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Alex K. MasonLarge Abstract Painting on Mylar, Ink Acrylic Gouache. Pink, Green, Brown, Blue2022
2022
$11,130
£8,406.23
€9,715.11
CA$15,611.53
A$17,361.53
CHF 9,087.96
MX$211,789.56
NOK 114,193.53
SEK 107,413.76
DKK 72,517
About the Item
Large Abstract Painting Alex K. Mason "Kinetic Fade" Ink Acrylic Gouache on Yupo mylar. Unframed, 60"H x 53"W. Pink, Green, Brown, Yellow, White, Blue, 2022.
It is the expression of making marks for canvas or paper, which reveals itself to me in the process of the work. I am drawn to the free forms found in nature rather than the geometric and hard edged. I am inspired by patterns found in the natural world and try to reference them as well as create new patterns. Flora, fauna, and color fuel inspiration for my works, but I never have an exact idea of what I will be creating until it is complete.
My goal when creating a painting is to make it authentic by concentrating on each color and mark. There is a sense of motion and kinetic energy that comes across from the mark making of the brush strokes and spontaneity of drips. These accidental drips, washes, and splatters give depth, texture, and atmosphere to my compositions, that on a good day, I hope create a kind of beauty.
- Creator:Alex K. Mason (1971, American)
- Creation Year:2022
- Dimensions:Height: 60 in (152.4 cm)Width: 53 in (134.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Versailles, KY
- Reference Number:1stDibs: LU1960210890882
Alex K. Mason
My work is inspired by the plants, flowers, birds, insects, colors, and patterns found in the natural world. I want to convey the kinetic movement of particles in the wind, clouds, and phases of growth where all living things are intertwined together. I often look at books on horticulture, birds, the cosmos or my old paintings as a reference, without a specific idea of what I want the final work to look like. Then I begin to paint. Color is my passion and sets the mood for each composition. My design work as well as previous paintings often influence the direction of the color pallet. Over the years, I have developed my own iconography of orbs, particles, plants, berries, and other forms, which has become the foundation of all my work. My paintings are about the messy loose process of laying ink, acrylic and gouache to paper, canvas, or board. This conscious and unconscious process of applying each stroke, drip or splatter, flows through me to reveal an unpredicted painting. It is a meditation on color, shape, form and composition. The built up layers in my paintings expose all of the traces and phases which are in the continuum. These accidental drips, washes, and splatters give depth and atmosphere to compositions intended to express beauty, originality and authenticity. My paintings are bold in their imperfections and abundance of exaggerated interpretations of nature.
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