Alex Coster Scott

Untitled

Circa 1980

A contemporary acrylic painting by Gene Johnson (NYC). Unframed. Signed on verso. Gene Johnson has been painting and exhibiting since the mid-80s in New York City. He has participa...

A contemporary painting by NYC-based painter, Gene Johnson. Signed on verso: [ "Post Japan 3 Osaka" (Yellow) Acrylic on canvas 2024 47 1/2 x 34 3/4" Gene Johnson ] Artist Bio Gen...

In Opening Act No. 2, Scott VanderVoort continues his elegant study of spatial dynamics through a language of minimalist geometry. With a foundation in industrial design, VanderVoort...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...

"Museum of Rainbow Light" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 3...

"Peace and Power" is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a horizontally oriented rectangular piece and measures 30 inches high by 40 inch...

This painting by Linda King Ferguson is a geometric abstraction inspired by the female body. Circles, ellipses and scalloped edges decorate the canvas in Salmon orange, wine red, and...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This painting by Linda King Ferguson depicts a red diamond canvas with a Vesica Piscis shape in the center. The color of the Vesica Piscis is a gradient, transitioning from a maroon ...