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Gerard StricherLe Retour de l'Automne2024
2024
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
In "Le Retour de l'Automne" (2024), Gérard Stricher (b. 1948) celebrates the rich tapestry of fall through a masterful blend of warm and cool tones. This oil on canvas captures the essence of autumn, where the warmth of oranges, yellows, and browns is beautifully contrasted with cooler shades of blues and purples. The painting's composition hints at a landscape in the throes of seasonal change, with leaves drifting through the air and the earth beginning to settle into its winter preparations. Stricher's gestural brushwork breathes life into the scene, capturing the fleeting beauty and inevitable transformation that define autumn.
Autumn, fall, seasonal change, warm tones, cool tones, leaves, landscape, transformation, nature, gestural brushwork, beauty, contrast, earthy, preparation, transition, fleeting, rich, tapestry, expressive, organic, evocative.
Crate costs estimated at $500 USD.
- Creator:Gerard Stricher (French)
- Creation Year:2024
- Dimensions:Height: 63 in (160 cm)Width: 63 in (160 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1566214959092
Gerard Stricher
Gérard Stricher, an abstract impressionist, uses oil paints as his medium to create vibrant landscapes and nature. His paintings take the viewer on a welcoming journey; soon absorbing one to an experience in his world. Drawing from a basis of COBRA, his style begins to take life as these resonances dim. Gérard's work "ignites in great impulses and curves, coming alive in a flood mastery of colors, with the assurance of the gesture generating forms according to an intense rhythm, breathing pauses appeased, a chromatic autonomy, and, little by little, emerges a subtle seduction. All this leaves footprints, consolidating then seizing the work with all the ardor of pictorial gesture."(Manfred Schneckenburger)
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