Dani Humberstone

Pocket Graffiti Wall: Peace with Spray Paint, Painting by Dani Humberstone

2010

This screen-print is a part of series "The Moon, The Sun and so on" which was exhibited in October 2018 at 'Slow Galerie' in Paris. AGNESSAGA (Agnese Tauriņa) is an image-maker worki...

Susan Brown "harmony" consists of tones of greens to showcase flowers in pink and purple pots. Additional information: Giclée Print on Paper Edition of 150...

Under The Trees’ by AGNESSAGA Limited Edition Silkscreen Print Edition of 45 Silkscreen Print on Paper Water-based inks on 240gsm natural white paper. Image Size: 74 cm x 48 cm Sheet...

This screen-print is a part of series "The Moon, The Sun and so on" which was exhibited in October 2018 at 'Slow Galerie' in Paris. Shakti is the embodiment of feminine energy in Tantric Hinduism. The figure of 'Shakti' has taken a relaxed pose and emanates softly powerful energy. On the left side: The Sanskrit word सूयःर् (sūryaḥ) means "the sun". On the right side: चन्द्रः (candraḥ) means "the moon". The Sanskrit elements were designed in collaboration with Valters Negribs, a doctoral researcher in Oriental Studies at the University of Oxford. AGNESSAGA (Agnese Tauriņa) is an image-maker working across disciplines such as illustration, graphic design and fine art. She is currently working between Riga and Oxford . AGNESSAGA completed her Graphic Communication bachelors degree at Central Saint Martins in 2016. She takes audience to a sensual and pulsating world. Screen - printing is a signature medium of AGNESSAGA. In her latest series of art prints...

Head on Ochre Wall, Graham Fransella, Limited edition 2 panel etching no. 5/35 88 x 136cm

Clare Halifax O is for Otter Limited Edition 3 colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist...

Catherine Ann Lurcat ( 1932-1994) was a French artist and painter born in Boulogne-Billancourt in the inner southwestern suburbs of Paris, and is the daughter of the architect Andre'...

Digital print. Unique, 1 of 1 piece. Léo and Steph are a French-Brazilian duo with a true passion for Pop Art who transform everyday objects into unique and exclusive works of ar...

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Abstract figurative woodblock print of a beach landscape with a boat. The print is stamped by the artist and titled and editioned in pencil. This print is editioned 47 of 86 and the print is not currently framed. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

"Reflecting Thoughts About Remembering" - Monoprint on Paper Sepia colored monoprint of a male figure "reflecting and remembering." A nude male figure sits with his head facing down...

Silkscreen is another name for the screenprinting technique, a printmaking process in which an ink-blocking stencil is applied to a screen, allowing ink that is wiped across the screen to selectively pass through to a printing surface. Before the development of synthetic materials, silk was used as the screen material, giving this process the name silkscreen. Originally used for commercial purposes in the early 20th century, the technique would be termed “serigraphy” in the 1940s to differentiate its use for fine art. Artists of the 1960s, notably Andy Warhol and Roy Lichtenstein, incorporated screenprinted images from mass media into their works, while in Europe, artists like Alain Jacquet and Gerd Winner...