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Donise English
Untitled (Large Graphic Abstract Painting on Canvas in Teal and Peach)

About the Item

Abstract painting on canvas in teal and peach with accents of black, white, and orange Oil on canvas in thin white frame, ready to hang as is 50 x 48 x 2 inches Signed on reverse side This large abstract oil painting was created by Poughkeepsie-based artist Donise English. A large teal block, slightly off-center, stands out against a more subdued peach-colored background. A a jet-black, jagged shape spans the composition horizontally, while a cluster of tangerine and bright white blocks on the right-hand side of the painting add a whimsical element. Paint is applied in thick strokes, creating the highly tactile texture that is characteristic of the artist's work. The artist received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000” University of Bridgeport, CT, Juror: Ursula von Rydingsvard (Invitational Award for Outstanding Contemporary Talent) “Labyrinths and Mazes”, The Loft, San Pedro, CA 1999 “Instinct”, Orange County Center for Contemporary Art, Santa Ana, CA Juror: Patrick Merrill, Director, Kellogg University Art Gallery, CalPoly, San Luis Obispo, CA “National Juried Exhibition”, College of Notre Dame of Maryland, Baltimore, MD Juror: Jan Howard, Curator, Baltimore Museum of Art “Gridworks”, Hera Gallery, Wakefield, RI Juror: Maureen O’Brien, Curator, RISD Art Museum 1998 “From Form to Function”, College Art Gallery, SUNY New Paltz Juror: Betty Wilde-Biasiny, Curator, Bronx Museum of Art 1997 “Texas National ‘97”, Stephen F. Austin State University, Nacogdoches, TX Jurors: Doug and Mike Starn Catalogue published “Pulp”, Santa Clara University, Santa Clara, CA 1996 “Metaphor for the 20th Century”, Hera Gallery, Wakefield, RI Juror: Rachel Rosenfield-Lafo, Curator, DeCordova Museum of Art “Hudson Valley ‘96”, College Art Gallery, SUNY New Paltz Juror: Linda Weintraub 1995 “Influenced by Nature”, Gallery at Hastings, NY
  • Creator:
    Donise English (American)
  • Dimensions:
    Height: 50 in (127 cm)Width: 48 in (121.92 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU2271897903
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To say that Jenny Nelson’s paintings are a celebration of process as much as their final, balanced composition would be an understatement. Each one of Nelson’s compositions is a unique roadmap into how her brain operates. Curious, experimental, persistent, dedicated; hers is a confidence built over years of sustained diligence in the studio. Based in Woodstock, NY, Nelson has developed a unique language of artistic expression. Paintings in this series present improvisational, gestural strokes balanced with structure and open space. “By layering, adding and subtracting, a history develops on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected have an emotional charge. What started as a wild party ends up as a contemplative, carefully edited composition, involving precise modifications, while hopefully leaving some life force intact”, says the artist of this process. Artist Statement: My work has always been anchored in drawing. 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