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George DannattAigues - Mortes1961
1961
$354.45
$469.9124% Off
£264
£35024% Off
€305.58
€405.1224% Off
CA$498.05
CA$660.3024% Off
A$546.96
A$725.1424% Off
CHF 281.56
CHF 373.2724% Off
MX$6,544.56
MX$8,676.5024% Off
NOK 3,584.82
NOK 4,752.6024% Off
SEK 3,359.51
SEK 4,453.8924% Off
DKK 2,282.18
DKK 3,025.6224% Off
About the Item
George Dannatt (1915-2009)
Aigues - Mortes
1961
Gouache on paper
Image: 11.4 x 22.8 cm
Frame: 38.7 x 48.9 cm
Exhibition
1981 May. Newlyn Gallery: Retrospective Exhibition
Provenance: The George and Ann Dannatt Estate, The George Dannatt Trust
George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell, all of whom were alive to the unique visual appeal of the south and west of England. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. He favoured small scale in which he fashioned exquisite, thoughtful abstractions of landscape themes.
- Creator:George Dannatt (1915 - 2009, British)
- Creation Year:1961
- Dimensions:Height: 4.49 in (11.4 cm)Width: 8.98 in (22.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bournemouth, GB
- Reference Number:1stDibs: LU1589215769962
George Dannatt
George Dannatt’s career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. His life-long interest in the geometry of nature, together with his virtuosity with colour, texture, tone and balance, are hallmarks of his style. Viewers will notice the very precise geometry in this work which is composed of strong horizontal, vertical and curvilinear elements which interconnect. Dannatt’s life-long involvement in the landscape resulted in an important contribution to the Wessex landscape school – a distinctive and perhaps unique artistic formation that belongs to the established history of modern British art.
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