Claude Lagouche

MASSIVE CLAUDE LAGOUCHE ABSTRACT CUBIST PAINTING - 1960'S/70'S PERIOD

C. 1970'S

Artist/ School: by Claude Lagouche (French 1943-2020), see provenance details below. Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained reco...

Artist/ School: French School, mid 20th century Title:cubist / abstract composition Medium: oil painting on canvas, unframed. canvas: 23.75 x 47.25 inches Provenance: private...

"L 'arbre Mort" French School, circa 1960's signed lower corner, titled verso oil painting on canvas, framed canvas: 23.5 x 29 inches framed: 26 x 31 Wonderful fusion of colors blur...

Salade des Fruits by Jean Pierre Stagnaro (French c. 1961) cubist still life composition, very thickly painted. signed oil on canvas, framed framed: 25 x 37.5 inches canvas: 23.5 x 36 inches inscribed verso provenance: private collection, France; exhibition label...

This 1955 painting by Dutch artist Pierre Hubert (Piet) Schoenmakers (1919–2009) marks his pivotal transition into abstract art. Dominated by geometric red and blue forms against a m...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a paper collage. In eff...

Gregg Robinson, American (born 1948) "Cipher Bar 20" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

1972 Abstract oil on canvas massive artwork Abstract oil on canvas in verso signed B. T. Kim 72 Wood frame around canvas has vintage patina. Large for...