1958. Includes reproduction of works and their descriptions. Language: French. Very good condit...

This set is composed by 2 Autograph Letters Signed by Renato Guttuso and addressed to Gaetano Chiurazzi. In 8. In Italian. One page, One side. Signed and dated. On ivory colored pa...

Autograph Letter signed by Renato Guttuso to Gaetano Chiurazzi, called "Tanino". Velate, October 29th 1958. Two pages ( front and back), in 8°, in Italian. Excellent conditions, with...

Volume III of the collection dedicated to Picasso's lithographs. It includes reproductions of the etching created between 1949 and 1956. Copy on Velin paper. Cover and frontispiece a...

This is a private writing between the Countess and mentor, Anna Laetitia Pecci-Blunt and the artist Franco Gentilini, after a sale of his artwork at the Rive Gauche Galery, Paris. ...

Autographs by Édouard Pignon to Nesto Jacometti. This lot is composed of 2 items: Autograph Letter Signed by E. Pignon to N. Jacometti. April 28th 1...

Ex- Libris de Julio Cesar Salvatierra  is an Artwork realized in 1951, by the Artist Julio Cesar Salvatierra . Woodcut colored print on ivory paper. The work is glued on grey cardbo...

This is a Happy New Year Card Signed by Virgilio Guzzi, to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Seventies. Rome, Febr...

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. November 20th, 1958. Signed "Fabrizio". One page, double-sided. In Italian. Excellent conditi...

André Breton, Anthologie de l'Humour Noir, Editions du Sagittaire, Paris 1950. N° d'éditeur: 93. The "Anthologie de l'Humour Noir" (Anthology of Black Humor) is an anthology of 45 wr...

Modigliani Exhibition is a lot, composed of two items between Palma Bucarelli and the Countess Pecci Blunt, concerning the extension of the successfull Modigliani's exhibition at the National Modern Art Gallery in Rome in 1954. In Italian. Very good conditions,except for minor aging signs. In details: a Typewritten document of the Superintendence at the National Gallery of Modern Art, addressed to the Countess Mimì Pecci Blunt. A formal letter of request, asking for the extension of the courtesy of Pecci Blunt's Portrait of Jean Cocteau...

Ade Witboi is an original modern rare book with illustrations by George Grosz (Berlin, 1823 - 1959, Berlin), published in 1955. Original First Edition. Published by Arani, Berlin Grunewald. Format: in 4°. The book includes XXII pages with 47 fullpage black and white drawings and 4 colored pages. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Henri Matisse Portraits, 1954 Reproduction of 93 portraits by the artist, including 60 black plates of drawings, lithographs and paintings and 33 plates of paintings in colour. Edit...

Nesting, a facade. With its envelope. Greeting letter in which the writer communicates the countess the forthcoming publication of a new novel.

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Autograph Letter Signed by the Romanian and French avant-garde poet and artist, Tristan Tzara (Moinești, 1896 – Paris 1963) to the Swissh editor Nesto Ja...

Ex Libris - Ladislav Hodny is an Artwork realized in 1950 s. by the Artist Jaroslav Vojna, from Czech Republic.  Woodcut B./W. print on ivory paper. Signed on plate on back. The wor...

Ann Eliza Reed is an original modern rare book illustrated by Oskar Kokoschka (Pöchlarn, 1886 – Montreux, 1980) in 1952. Original Edition. Published by Maximilian Geselschaft, Hamb...

Letter by Renato Guttuso About Falsification is an Autograph Letter Signed by Renato Guttuso to the Countess Anna Laetitia Pecci Blunt. Rome, April 21st 1961. In Italian. On ivory co...

This is a Fabrizio Clerici's Autograph Letter Signed, to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Rome, July 24th. Around 1957. Signed "Fabrizio". One page, singl...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Tristan Tzara's Letter is Autograph Letter Signed by the Romanian and French avant-garde poet Tristan Tzara ((Moinești, 1896 – Paris 1963) to Nesto Jaco...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. April 4th, 1956. Signed "Fabrizio". One page, single-sided. In Italian. Excellent condition, ...

Ex Libris - T. Wevers is a Modern Artwork realized in 1953 by the Author Herbert Stefan Ott . Ex Libris. B/W woodcut on ivory paper. Signed on plate and dated on the back. The wor...

Autograph Card Signed by Pietro Garinei and Sandro Giovannini to their costume designer, Mara De Matteis. Around 1950s. One page, double-sided. In Ital...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

Capogrossi is the anastatic reprint edited by Edizioni del Cavallino in 1950, on the occasion of Capogrossi's first exhibition at the Galleria della Cometa in Rome. From the private collection of the Countess Anna Laetitia Pecci-Blunt. With an affectionate handwritten dedication to the Countess from the artist himself, dated 18 January 1953 and signed "Capogrossi". Introduction by Corrado Cagli (1910-1976). In-8º, text in Italian. pp. 7 + 7 b/w full-page ill., cm 24 x 0,3 x 18,5, 1950s. Reprint of the previous edition by De Luca Editor. Low-cut biding and visible signs of aging on the paper. Giuseppe Capogrossi (1900 - 1972) was a famous Italian painter, especially known for the foundation of the so-called Scuola Romana ("Roman School"), together with Corrado Cagli and Emanuele Cavalli...

Original Title: Picasso. Collection Bergengren, Lund. Arrangeret af Kunstforeningen i København på Frederiksberg Rådhus. Catalogue of Pablo Picasso's collection exhibited at the Malmö Museum from 28 September to 11 October 1957. In-8º, text in French and Danish, pp. 80 + 37 b/w illustrations, 1957. On the cover a reproduction of the color etching Woman...

Autograph Happy Easter Card by Miguel Angel Ibartz to Silvio Perina. Barcelona, March 25th 1959. In Italian. Perfectly readable, excellent condition. Signed by Miguel and Maria Glo...

A Journey to Austria is the main content of this Autograph Letter by Fabrizio Clerici to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Bad Gastein...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.25 X 18.25 Like her contemporaries, Aggie Ma...

This is an Invitation Autograph Letter Signed by Franco Gentilini to the Countess Anna Laetitia Pecci-Blunt. Not dated. Around 1950s. One page, single-sided. In Italian. In Excell...

Litho and Autograph Postcard Signed by Mimi Quilici Buzzacchi to Silvio Perina. Rome, July 22nd 1958. In Italian. On the front, a black and white lithograph "Tetti di Roma" "Roman...

Autograph Merry Christmas and Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 23rd 1954 . In 24°. In French. Excellent condition: As good as New. A Mr. and Mrs. Nicols Nabokov Business card with autograph notes of thanks, attached ( on letterhead paper "American Academy in Rome". Original envelope included. Collect or present this unique pieces of the Russian master. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Never forgot to write to the mentor and patron of art A.L. Pecci Blunt, with this touching postcard he reveals the "naissance du petit Alexandre". Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

A unique Merry Christmas Card Signed by Dino Grandi to the Countess Pecci- Blunt, written in English and Italian. Excellent conditions. Perfectly readable, original envelope included. St. Paul, Brasil, Christmas 1958. Dino Grandi (Mordano, 1895 - Bologna, 1988) Dino Grandi was an Italian politician and diplomat, who went down in history for the presentation of the homonymous agenda to the Grand Council of Fascism on 25 July 1943 which led to the dismissal of Benito Mussolini. He was foreign minister, minister of Grace and Justice and ambassador to London of the Kingdom of Italy. In 1943 Dino Grandi moved to Spain and Portugal, where he resided until 1948. The forties were particularly hard: in Portugal he gave repetitions of Latin while his wife worked as a milliner to survive. Luck returned in the 1950s when he had representative positions for Fiat. During the same period he was a regular consultant to the US authorities, in particular to the ambassador in Rome, Clare Boothe Luce...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.75 Dated August 3, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Exhibition Leaflet is an original rare vintage catalogue by the Chilean artist Roberto Sebastián Matta (1911-2002). This color artwork is the rare exhibition leaflet realized in occ...

Autograph Postcard Signed by Giuseppe Santomaso (Venice, 1907 - 1990) to the Capogrossi family. May, 11, 1955. Dated. In Italian On the front, a colored reproduction of Capogrossi'...

Edition of 145 copies including 45 original coloured lithographs by Jean Lurçat. 3 of the lithographs are hand coloured by the artist. Copy on Grand Vélin à la forme des papeteries ...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 18 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

Vita Americana (American Life) is a Autograph Letter Signed by Afro, to the Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971). New York, July 3rd 1950. Two pages, doubl...

Disavventure Grafiche (Graphic Disadventures) is the main topic of this lot of Autographs Signed by Giuseppe Santomaso (Venice, 1907 - 1990) to Nesto Jacometti, written in Italian be...

