Charlotte Andry Gibbs

"Tilted Quadrilateral, " Minimalist Tan Contemporary Geometric Oil Painting

2018

"Crossroad," Oil on Linen, 30 x 30 Inches, is a vibrant and elegant geometric abstraction in saturated tones of yellow and two shades of blue/gray. Exquisitely crafted, there is a ...

"Gold Brick" is a geometric abstraction in yellow and white gold leaf and oil on wood panels, part of a series of small 3-dimensional constructions and 2-dimensional paintings by Cha...

Gentle, 2017, Oil on Found Wood 12 x 12 x .5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in Boston. Jea...

Untitled, 2017, Oil and Gesso on Plywood, 12 x 12 Inches. Jean Feinberg is a NY based artist whose works on paper (handmade paper, gouache, and collage) are closely linked to her un...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpt...