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Dan ChristensenUntitled 296L71996
1996
About the Item
Following the dominant Abstract Expressionist wave of post-WWII, which decried realism in favor of non-representational forms, the second-generation Abstract Expressionists pointed the way forward. Famously declaring that painting had exhausted its possibilities and the medium’s progression was pushed to its logical end at the end of the 1950s, influential critic Clement Greenberg seemingly declared the end of Abstraction. The second generation, less concerned with expressions of inner angst like their predecessors, acknowledged the innovation of Abstract Expressionism by employing methods such as all-over composition, the emphasis on the flatness of the canvas, and the bold use of color drips and splashes.
Movements such as Hard-edge Painting, Colorfield Painting, and Lyrical Abstraction arose as a response not only to the previous generation of painters but to the aloof aesthetic nature of movements such as Minimalism and Conceptualism of the 1960s and 70s. Dan Christensen can be categorized under the umbrella of Lyrical Abstraction, which moved towards more lyrical, sensuous, and romantic abstractions that sought to reinvigorate a painterly tradition in American art.
- Creator:Dan Christensen (1942 - 2007, American)
- Creation Year:1996
- Dimensions:Height: 60 in (152.4 cm)Width: 54 in (137.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Boca Raton, FL
- Reference Number:1stDibs: LU1354212569212
Dan Christensen
Dan Christensen, (October 6, 1942 – January 20, 2007) was an American abstract painter He is best known for paintings that relate to Lyrical Abstraction, Color field painting and Abstract expressionism.Christensen was born in Cozad, Nebraska, and died in Easthampton, New York. His early work from 1965-1966 was related to Minimalism. A graduate of the Kansas City Art Institute, class of 1964, Dan Christensen moved to New York City from the Mid-West during the late summer of 1965. Christensen was represented by several influential galleries including the Andre Emmerich Gallery, the Salander/O'Reilly Gallery and various others throughout the United States and Europe. He has had more than seventy-five solo exhibitions and his work has been included in hundreds of group exhibitions. His paintings are in important museum collections throughout the United States and Europe.
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