Burton Kramer

TTH3J2

2020

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

Modernist Burton Kramer’s colourful acrylic paintings are unique geometric compositions that express musical themes. This piece, one of a series, is a striking combination of turquoi...

Maki's work is influenced by early Modernist Abstraction, while her combination of materials and technique make the pieces uniquely her own. This work, in subtle shades of white, gra...

Whitehouse Kennedy inserts itself into dialogue with the pop celebrity style of Andy Warhol and the provocative juxtapositions of portrait and text by Barbara Kruger. Only this time ...

Created in dynamic layers of glossy cobalt, this Storm Surge tondo by Shayne Dark envelops the viewer. Its turbulent and mesmerizing surface swirls and flows like fast moving water....

Lively and colourful, Aron Hill’s abstract paintings explore colour and form. This fun graphic piece in Kelly green is rendered as a shield-like shape on a white shaped panel. A blac...

Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her works inhabit space outside the two-dimensional plan...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This piece is made by casting Hydrostone on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gilding are applied to emphasize the texture on the surfac...

"Rhubarb" Abstract Painting by Kevin Barrett Acrylic and epoxy on aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall relie...

Curtain Wall is a piece created from cast resin panels. The piece depicts the nighttime Mountain Views and a cave system within that range. With this piece I was inspired by tapest...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the s...