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Catherine Pennington-Meyer
Catherine Pennington-Meyer, Perspective, Original Abstract Painting

2020

About the Item

Perspective [2020] Original Abstract Acrylic on canvas Complete Size of Unframed Work: H:100 cm x W:100 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Perspective by Catherine Pennington-Meyer is an original abstract painting. This contemporary abstract is full of jewel tones and will lend a splash of colour to your home. It symbolises the notion of a journey through life, with the 'highlights' representing the events which influence or change us on a profound level. Catherine Pennington-Meyer is an award-winning artist who currently lives and works near Munich, in Germany. Her work concentrates primarily on abstract expressionism. Catherine has participated in exhibitions throughout Europe and has quickly established a prestigious international collector base. Catherine says of her art: `I see my painting as a kind of language, translating what I feel or experience to those viewing it. I am innately drawn to create raw, emotive, expressionist pieces, mostly abstracts, which distil a subject down to its feeling. I don`t only want my art to be `beautiful` but for it to reach out and touch the person who is viewing it on an immediate, intuitive level. I want my paintings to speak to their audience in their own visceral language. I am influenced by nature, particularly the multifaceted nature of water, and memories of growing up in particularly beautiful landscapes in North Yorkshire and Scotland. I also find human psychology and science fascinating. But I see compositions everywhere, whether it be flowers in a park, the way smoke curls, books on a library shelf or a street market. Everything is made up of shapes and colours. The world is a constant source influences and inspiration.’ Over time, as her work has developed, she has been increasingly compelled towards abstraction, through which she feels able to communicate an energy which is untethered by the constraints of realism. She enjoys playing with light, depth and movement in her art to give it immediacy and to draw a viewer into the composition. Catherine also enjoys poetry, and her works occasionally have accompanying narratives. Catherine views visual and written art as two sides of one coin and likes the notion that ‘painting is silent poetry, and poetry painting that speaks’ (Plutarch).
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