Collect this unique Family Memories - Autograph Letter Signed by Francesco Maria Guardabassi to the Countess Pecci-Blunt. Santa Barbara, September 26th 1944. One page, four-sided, on light blue colored paper, in 8°, in English. On leterhead paper "Woodstock Pride's crossing - Massachusetts". Excellent conditions, usual folds. Perfectly readable, including original envelope. Confidential Letter concerning family memories between the Italian painter of the Risorgimento, F. Maria Guardabassi (Umbertide, Perugia 1867 - Palm Beach, Florida, 1952), owner of the Villa La Torre Monaldi in Perugia, attended by the young Countess Pecci. "You are too young to remember me in Perugia, my native town, when you were a very little girl and me allready a young man aand a great lover of art and music". This autograph letter with a nostalgic beginning, continues with an apology of the Pecci family name. Indeed the prestige of the family grew at the end of the nineteenth century, when Cardinal Vincenzo Gioacchino Pecci ascended to the papal throne with the name of Leo XIII...

Take a look at this "Aladin - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of 6 items written from 1957 to 1960, in French, perfectly readable. In excellent ...

L'Oeuvre Gravée - Correspondance between the French artist Édouard Pignon and Nesto Jacometti, his graphic art editor, written during the 1955 and composed of 2 items: Typewritten L...

S. addressed to her "Dear Friend", the Countess Pecci Blunt. Rome, November 28, 1951. 21.29 cm. Includes letter envelope 16.11.5 cm. Perfect state. Leonardo Sciascia describes him w...

Good Wishes Leaflet is a Merry Christmas and Happy New Year folding card Signed by André Lothe. Around 1950s-1960s. In French and English. Inside a colour...

The Great Success of Italian Cinema is an interesting set of documents, typewritten letters and copies of telegrams of historical value, between Bruno Todini, the right arm of the Italian cinematographic producer Dino De Laurentis, and their costume designer, Maria De Matteis, at the end of 1950s. Composed of 7 items, concerning the success of "Guerra e Pace" movie after the Hollywood screening. Written by Bruno Todini, on behalf of Dino De Laurentis, In Italian. In excellent conditions except for minor signs of aging. "Hollywood also consecrates War and Peace the greatest film of all the times" In detail: Typewritten Letter Signed. On letterhead paper "Ponti- De Laurentiis...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. A Post-Impressionist figural monotype showing a woman standing beneath a tree in t...

Interesting collection of 4 letters by Jean Dubuffet (2 hand written and 2 typescript) addressed to the swiss editor Nesto Jacometti. All of them are dated 1955. Very good conditions...

Autograph Merry Christmas and Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 23rd 1954 . In 24°. In French. Excellent con...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, perfectly readable. In details: ...

Autograph Letter Signed by Vittorio Gassmann (Genova, 1922 - Rome, 2000) to the Italian costume designer, Maria De Matteis. Dated January, 8th. After 1952. ...

Autograph Happy Easter Card by Carlo Quaglia to Silvio Perina. Paris, April 15th 1952. In Italian. Perfectly readable, excellent condition. Signed "Quaglia". A postcard of Happy Easter, sent from Paris by the Italian painter to the Director of CIM warehouses of Rome. Carlo Quaglia (Terni, 1903 - Rome,1970) The Italian painter Carlo Quaglia discovered his passions when he was an official in Libya, in the thirties, in Benghazi, Sirte and Derna. At the beginning of the Second World War, in 1940, he was taken prisoner by the British and transferred to India at Camp 27 of Yol on the slopes of the Himalayas. He spent five years of imprisonment devoting himself to the study of the arts, practicing the first painting tests that will lead him to take the decision to become a painter. Upon returning to Italy he took his leave and began his career as an artist. His was a short and successful career that led him to critical and public success. In his painting we find the colors of the Roman School of Scipio, Mario Mafai and Antonietta Raphaël...

Ticket a map to reach the Villa Reale in Lucca, Countess Pecci-Blunt's country residence . With sketches and notes by the great Italian writer. Good conditions.

This volume includes 2 original lithographs by Pablo Picasso on cover and on frontespiece. Copy on velin d'arches. Perfect conditions. Pages: 208 Edition: Monte-Carlo, Sauret Forma...

Letter from Tchelitchew to Countess Pecci-Blunt is an original postcard hand-written by Pavel Tchelitchew to Contessa Pecci Blunt in 1950. The postcard is written from Molveno, Tren...