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Ali Alışır
Blue Jug, Oil on Board Painting by Nicholas Turner, 2021-23

2021-23

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Moonlight, 2021 - Horizontal Minimalistic Blue and White Abstract Oil on Board
By Keith Purser
Located in Kingsclere, GB
Keith Purser lives and works on the edge of the desert-like environment of Europe's largest shingle bank, in the shadow of Dungeness power station and within sight of the coast of Fr...
Category

2010s Landscape Paintings

Materials

Oil, Board

Beneath the Tree, 2024 - Abstract Oil Painting on Linen on Board, Green + White
By Daisy Cook
Located in Kingsclere, GB
Daisy Cook is a British painter of landscape and still life. Cook creates abstracted paintings that take landscape as the subject without being explicitly topographical or descrip...
Category

2010s Abstract Paintings

Materials

Linen, Oil, Board

Estuary IV, 2018 - Abstract Oil Painting with Found Objects (Feathers) in Grey
By Pamela Burns
Located in Kingsclere, GB
Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...
Category

21st Century and Contemporary Land Abstract Paintings

Materials

Found Objects, Oil, Board

Traces of Red and Ochre, 1992 - Horizontal Abstract Oil Painting with Sand
By Pamela Burns
Located in Kingsclere, GB
Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton...
Category

21st Century and Contemporary Land Abstract Paintings

Materials

Oil, Board

Cottage and Lane Laugharne, 2024 - Minimal Abstract Landscape Oil Painting
By Nicholas Turner
Located in Kingsclere, GB
Nicholas Turner is a painter of quiet compositions that are beautifully structured and well-painted. Born in London, Turner spent many years in Bristol before moving to Monmouths...
Category

21st Century and Contemporary Landscape Paintings

Materials

Oil, Board

Sail and Wall, 2023 - Minimalist Abstract Seascape with Boats, Pink and Brown
By Nicholas Turner
Located in Kingsclere, GB
Nicholas Turner is a painter of quiet compositions that are beautifully structured and well-painted. Born in London, Turner spent many years in Bristol before moving to Monmouths...
Category

21st Century and Contemporary Abstract Paintings

Materials

Oil, Board

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