Bette Spektorov

BETTE SPEKTOROV (1959) unusual large Abstract Expressionist Oil Painting ENGLISH

1995

ARTIST: Robin Charles Ball (1910-1979) British TITLE: “A Welsh Town At Night” SIGNED: labelled verso MEDIUM: oil mixed media on board SIZE: 44cm x 44cm inc frame CONDITION: excellent...

ARTIST: Trevor Frankland PPRWS RBA RI RE LG (1931-2011) British TITLE: "Grand Tour Revisited No.4" SIGNED: lower right MEDIUM: watercolour on paper...

ARTIST: Janet Patterson (1941-) Scottish TITLE: “Portrait OF A Seated Lady” SIGNED: lower right MEDIUM: oil on board SIZE: 30cm x 25cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in Edinburgh. She trained at Slade School of Fine Art. A French Government Scholarship enabled her to extend her studies, and a Churchill Fellowship in 1987 provided six months travelling and painting in Australia. Lectured at Liverpool and Wallasey Colleges of Art and then at Edinburgh College of Art, later moving to London. She said that her painting was “about the passage of life, how I react to situations and atmosphere”. Group exhibitions included Sheffield Open, Liverpool Academy, LG, National Trust and Fine Art Society, Edinburgh. Solo shows included Petter Potter, Haddington; Scottish Gallery, Edinburgh; and Camden Arts Centre, 1982. Was included in Scottish Art in the 20th Century at RWA, 1991. Won second prize, Hunting Art...

ARTIST: Paul Frans (1958-) Belgium TITLE: “French Promenade Scene” (probably Deaville) SIGNED: lower left MEDIUM: oil on canvas SIZE: 75cm x 50cm ...

ARTIST: Osmund Caine (1914-2004) British TITLE: “Paris Street Scene With Numerous Dispersed Figures” SIGNED: lower right MEDIUM: oil on board SIZE: 81cm x 69cm inc frame CONDITION: very good DETAIL: Artist in oil, watercolour and stained glass and teacher, born Manchester, full name George Osmund Caine. Studied at Birmingham College of Art, 1930–7, and in Italy, 1938. Served in the Military Police during World War II. Gained an honours degree in medieval and modern history and studied singing at Guildhall School once he had begun teaching, singing lieder and choral works on the radio and in concerts. He taught, 1945-76, including principal lectureship in graphic design at Twickenham College of Technology. Caine was a forceful, unconventional teacher who developed a successful, broad-based vocational course embracing illustration, exhibition and graphic design, typography and photography. In 1966 he made two films: The Ruskin Country, and, with his wife Mary, The Glastonbury Giants. Her associated book, The Glastonbury Zodiac: key to the mysteries of Britain, appeared in 1978. Took part in numerous mixed exhibitions, including NEAC, RBSA and RA, and had many solo shows in Britain and France, later ones including Duncan Campbell Fine Art, 1986, Galerie Salammbo, Paris, 1987, and retrospective at Orleans House Gallery, Twickenham, 1998. English hill figures, British castles, monumental effigies, Kew Gardens and France were notable themes in his work. Caine completed 15 stained glass windows in Britain and abroad, including St Gabriel’s Church, Cricklewood, and St Cuthbert’s Church, Copnor. In the mid-1980s Caine gained a Durham...

ARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...

Untitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso

James Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, verso

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

In "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...