Items Similar to "Untitled 5" Painting 102" x 102" inch by GUELA TSOULADZE
Want more images or videos?
Request additional images or videos from the seller
1 of 2
GUELA TSOULADZE"Untitled 5" Painting 102" x 102" inch by GUELA TSOULADZE2021
2021
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
"Untitled 5" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy and Ben, becoming co-author of the first monumental Fluxsus sculptures in the world. In Batumi, he creates in 2013 the Batumi Grafikart Festival, the first Street Art festival in Georgia. More recently, in 2018, he organizes the centenary of 41 °, the first group of avant-garde Georgian artists in tribute to Iliazd.
Art knows no limits, and neither does love and freedom. They are the last rampart against obscurantism and violence, whether political and internal, or external, on the constantly contested borders of Georgia. It is this message, so simple, and yet inaudible to some, that the artist repeats in his works, echoing the colorful utopia of the 80s in Paris and New York.
Guela cultivates a sense of unity, of celebration and of light that spreads over his colossal paintings and sculptures. With this mysterious black dot guiding him, the artist seeks the magic of spontaneity, a sweet mixture of luck and intuition that touches the boundaries of reality, mysticism and spirituality.
- Creator:GUELA TSOULADZE (1959, Georgian)
- Creation Year:2021
- Dimensions:Height: 102 in (259.08 cm)Width: 102 in (259.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085111795502
About the Seller
4.8
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2016
1stDibs seller since 2018
420 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Homel, Belarus
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Untitled 6" Painting 102" x 102" inch by GUELA TSOULADZE
Located in Culver City, CA
"Untitled 6" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Oil
"Untitled 3" Painting 102" x 102" inch by GUELA TSOULADZE
Located in Culver City, CA
"Untitled 3" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Oil
"Untitled 7" Painting 102" x 102" inch by GUELA TSOULADZE
Located in Culver City, CA
"Untitled 7" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Oil
"Untitled 2" Painting 102" x 102" inch by GUELA TSOULADZE
Located in Culver City, CA
"Untitled 2" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Oil
"Untitled 1" Painting 102" x 102" inch by GUELA TSOULADZE
Located in Culver City, CA
"Untitled 1" Painting 102" x 102" inch by GUELA TSOULADZE
Oil painting on oilcloth canvases.
ABOUT THE ARTIST:
Nomad from birth, Guela Tsouladzé was born on November 8, 1959 in Tbilisi, Georgia, from a French mother and a Georgian father. His father was one of the first Georgian psychanalyst; but working with the conscient and subconscient of the homo sovieticus was a disputed occupation, criticized by the soviet ideology. Therefore, it required a significant dose of audacity; it’s in this context of insubordination and freedom, that Guela tirelessly repeats that he will be an artist, without ever having painted anything.
The father thus commissioned his first work: a black dot on the ceiling of his office, which his patients would fix during the sessions. The gateway to hypnosis, and the artist’s future signature. Perhaps Guela's innate sense of daring and escapism comes from there; these two themes are till today reflected in his works.
Guela grows up in a surreal artistic universe, between France and Georgia, inspired in particular by Pirosmani, the brothers Zdanevitch and Salvador Dali, whom he met shortly before his death in 1981 at Portiligat Cadaques, and surrounded by the filmmaker Paradjanov, a friend of the Tsouladze family. He begins his studies at the Fine Arts on Tbilisi in 1977, but the ultimate horizon is Paris. He joins the Art Décoratifs from 1980 to 1983 and then the Beaux-Arts from 1983 to 1985. He becomes the assistant of Christian Boltanski, whom he follows from exhibition to exhibition.
In France, the 80s are colorful years, wild like a Fauvist painting. Art comes out of museums and gives birth to the free figuration, an elusive movement, which was slowly taking shape in the lethargy of the Beaux-Arts. Pop culture, in its spontaneity and in its lack of self-control, takes over everything and breaks down all codes, groups and borders. Art is free from all constraints and analysis.
Guela is there at the right time, in the right place, with the right people. The Holy Trinity, as he likes to repeat. These crazy years are an ecstatic playground for his artistic instincts.
