William Quinn

May Day

1963

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower left, inscribed label verso. 59.25 x 55.25 in. 61 x 57 in. (framed) Custom framed in a wooden double tray frame, hand-painted white. Provenance Galerie Lovers of Fine Art, Gstaad, Switzerland This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland. Carl Walter Liner was born in the Swiss canton of Appenzell, near the border with Liechtenstein, in 1914. The son of famed artist Carl August Liner, the younger Liner enjoyed more critical and commercial renown for his landscapes. In 1938 at the age of 24, he undertook what would become the first of several residencies in Paris. This particular sojourn helped to establish the trajectory of his career, as Paris would provide the setting in which he became acquainted with early twentieth century masters Maurice de Vlaminck, Georges Braque, Ossip Zadkine, Gérard Schneider, and Erich Heckel. The stylistic and technical influence of his contemporaries is clearly evident in Liner’s work from this point forward. Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes. By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and green, with accents of burgundy and pale yellow "May 29", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on canvas, 26 x 26 inches unframed, raw canvas sides Wire backing, ready to hang Signed verso James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

Beautiful mid-century Abstract Expressionist color field painting. Oil on canvas, 16 x 20 inches; 16.5 x 20.5 inches in simple vintage wood strip frame original to the piece. Signed ...