Danilo Bergamo

Defilé - Original Tempera by Danilo Bergamo - 1970s

1970s

Tempera on paper realized by the italian artist Contempologyc in 2020. Excellent condition.

Defilè is an original mixed colored tempera on cardboard realized by Danilo Bergamo in 1970s.. Hand signed on the lower right margin...

Study for Decoration is a graceful preparatory sketch for a decoration of the French artist, stylist, decorator and illustrator Adolphe Giraldon. This is a small painting in tempera ...

Hockey is an original artwork realized by Edgar Stoëbel during the 1980s. Tempera on paper. Hand-signed by the artist on the lower right corner. Very good conditions except for som...

Image dimensions: 29 x 22 cm. The Globe is an original artwork realized in the half of the XX Century by the French artist Denise onvallet Philippon. Original tempera on paper. T...

Composition is beautiful original Modern Artwork in mixed media realized by Edgar Stoebel (1909-2001). In good conditions, except for some folding and r...

Through bold colours and striated surfaces, Giulio D'Anna has captured the warmth and vibrancy of the Italian landscape. This collage is an early example of D'Anna's work, a truly cl...

GIACOMO BALLA 1871-1958 Torino 1871 - 1958 Rome (Italian) Title: Forms Sound Forme rumore, 1925/30 Technique: Signed Tempera on Card Size: 19 x 22.7 cm. / 7.5 x 8.9 in. Addition...

Casein on board, signed lower right. 22 x 29.5 inches; 33 x 39.5 inches framed. Provenance: Paul Burlin Art Trust Hollis Taggart Galleries, New York, ...

SURFACE CP/869 Steel 1951 Tempera, pencil on twelve paper tiles, on sheet Tempera, pencil on twelve layers of paper, on sheet cm 31 x 24 (sheet) 15 x 20 (panel) EXHIBITONS F.R. Mor...

Hanan Shlonsky Circle of Literature, 2007 tempera on linen 82x100 cm Exhibited: Comparative Literature, 2009 Artists' House Tel-Aviv , paintings on l...

Painted by "Modern British" Surrealist artist John Armstrong this oil/tempera on board depicts Pavanne. The Pavanne is a 17th century Court dance. The figures bunch up rhythmically and are almost camouflaged in the darkness, almost invisible. Quite what the significance in 1944 of this historical subject is, we are not sure, but the dark overtones in the shadowy large figures with golden head and glowing hands make it quite a mystical work. It is an almost Surreal Modern British artwork and a very interesting painting. The work is painted by a very rare to find artist who is highly sought after. The painting was dirty when purchased. However since cleaning the 80 years of dirt away it has revealed the stunning figure group with their heads and golden hands and the signature and date in the lower right. A real gem of a painting has been revealed with the restoration clean. It is an important early British Surrealist work and has excellent provenance. Signed and dated 1944 lower right. Provenance. Alex Reid / Lefevre Galler 1945. Condition. oil/tempera on board, 34 inches by 20 inches unframed and in good condition. Housed in its original fine gallery frame, 43 inches by 29 inches framed and in good condition. John Rutherford Armstrong ARA (1893-1973) was a British artist and muralist who also designed for film and theatre productions. He is most notable for the Surrealist paintings he produced. Armstrong was born in Hastings in Sussex. His father was a clergyman and Armstrong was educated at St. Paul's School in London. He studied law at St. John's College, Oxford, but switched to art and became a student at St John's Wood Art School throughout 1913 and 1914. Armstrong served with some distinction in the Royal Field Artillery in Salonika during World War One before returning briefly to complete his studies at St John's Wood Art School. After a period of some economic hardship, Armstrong began to build a career as a theatre designer in London and to gain a client base for his artworks. He received a commission to decorate a room in the Portman Square home of the art collector Samuel Courtauld, and also painted a frieze for the ballroom at 1 Kensington Palace Gardens. Armstrong held his first solo exhibition in 1928 at the Leicester Galleries in London. In 1933 he joined Unit One and displayed a set of semi-abstract paintings at their one, extended, exhibition. Throughout the 1930s Armstrong continued to work as a designer as he also continued to develop his art. He produced a number of remarkable posters for Shell and also produced four posters for the General Post Office. Armstrong designed a number of book covers for the Hogarth Press...