Debora Stewart

'Delicate Floral 2', Abstract Expressionist Acrylic on Canvas Board Painting

2017

Unframed this piece is 36 x 36. A paintbrush warrior of sorts, Theresa begins her paintings by energizing the surface to create a fresh approach. Color, mark making, and brush strok...

This framed abstract acrylic on canvas painting entitled 'Melody' was created by American artist Theresa Girard in 2023. Set inside a simple white frame, the painting features areas ...

The framed size is listed. UNFRAMED this piece measures 60" x 60". Born and raised in Georgia, from a young age, Laura developed a deep love for an array of creative outlets. Design...

A paintbrush warrior of sorts, Theresa begins her paintings by energizing the surface to create a fresh approach. Color, mark making, and brush strokes with various tools are used as...

Mel began her artistic career as a devoted clay sculptor. However, as time passed, she began to long for a change. Several years back she explored new options while exhausting more mediums than she can recall. It was during this period that she discovered a small batch of beeswax left behind from the last of her grandfather's beehives. Mel's grandfather, Sam Sekerak, spent his childhood in Russia where he was inspired to build an apiary farm. His dream came true as an adult in the States where he built and farmed his own set of beehives. As a young girl, Mel felt such a sense of peace walking amongst her grandfather's hives. She developed a very deep connection, respect, and appreciation for Mother Nature. Like many artists, she is a constant source of inspiration. This connection along with that old batch of beeswax is what led my transition away from clay and into encaustic painting (painting with molten beeswax). She is grateful for the intense labors of the beautiful honeybee, and consider beeswax a unique gift to be treasured. As a strange twist of fate, her name is translated in the Greek word for "honeybee". She loves traditional Japanese pottery and contemporary Japanese painting. The soft satin finish of the beeswax along with the ability to incise elegant clean lines, was just what she'd longed to achieve. While many Japanese works of art...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Mary Titus' "If You Have a Heart" is an engaging 36" x 60" piece where abstract expressionism meets poignant social commentary. Including a sign found at a dog park in Carmel, the ar...

Katherine Bello Title : Note to Self Materials : mixed media on wood panel. Date : 2020 Dimensions : 12"x12" Signed and Dated by Hand COA Provided Kather...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

Small-scale vibrant contemporary abstract composition with blue, gold, & pink by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero...