Carol Sutton

Untitled, 1979 - contemporary, gestural, abstract, acrylic on paper

1979

This colourful contemporary abstract painting is by Carol Sutton. In the 1970s, the paintings of a young Carol Sutton caught the attention of one of America’s best-known art critics...

This abstract expressionist painting is by Carol Sutton. At the age of only twenty-two years, a portfolio of sixteen serigraphs by Carol Sutton became part of a collection at the Sm...

This gestural, abstract, acrylic and pigment on canvas is by Montreal-based artist Shireen Kamran. Early in her career, Shireen Kamran’s enigmatic artwork was influenced by famed ab...

The vibrant colours—burnt orange, turquoise, black-a touch of green and the dynamic form of this inspired composition is quintessentially Otto Rogers. The modernist artist was masterful in his use of acrylic paints and his work reflected the natural beauty that surrounded his country studio. Saskatchewan born Rogers (1935-2019) was recognized by the NY art critic, Clement Greenberg as a ‘big attack’ painter early in his career and stated that his artwork showed a ‘fullness of inspiration.’ A devout follower of the Baha’i faith, Rogers did not view art as simply a ‘decorative thing.’ “Nature is God...

Harold Christopher Davies (1891-1976) abstract painting. Signed lower left Rubber stamp on the back from Hoover Gallery, San Francisco Initialed and dated on the back, 1968 Oil on pa...

"Fascination II" - Abstract Oil On Paper Original abstract oil painting depicting hues of blue, green, red and orange titled "Fascination II." Titled "Fascination II" bottom center...

Acrylic on paper 25 x 36 inches (63 x 92 cm) Framed: 31 x 42 inches (79 x 106.5 cm) Signed and dated lower right: Natkin1976 Provenance: Private Collection, NY Doyle Auctions, NY, 2...

Murray Hantman (1904-1999). Composition, 1951. Watercolor on paper, 14 x 21 inches. Unframed. Signed lower left. Signed, dated and titled en verso. Provenance: estate of Murray Hantman. Biography: Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War. As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad...