Untitled, 39
View Similar Items
Ben WilsonUntitled, 39c. 1985
c. 1985
About the Item
- Creator:Ben Wilson (1913-2001, American)
- Creation Year:c. 1985
- Dimensions:Height: 33 in (83.82 cm)Width: 46 in (116.84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quogue, NY
- Reference Number:1stDibs: LU131215338302
Ben Wilson
Born in Philadelphia, Ben Wilson was a New York Abstract Expressionist painter. His work was exhibited frequently from the mid-1930s through the 1960s, and less frequently but consistently through the rest of the century. Decade by decade beginning in the 1930s his painting comprises a micro history of the period’s art, while depicting what was foremost in the American consciousness of the time.
Wilson’s earliest work shows an intense awareness of social and economic turmoil of the 1930s. Dominating the content was the flow of world events beginning with the Spanish Civil War and followed by the rise of fascism, the Second World War and the plight of the persecuted, displaced and slaughtered minorities. Wilson was concerned with representing humanity and suffering in a changed world.
By the late 1950s Wilson began using abstraction in his paintings, merging himself with the “New York School” of art. He shared many of the values of Abstract Expressionists like Mark Rothko, Robert Rauschenberg, and Jasper Johns.
Through the 1960s, Wilson completed his transition to abstraction, exhibited in New York and Paris and received a Ford Foundation artist-in-residence grant. As the decade progressed he became increasingly experimental with his mediums, using house paint, sand and other unorthodox materials.
Ever one to pursue a personal aesthetic path regardless of popular movements and critical reactions, Wilson increasingly withdrew from the New York art scene from the 1970s on.
Throughout his life Wilson painted and drew every day. He left behind a large body of work and an extensive archive, including exhibition catalogues, reviews, and correspondence that are now part of the permanent collection of the George Segal Gallery at Montclair State University. A portion of his archives is in the Smithsonian Archives of American Art.
Wilson is listed in Who’s Who in Art; Who’s Who in the East; Dictionary of International Biography; American Artists of Renown and International Encyclopedia of Artists. His work is in numerous public collections, including the Hebrew Union College-Jewish Institute of Religion Museum, New York, NY; Jane Voorhees Zimmerli Museum, New Brunswick, NJ; Rutgers University Art Library and Classics Department, New Brunswick, NJ; Bryn Mawr College, Bryn Mawr, PA; Norfolk Museum, Norfolk, VA; and Fairleigh Dickinson University Collection of Self-Portraits, NJ.
Find original Ben Wilson paintings and other art on 1stDibs.
(Biography provided by Quogue Gallery)
- Artist & Model, 1986By Ben WilsonLocated in Quogue, NYBorn in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...Category
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Sunday, 2018By Katie Ré ScheidtLocated in Quogue, NYOil on canvas, framed in a walnut floaterCategory
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Satori IBy ClementineLocated in Quogue, NYAcrylic on canvas abstract paintingCategory
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsCanvas, Acrylic
Price Upon Request - RomanticismBy ClementineLocated in Quogue, NYAcrylic on canvas abstract paintingCategory
15th Century and Earlier Abstract Expressionist Abstract Paintings
MaterialsCanvas, Plexiglass, Acrylic
Price Upon Request - Abstract Flowers ( 497), 1968By Bob Paul KaneLocated in Quogue, NYOil on linenCategory
1960s Abstract Expressionist Abstract Paintings
MaterialsLinen, Oil
- Room with a View, 1980sBy Bob Paul KaneLocated in Quogue, NYOil on linenCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsLinen, Oil
- Untitled 01 [Remains of the Remains 01] - Contemporary, Black, White, AbstractBy Zsolt BerszánLocated in Berlin, DEUntitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Diving for PearlsLocated in New York, NYDiving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - James Joyce's SmileLocated in New York, NYJames Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - 'Shattered Atlas: The Modern Burden' - Abstract Cubism Portrait by MasriBy Masri HayssamLocated in Carmel, CAIn "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...Category
Early 2000s Abstract Expressionist Portrait Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic
$52,800 Sale Price20% Off - Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph VasicaBy Joseph VasicaLocated in Soquel, CALarge Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...Category
Mid-20th Century Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
$20,000 Sale Price20% Off - "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil