Gerald Coarding

"Abstract" 1947 Mid-Century Non-Objective WPA Geometric Color Field Abstraction

1947

American artist Walter Quirt painted this modernist non objective geometric abstract oil color field during the WPA era in the 1930s. Abstraction, 12 x 16 inches. Oil on canvas. Sig...

Geometric Abstract American Oil Painting WPA Color Field Abstraction Modern Non Objective. August Mosca was born in Naples, Italy on August 19, 1909. He and his family emigrated to ...

"Abstraction" Mid-Century Abstract Non-Objective Color Field oil painting modern James Daugherty (1887 – 1974) "Abstraction," 28 ½ x 20 inches. Estate...

Red to Black, 1954 Abstract Oil Mid-20th Century Modern Non-Objective. Published. Signed and dated upper left. 40 1/4 x 18 1/2 inches oil on canvas. Provenance: Estate of O. Louis Guglielmi. Robert Schoelopf Gallery. Andrew Crispo Gallery. Published in the artist's monograph as seen in the attached photos. BIO Painter O. Louis Guglielmi moved stylistically from a symbolic Social Realism, Precisionism, and Surrealism, ultimately to abstraction, but his subject matter, when it existed, dealt with society's underdogs. He had experienced slum living as a youth, moving from place to place because of his violinist father's need to find employment. Though Guglielmi was born in 1906 in Cairo, Egypt, his Italian parents moved the family to Italy. In 1914, they were living in New York City in Harlem's Italian slum. Guglielmi was involved in the political and artistic protests of the trial, conviction as anarchist bombers, and execution of Sacco and Vanzetti...

Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right. Provenance: Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation). Sothebys American art sale October 10, 2008. The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston. BIO Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...

This piece is round and is 42 inches in diameter. For Dugar, nature is sacred. Dugar mimics this belief in her art by creating a sacred and tactile space. This series of large canva...

Born December 12, 1965 in New York City, Michael's father owned a fine art moving business and his mother was a playright/director. They were surrounded by a diverse crowd of artists,such as filmmaker Gary Galsworth and painter Charles Mingus Jr.. Michael’s family moved across the USA, living in Madison and Santa Fe, and finally settled on Whidbey Island in Washington State. He spent his teenage years clearing a six acre plot of land with his family and building a seven sided geodesic dome house. Michael attended The Evergreen State College from 1983-87, studying film and photography. After graduation he took his camera and, over a ten year period, traveled extensively throughout Europe. While travelling he lived with, performed with, and documented circus performers and their communities. With no formal education as a painter, Michael draws on his eclectic past for inspiration - strongly influenced by his travels throughout Spain and France and rich colors and textures marked by time. Michael moved to St. Louis in 2001, where he works as a full time artist and raises his daughter and twin boys - a lifetime dream. His artwork is collected by individuals and corporations worldwide. "My paintings are meditative studies done with rich colors and bold graphic compositions - I often incorporate circles, grids and stripes. The universality and appeal of this symbology pulls the viewer in and holds them there to explore the subtle details. I try to create work that both captivates and calms. I work with abstractions because I want to put forth something universal that can be open to interpretations that are unique to each individual and can continue to evolve over time. A common theme in my painting is the relationship between rigid linear form and the organic flow of nature, order and disorder. I feel this is reflective in many ways of our society and peoples’ longing for something more than the sterility of technology in our modern lives. I believe inclusion of these two elements creates a certain universal harmony in many of my paintings. My pieces are also about the act of painting itself. I explore the physical nature of my materials and push to use unique and original methods of applying them. Many times there is strong evidence of my physical relationship to the canvas as I paint - using my body motion as a natural pendulum and the random arcs of my markings. Other works are done on wood panels that I coat with a plaster mixture and carve into before it sets. The geometrical markings bring to mind old nautical maps...

This piece is framed. Pricing includes the pictured frame. The unframed dimensions are 66 x 42 inches. For Shivani Dugar, nature is sacred. Dugar mimics this belief in her art by c...

Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of...

Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of...

Colin Lawson says "I work primarily with oil on canvas. Attention to detail, precision, and accuracy in the application of pigment is my main concern when constructing the surface of...