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Gregg RobinsonLarge Modernist Abstract Painting (1of 2 available)1990
1990
$2,500
£1,931.68
€2,233.21
CA$3,532.68
A$3,962.14
CHF 2,074.91
MX$48,143.82
NOK 26,347.88
SEK 24,979.64
DKK 16,669.73
About the Item
Gregg Robinson, American (born 1948) "Cipher Bar 20" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4"
GREGG ROBINSON
The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism.
I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself.
The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin.
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Allstate Insurance
NBC Productions
Alaska Airlines
Neiman Marcus
Apple Computer
Nordstrom
Arthur Anderson
Pacific Bell
AT&T
Boeing
GM Saehan Bank, Los Angeles
GTE Schumpert Medical Ctr, Shreveport
Hyatt Hotels, Cancun, MX
IBM Shabu Shabu Aoyama, Honolulu
Lexus, Bellevue
Trammell Crow, Dallas
Liberty House, Honolulu
United Airlines, Seattle
Mariott Hotels, Beirut
Marriot Hotels, Aruba
Westin Hotels, Chicago
Microsoft
Wyndham Hotels, Corpus Christi
Mitsubishi, Los Angeles
Wyndham Hotels, Palm Springs
- Creator:Gregg Robinson (1948, American)
- Creation Year:1990
- Dimensions:Height: 24.25 in (61.6 cm)Width: 72.25 in (183.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor rubbing to paint.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211955712
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Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W
GREGG ROBINSON
The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism.
I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself.
The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin.
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