1950s More Art

Original Title: Visite à Picasso. Un film de Paul Haesaerts. Prix International du documentaire au Festival d'Art Cinématographique de Venise, 1950. Direction, scenario and commentary by Paul Haesaerts. Spoken by Gérard Philipe...

This is a Fabrizio Clerici's Autograph Letter Signed, to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Rome, July 24th. Around 1957. Signed "Fabrizio". One page, singl...

Un Plan de Travail en Amérique Latine (A Working Plan in Latin America) is the main content of this autograph correspondance between Jean-Pierre Guillermet and Nesto Jacometti. Com...

This is an Invitation Autograph Letter Signed by Franco Gentilini to the Countess Anna Laetitia Pecci-Blunt. Not dated. Around 1950s. One page, single-sided. In Italian. In Excell...

This is a Autograph Letter Signed by Vittorio Rieti and Nicolas Nabokov, to the Countess A.L. Pecci-Blunt, written in Italian and French. Rome, July 16th 1952. Excellent condition, ...

This is a private writing between the Countess and mentor, Anna Laetitia Pecci-Blunt and the artist Franco Gentilini, after a sale of his artwork at the Rive Gauche Galery, Paris. ...

Take a look at this "Aladin - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of 6 items written from 1957 to 1960, in French, perfectly readable. In excellent ...

Not dated nor located, this interesting collection of letters is addressed to Nesto Jacometti Graphic Art Editor and Collector. It's entirely hand written and in very good condition...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche III Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

This heterogeneous lot “Ungaretti –Futur Prix Nobel” deals with the Ungaretti's ambitious race for the Nobel Prize for literature in 1954. A Correspondence, with different senders a...

La Tartaruga Gallery Catalogue is an original print in 1955. The artwork is designed for the exhibition of A.Raphael Mafai in La Tartaruga Gallery. Good conditions but aged with co...

Bestie del '900 is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Aldo Palazzeschi in 1951. Original First Edition. Published b...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche III Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Éditi...

Edition of 145 copies including 45 original coloured lithographs by Jean Lurçat. 3 of the lithographs are hand coloured by the artist. Copy on Grand Vélin à la forme des papeteries ...

This is a unique Correspondence Signed by Dino Grandi to the Countess Pecci- Blunt, written at the end of 1950's (1957-1958) Including 6 items, In Italian, in very good conditions. ...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

Autograph Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 21st 1954 . In 24°. In French. Exce...

Quadriennale d'Arte di Roma is a lot composed of two typewritten letter signed by Fortunato Bellonzi, on letterhead paper "Quadriennale d'arte di Roma". One page, single-sided. In Italian. As good as new. In details: T. L.S. Rome, March 13th 1952. Addressed to the Countess A.L. Pecci-Blunt. Official request of courtesy of the Countess' Portrait of Jean Cocteau...

The letter thanked Buzzi Countess Pecci Blunt for his visit to his studio in Milan, and communicates the end of the works of painting of his theater. Good conditions.

L'Artiste Marc Vanclair is the main content of this Autograph Letter signed by François Le Grix, to the Countess Anna Laetitia Pecci Blunt. Paris, May 31st 1954. One page, double-s...

Autograph Happy Easter Card by Carlo Quaglia to Silvio Perina. Paris, April 15th 1952. In Italian. Perfectly readable, excellent condition. Signed "Quaglia". A postcard of Happy Easter, sent from Paris by the Italian painter to the Director of CIM warehouses of Rome. Carlo Quaglia (Terni, 1903 - Rome,1970) The Italian painter Carlo Quaglia discovered his passions when he was an official in Libya, in the thirties, in Benghazi, Sirte and Derna. At the beginning of the Second World War, in 1940, he was taken prisoner by the British and transferred to India at Camp 27 of Yol on the slopes of the Himalayas. He spent five years of imprisonment devoting himself to the study of the arts, practicing the first painting tests that will lead him to take the decision to become a painter. Upon returning to Italy he took his leave and began his career as an artist. His was a short and successful career that led him to critical and public success. In his painting we find the colors of the Roman School of Scipio, Mario Mafai and Antonietta Raphaël...

Vita Americana (American Life) is a Autograph Letter Signed by Afro, to the Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971). New York, July 3rd 1950. Two pages, doubl...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, per...

Collect this unique Family Memories - Autograph Letter Signed by Francesco Maria Guardabassi to the Countess Pecci-Blunt. Santa Barbara, September 26th 1944. One page, four-sided, on light blue colored paper, in 8°, in English. On leterhead paper "Woodstock Pride's crossing - Massachusetts". Excellent conditions, usual folds. Perfectly readable, including original envelope. Confidential Letter concerning family memories between the Italian painter of the Risorgimento, F. Maria Guardabassi (Umbertide, Perugia 1867 - Palm Beach, Florida, 1952), owner of the Villa La Torre Monaldi in Perugia, attended by the young Countess Pecci. "You are too young to remember me in Perugia, my native town, when you were a very little girl and me allready a young man aand a great lover of art and music". This autograph letter with a nostalgic beginning, continues with an apology of the Pecci family name. Indeed the prestige of the family grew at the end of the nineteenth century, when Cardinal Vincenzo Gioacchino Pecci ascended to the papal throne with the name of Leo XIII...

Disavventure Grafiche (Graphic Disadventures) is the main topic of this lot of Autographs Signed by Giuseppe Santomaso (Venice, 1907 - 1990) to Nesto Jacometti, written in Italian be...

Autograph Happy Easter Card by Miguel Angel Ibartz to Silvio Perina. Barcelona, March 25th 1959. In Italian. Perfectly readable, excellent condition. Signed by Miguel and Maria Glo...

