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Carlton Scott Sturgill
it's freaky friday so... - mw4mw (Atlanta)

2015

About the Item

paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach, Florida, Temple Bar Gallery in Dublin, Ireland and the Newhouse Center for Contemporary Art in New York City. Sturgill currently lives and works in New Orleans, Louisiana.Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in Design in 2005, and his BA from the University of Cincinnati in 2002. Although he now lives outside of the Queen City, his work continues to be shaped by his Midwestern roots. His work has been exhibited in numerous galleries and museums in North America and Europe, including the Cornell Museum of Art in Delray Beach, Florida, Temple Bar Gallery in Dublin, Ireland and the Newhouse Center for Contemporary Art in New York City. Sturgill currently lives and works in New Orleans, Louisiana. Inspired by the bedroom communities of Mid-America, my work examines the conflict between our behavior in our most intimate moments and our desire to appear as ambassadors of a white-picket-fence America. Using materials sourced from the suburban landscape, such as paint chip samples from Home Depot and clothing from luxury name brand shirts, along with imagery and text appropriated from the Casual Encounters section of Craigslist, my work explores the dichotomy between public persona and private behavior. My paintings, sculptures and mosaics use the vernacular of the American heartland to scratch the surface of suburban pretense, exploring the compulsion to veil ourselves behind the façade of a commoditized version of the American Dream.

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