Duane Bousfield

'Geometric Abstract', New York, Gallery

Signed lower left, 'Stoltenberg' for Donald Hugo Stoltenberg (American, 1927-2016) and dated 1957. Titled, verso on original artist's label, 'West Side, New York'. Provenance: Mr. & ...

'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

'Large Bay Area Abstract' by Bruce Lauritzen, 1970. Smithsonian, California College of Arts and Crafts, San Francisco Art Institute, Museum of Modern Art, Milan ---- Signed lower ri...

Signed lower right, 'K. Miyoshi' for Kazuo Miyoshi (Japanese, 20th century) and painted circa 1960. Titled on old label, verso, 'Fantasia', additionally signed by the artist and with...

Robert S. Neuman was born in Kellogg, Idaho, in 1926. After an honorable discharge from the Air Force in 1946, he received his BA in 1949 and his MFA in 1951, both from the California College of Arts and Crafts in Oakland. He moved from the Bay Area to the East Coast in 1957 where he began teaching art at SUNY New Paltz, then at Massachusetts College of Art, Brown University, and Harvard University’s Carpenter Center for Visual Arts. He received a Fulbright Fellowship for Painting in 1953 and the John S. Guggenheim Foundation Fellowship in 1956. He has been the subject of countless exhibitions, including five solo shows in 2013. Neuman’s work has been on view at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Pennsylvania Academy of Fine Art, and the Museum of Modern Art, New York. His work is included in public collections including the Carnegie Museum of Art, Yale University Art Gallery, the Museum of Fine Arts Boston, and the Fogg Art Museum of Harvard University. He died in June 2015. During the 1950's, Neuman painted in an Abstract Expressionist style, incorporating the stylistic signifiers of the Bay Area School such as broad surface treatments, a full color palette, and atmospheric light. In the 1960's, Neuman's art evolved into geometric abstraction, fusing form and content that often verged on symbolism. He produced various bodies of works such as the Kandinsky-esque cosmos paintings...

This painting is an exceptional abstract work by the noted Argentine artist Delia Solari (1940-). The painting is titled Ritmico III (Rhythmic III in Engl...

Domenick Capobianco (American, born 1928) Abstract Geometric Composition, Mixed Media on Cardboard, acrylic and spray paint, apparently unsigned, "Studio Domenick Capobianco" stamp t...

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...