Tom Otterness

Gold-Plated Earrings, Limited Edition signed, with famous penny man and woman

ca. 1995

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli Uptown (4 East 77th Street) This is a unique work Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back. Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Measurements: Framed: 31 inches x 38.25 inches x 1.75 inches Artwork: 25 inches x 32 inches More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. During the early 1970's Petersen predominately created monochromatic minimalist work and then began to explore the possibilities presented by his intricate sketch pages. In 1976, Petersen made his first monthly inspired journal drawing from the highlights of his sketchbook where he collected observations of daily surroundings, drawings for future work, musings, postcards, photographs, and ephemera such as calendar clippings and magazine illustrations. This technique continues to serve as the basis for his present work. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Petersen currently works in Tivoli, NY where he lives with his wife, Cinda Sparling...

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Moshekwa Langa Sweetness Flying, 2000 Original Acrylic, enamel, and India ink painting on paper Signed and dated 2000 in marker on the back Unique Frame included Provenance: The Good...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

The Devil and The Star, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individ...

The Empress and The High Priest, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

The Fool and The Wizard, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

The Hanged Man and The Hermit, Diptych, 2019 From the Ventura Series Embroidery thread on canvas Overall Frame size: 40 cm H x 60 cm W x 3 cm D Overall Image size: 27 cm H x 34 cm W Individual size: Frame size: 40 cm H x 30 cm W x 3 cm D Image size: 27 cm H x 17 cm W One of a kind Blackwood frame with plexiglass ______________ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fire Proof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...