L.A.S. addressed to Countess Pecci Blunt. Fregari, April 8, 1955. 1p. 21x29 cm. With an envelope with a difficult-to-read stamp. 1p. 21x29 cm. Perfect conditions. Cover letter. The...

This is a Autograph Greeting Postcard Signed by Vittorio Rieti to the Countess Anna Laetitia Pecci-Blunt. Rome, July 27th 1954. In Italian. Excellent c...

Autograph Letter Signed by the Romanian and French avant-garde poet and artist, Tristan Tzara (Moinești, 1896 – Paris 1963) to the Swissh editor Nesto Ja...

This is the Correspondance between Jean-Pierre Guillermet (Porrentruy, Switzerland, 1921- San José 2017) and Nesto Jacometti (Locarno, 1898- 1973). Composed of 8 items written in Fr...

A Journey to Austria is the main content of this Autograph Letter by Fabrizio Clerici to the Countess and Patron of arts, Anna Laetitia Pecci-Blunt. Bad Gastein...

Grands Compositions sur Papier is a Correspondence between Mario Prassinos and Nesto Jacometti, written in French, from 1957 to 1959, is composed of 12 items, prefectly readable a...

Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, perfectly readable. In details: ...

Autograph Happy New Year Card Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, December 21st 1954 . In 24°. In French. Excellent condition: As good as Ne...

Autograph Card Signed by Afro Basaldella to the Countess Anna Laetitia.Pecci-Blunt. Rome, 1950's (1958-1959) . In 24°. In Italian. Excellent condition...

Collect this unique Autograph Letter Signed by Nino Franchina to the Countess Pecci-Blunt. Rome, March 1st 1952. One page, single-sided, on light blue ...

On the cover an original lithograph in four colors realized by Pablo Picasso especially for this volume. Text by Maurice Jardot. Every plate is signed by the artist. In-8º, text in ...

A minimalist ceramic cone vase by Ü-Keramik (Uebelacker) with rugged vertical striations against a pink and white mottled glaze. Numbered in the base. Form 455/25. Ü Keramik, or Üeb...

Maurice vlaminck Paysage d’île de France Issue of the portfolio Twelve contemporaries Éditions d'art du Lion . Paris 1959 Published in 1000 copies Si...

Georges Braque (1882-1963) - Carnets intimes de Braque VIII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

L.A.S. (Lettre Autographe Signée) Autograph Letter Signed by A. Masson to N. Jacometti. Paris, 28th March 1950. In back some autograph greetings by Marie and Dominique, Massons’s children. One page two-sided 24.1 x 16 cm. In 8°. In French. Perfect condition with usual folds of paper. Thank-you letter: “Grâce à ta gentillesse tu es à la base d’un...

"AR 223 - Square headed pitcher" by artist Pablo Picasso. Partially glazed white earthenware turned pitcher painted in black with 99/300 Edition Picasso on bottom.

Hand-glazed, ammonite-shaped vase in a deep rust color made by Helmut Schäffenacker. Numbered in the base. Form V-6. Helmut Schäffenacker founded Atelier Schäffenacker in West Germ...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. Erte was a vastly diverse artist who excelled in an array of fields including fashion, jew...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. Erte was a vastly diverse artist who excelled in an array of fields including fashion, jew...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.75 Dated August 3, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6 X 18.25 Like her contemporaries, Aggie Mack,...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Mid Twentieth Century Still Life of Roses in a Vase. Large Signed and Framed Oil Painting on canvas, mounted on stretchers. George Leslie Reekie British 1911 - 1969 This is a very a...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 17.75 Like her contemporaries, Aggie Mac...

Suhas Roy - Untitled Watercolour on Paper, 11 x 15 inches, 1954 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored past...

Original vintage British Railways advertising poster "Progress: Every week British railways modernization plan goes further ahead." Print from a painting by Terence Cuneo for the cov...

MEDIUM: ​Original Production Cel IMAGE SIZE: 16" x 11" PRODUCTION: Alice in Wonderland YEAR: 1951 SKU: CCV3130 ABOUT THE IMAGE: Alice in Wonderland is a 1951 American animated musical fantasy-adventure film produced by Walt Disney Productions and based on the Alice books by Lewis Carroll. The 13th release of Disney's animated features, the film premiered in London on July 26, 1951, and in New York City on July 28, 1951. The film features the voices of Kathryn Beaumont as Alice, Sterling Holloway as the Cheshire Cat...

Woodcut printed in black on tan wove paper, 1953. Signed by the artist and dated in pencil, lower right.

Flooded river 1950s. Paper, pastel. 26,5x35,5 cm The medium used for this artwork is pastel on paper, offering a soft and powdery texture that can effectively convey the atmospheric and natural elements of the subject. The flooding of a river can be a powerful and evocative subject, as it can symbolize the forces of nature and the unpredictable beauty and devastation that water can bring. Aleksandra Belcova...

"AR 135 Young Wood Owl" white earthenware with decoration in oxides, knife engraved on white enamel clay vessel by artist Pablo Picasso. From an edition of 500. Edition Picasso Madou...

Unique red, green and white abstract image on canvas. White portion of the canvas is elevated from the rest of the image. Canvas is not framed. Painting is signed by the artist on th...

Jacques villon En colère Issue of the portfolio Twelve contemporaries Éditions d'art du Lion . Paris 1959 Published in 1000 copies Signature in the board 900 euros

Autograph- To the readers of "Letizia" is an autograph by the italian singer Domenico "Mimmo" Modugno, author of the famous song "volare". On transparent paper, realized in the 1970s...

Ex Libris - Iohanna Muller is an Artwork realized in Mid 20th Century. Woodcut B./W. print on ivory paper. The work is glued on cardboard. Total dimensions: 20 x 15 cm. Good Condi...