Beau Carey

Gold Rush

2024

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing the essence of the seemingly mundane scenes around town: an old salon, a decaying house with a fence made of skis, a vintage trailer park. His work is influenced by the work of American regionalists Edward Hopper and Grant Wood, Japanese printmaking, and German Expressionism. Travis Walker is the founder and director of Teton Artlab, a nonprofit arts organization that provides studio space for artists. He was born in 1976 in Tokyo, Japan, and earned his BFA in Painting and Printmaking in 2000 from Virginia Commonwealth University. Recent group exhibitions include the 2012 Western Visions Show and Sale and the 2013 and 2012 Takin' It to the Streets Art Fair, among many others. Solo exhibitions include "American Dreams" in 2012 at Cowboy Coffee...

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

Les Thomas has long recognized painting as a language in its own right, and its diversity in terms of poetic and conceptual messages, exhibited by each individual picture. Les Thom...

"Lush Fall Foliage" is a framed oil painting on canvas by Marshall Noice, depicting an abstracted copse of trees with red and pink leaves. The artist's use of intense color for the f...

"Ash, Shorham" is a framed oil painting on canvas by Marshall Noice, depicting an abstracted copse of trees on a hillside. The artist's use of intense, varying color for the foliage ...

A companion painting to this piece, TECHNOLOGY OF DIRT is owned by the Knoxville Museum of Art. The painting "TECHNOLOGY OF DIRT & AIR" was inspired by an image glanced as I passed by a florist shop window. Inside the florist show was a vibrant floral arrangement overflowing with roses and foliage. On the surface of the window were reflections of architecture behind me and abstracted slivers of light and distorted shapes of things reflected though hardly recognizable. I snapped a few photographs at the time. Several months later, I returned to those images and was intrigued at how the flowers in the image seemed to be made out of crystal and how the reflections on the window "interrupted" the ability to easily make out the forms in the photograph. I was intrigued by the complexity of the image and how recognizable elements emerged and then faded into abstraction. As I worked on this painting, I wanted it to be as if it was coming into crisp focus, while also becoming a complicated tapestry of shapes and colors. I have made six paintings in this series thus far. Jered Sprecher is a visual artist who was born in Lincoln, Nebraska (1976). He received his M.F.A. from the University of Iowa and his B.A. from Concordia University in Nebraska. He has taught at Princeton University and Cornell University. Mr. Sprecher currently lives and works in Knoxville, Tennessee, where he is an assistant professor at the University of Tennessee. Jered Sprecher’s studio practice explores the “handwriting” of humankind. The vocabulary that he draws from is focused on the vast array of marks and images in one’s surroundings. From this vocabulary he samples visual motifs and imports them into his paintings and drawings. These works continually focus on remnants and fragments that are captured in the midst of change, then edited and fused together in the space of painting. These images are pregnant with a longing to communicate. The success and failure of these “messages in a bottle” are the basis of his work. Mr. Sprecher has had solo exhibitions at Wendy Cooper Gallery, Chicago; Jeff Bailey Gallery, New York; the Art Gallery of Knoxville; The Cress Gallery-UTC, Chattanooga; and Steven Zevitas Gallery, Boston. His work has also been included in group exhibitions at The Drawing Center, New York; Brooklyn Academy of Music (Next Next Art), New York; Cheekwood Museum of Art, Nashville; Des Moines Art Center; Urban Institute for Contemporary Art, Grand Rapids; Arthouse, Austin; Mark Moore Gallery...

The painting "CLOUD" by Libby Rosa blurs the distinction between abstraction and representation. And that rational/irrational alignment is only part of the ...