Hilary Winfield

Modern Industrial 21, Painting, Acrylic on Canvas

2022

The Marks And Pools series is inspired by the beauty and fragility of nature. Floating pools of vivid green layers in a natural wood strip frame. “The creation of a thousand f...

Contemplative bold landscape painting with vibrant color blending, contrast and details. Textured with layers of green, olive green, beige, iridescent clear paint and earthy underton...

"Mainliner" is a perfect example of Hunter's commitment to the black and white form and expressionistic style. The painting is wall-sized, minimalist, interpretive and impressive. Th...

This graphic abstract is inspired by a drive in a county side during a snowy day. The color palette is black and white with shades of gray. Strong contrast creates dramatic effect, l...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Artist commentary: I like to transport my mind to a calming place, inspired by memories, and complex organic elements found in nature. Playing with colors and movement, creating new...

Artist commentary: I like to transport my mind to a calming place, inspired by memories, and complex organic elements found in nature. Playing with colors and movement, creating new compositions -- my best work comes when there is freedom to create without any strict plan. With intuition and spontaneity taking over, the result is often a surprise. To me, everything flows, and there is always a sense of balance and harmony that can emerge out of disorder. I love the ambiguous and mysterious nature of abstraction. Through self-discovery and experimentation, I am allowing dynamic energy that manifests through the joy of creating. The result is loose interpretations of anything that exists between the mind and reality, therefore each painting is unique and sometimes inexplicable. About the Artist: Ethereal and calming, Novi Lim's painting transports its audience to a land that is both dreamlike yet familiar. Lim Finds inspiration in the natural world, and seeks to capture their essence through an organic and sensory creative process. In the artist's own words: "Often, imagining a mythical flower that blooms and lit up in the nighttime or seeing something as simple as the calming gradient of the colorful sky at sundown, or the surface of water that glimmers which makes me wonder about the mystery of the deepest oceans -- piqued my creative process and subliminal stimuli." Guided by instinctive feeling, Lim lets the movements of her paintbrush flow as she experiments with atmospheric lighting, transparency, and color. The result is an ambiguous landscape that treads between the subconscious and waking world. Details: - Natural oak floating frame included. 38 x 48 x 2 inches (framed) - This is a hand painted, original painting - Created in North Carolina, USA - Professional grade acrylic on canvas - Gallery wrapped, triple primed, acid free cotton canvas - Ready to hang with wires and D ring - Signed on the back - UV varnished - Professional-grade paint - Certificate of authenticity included with original - Packaged securely in a wooden crate with Ph-Neutral glassine paper and bubble wrap Words used to describe the piece: modern flowers, modern floral painting...

Pair of decorative painting on panel representing flowers in the Japanese style. Two separate panels that can be joined together. Provenance : Collection of Denis Bettencourt Exce...