Guela paints on everything: papers, canvases or newspapers. His grand formats are at the scale of his silhouette; he leaves the Beaux-Art and joins the first squats in the nineteenth arrondissement of Paris, notably the Quai de Seine workshop, which he shares with Remy Blanchard and Vincent Scali. These are the years of Ben, of the Di Rosa brothers, of Robert Combas and François Boisrond.
Art for everyone, and party for all. Guela follows his intuitions to Ibiza and Barcelona from 1987 to 1993, where he works at the Casa Caritad, which will later become the city's Museum of Modern Art. This colorful and collective delight contrasts with the dark anxieties of our time. Contrary to the widespread dystopia, it was then the utopia that reigned!
New York is its epicenter, shaped by Basquiat and Keith Haring. Guela lives there from 1993 to 1998, including several years at the legendary Chelsea Hotel, of which he covers the walls and furniture with Georgian calligraphy. This is where his simplistic, black, and loving figures were born, later becoming his trademark and one of the symbols of Batumi.
It was precisely at the end of the 90s that his desire to build bridges between his native country and France became deeper. The Soviet Union died in a burst of freedom, and the Georgians slowly come out of a fratricidal war, fueled by Russia. Georgia needs love, so Guela replaces the flag’s crosses with hearts, following the 2003 Rose Revolution.
Since then, convinced that art is the answer to the stress that is still plaguing Georgia, Guela multiplies projects for exhibitions, partnerships, festivals and art centers. He brings several French artists to the Garikula Residency, including Jean Dupuy...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Oil
"Resiliance" Abstract Painting 50" x 63" inch by Tetiana Kalivoshko
By Tetiana Kalivoshko
Located in Culver City, CA
"Resiliance" Abstract Painting 50" x 63" inch by Tetiana Kalivoshko
Acrylic painting
Tetiana Kalivoshko is an American-based Ukrainian artist who...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Canvas, Acrylic
You May Also Like
"100x100≠2" abstract acrylic on wood 100x100cm 2021
Located in Saint Pol de Léon, Bretagne
In his painting "110x100=2", Pierre Morquin plunges us into a fascinating abstract universe. Vivid, contrasting colors such as red, yellow, blue and green intermingle to form geometr...
Category
2010s Abstract Abstract Paintings
Materials
Spray Paint, Acrylic
$1,525 Sale Price
20% Off
Contemporary large expressive abstract acrylic painting on canvas "Discovery"
Located in VÉNISSIEUX, FR
This abstract piece, "Discovery", was created by French artist Natalya Mougenot. A vivid explosion of color and form, it demands attention with its bold and striking composition.
At...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
$619 Sale Price
38% Off
Free Shipping
Ruz RAISON D´ÉTRE canvas - Abstract Acrylic Painting
By Rafael Ruz
Located in CORAL GABLES - MIAMI, FL
Original artwork by Spanish artist Rafael Ruz.
Acrylic in perfect condition.
While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Cotton Canvas, Acrylic
FIRMAMENTO, Painting, Acrylic on Canvas
By Jose Maria Palacin Calvo
Located in Yardley, PA
ACRYLIC PAINTING IN WOODEN FRAME, ON SUPPORT OF FABRIC. IS PROVIDED WITH A VARNISH LAYER TO SAVE FROM DUST AND DIRT :: Painting :: Abstract :: This piece comes with an official ce...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic
"?" abstract acrylic on canvas 100x140cm 2022
Located in Saint Pol de Léon, Bretagne
In this abstract painting, Pierre Morquin plunges us into a world of colors and shapes. Warm and cool tones blend harmoniously, creating an atmosphere that is both dynamic and medit...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Other Medium
$2,382 Sale Price
20% Off
Large abstract oil painting - 52 x 64 in.
By Alexis Portilla
Located in Los Angeles, CA
This is a large, vibrant and bold piece of abstract expressionist oil painting on canvas. Exclusively available from Modern Art Etc, call to inquire to view. Subject to availability....
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Oil Pastel, Oil
Price Upon Request
More Ways To Browse
Party Time Painting
Abstract Party Painting
Keith Haring Growing
Covered Bridge Paintings
Jean Rose Painting
Holy Family Painting
Ibiza Painting
Dali 1977
Keith Haring 1998
Keith Haring Untitled
Holy Trinity
Basquiat 1983
Blanchard Oil
Christian Dior 2021
1977 Salvador Dali
Christian Wall Sculpture
Salvador Dali Heart
Christian Dior 1993