Donald Gerola

Abstract Rose, Abstract Expressionist Sand Fresco on Panel by Donald Gerola

circa 1990

Artist: Lamont Ferguson, American XXth Title: Untitled Year: 1972 Medium: Fused Plastic on Panel, signed and dated l.r. Size: 48 x 48 in. (121.92 x 121...

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Embrace Year: 1989 Medium: Acrylic and Mixed Media on Paper, signed Size: 30 in. x 23 in. (76.2 cm x 58.42 cm) Frame Size: 40 ...

Artist: Juhachiro Takada Title: Untitled III Medium: Encaustic, Sand on Canvas, Signed in pencl Paper Size: 10.5 x 12.5 inches Frame Size: 19.5 x 20.5 inches

Artist: Elwood Howell, American (1933 - ) Title: Pantico Series I Year: 1976 Medium: Acrylic on Canvas, signed l.r. Size: 46 x 80 in. (116.84 x 203.2 cm)

"Endless Night" captures the viewer's attention with its dynamic composition of sweeping, interlaced brushstrokes in monochromatic black, white, and gray shades. The abstract paintin...

"History Sticks to Your Feet" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a pale blu...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. If painting still respects a logic that legitimizes its practice and existence in our hyper-saturated civilization of the image, it is its ability to break the representation, to open a crack on the slippery LCD surface behind which reality takes shape and action, a crack that even if it was imperceptible, has permanent and incisive effects, destined as it is to open more and more. And it’s just around the idea of the crack that Giorgio Petracci...