Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Daniel Diaz-Tai
ASEMIC N004.14

2021

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

A painting on paper set in a white shadow box frame, 30x 22" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jakarta, Shanghai, Hong Kong, and the United States, Diaz-Tai was greatly influenced by his multicultural upbringing, allowing him to create his own form of visual language. His works feature asemic writing, which is based on aesthetic influence rather than verbal expression. Identifying as a Latino-Asian man, Diaz-Tai’s non-specificity writing allows him to bridge the journey of having lived in three different spheres of the world. The abandonment of rigid text is what allows for freedom in his work, and this series invites viewers of all cultures and languages to understand his journey. There is no need for legibility to grasp his emotions– the open-endedness of gestures and impressions is what attracts the eye. Keywords: Sumi ink, black, abstract, archival ink, paper, oil paint, canvas, sketch, language, writing, lines, white, black and white, graphic, monochrome, new york design, new york, Chelsea, modern, contemporary, interior design, urban.
  • Creator:
    Daniel Diaz-Tai (1981, American, Taiwanese, Venezuelan)
  • Creation Year:
    2021
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU156629838022

More From This Seller

View All
Asemic N0012.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Ink, Archival Paper

Asemic N0016.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Ink, Archival Paper

Asemic N0017.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Ink, Archival Paper

Asemic N001.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Archival Paper, Ink

Asemic N0015.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Ink, Archival Paper

Asemic N0019.23
Located in New York, NY
Work on paper from Venezuelan artist Daniel Diaz Tai, one of a kind, signed, framed. Available at our gallery in NYC.
Category

2010s Abstract Abstract Paintings

Materials

Ink, Archival Paper

You May Also Like

Simultaneous Evolution- Gestural, Expressive Abstract, Zen Calligraphy
Located in Rockville, MD
Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...
Category

2010s Abstract Expressionist Paintings

Materials

Mixed Media, Acrylic

A Singular Transformation II - Energetic, Expressive Abstract, Zen Calligraphy
Located in Rockville, MD
Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...
Category

2010s Abstract Expressionist Paintings

Materials

Mixed Media, Acrylic

Dual Poetry I
By Vicky Barranguet
Located in New York, NY
Acrylic on canvas 35 x 35in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry Po...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic

002_LANGUAGE
Located in Los Angeles, CA
John Chang’s work is about childhood memory, cultural identity, and distance. “A Chinese student has to learn a few thousand words in order to write and rea...
Category

2010s Abstract Mixed Media

Materials

Canvas, Mixed Media, Acrylic, Newsprint

Dual Poetry III
By Vicky Barranguet
Located in New York, NY
Acrylic on canvas 35 x 35in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry Po...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic

Afterthought #2
Located in Crested Butte, CO
Mixed Media, Gouache, Watercolor Ink on Canson 140lb Cold-pressed paper, Framed Denver, Colorado based contemporary artist Julia Rymer asks "what if art gave you the same experience...
Category

2010s Abstract Expressionist Mixed Media

Materials

Charcoal, Acrylic, Gouache

Afterthought #2
$1,080 Sale Price
20% Off