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James O'SheaAbstract 1 (Abstract Painting on Board with Metallic Copper Leaf)2021
2021
$1,300
£1,004.48
€1,161.27
CA$1,836.99
A$2,060.31
CHF 1,078.95
MX$25,034.79
NOK 13,700.90
SEK 12,989.41
DKK 8,668.26
About the Item
Abstract mixed media painting on board made with copper leaf and accents of blue, green, and sienna oil paint
"Abstract 1", Painted by Hudson Valley based artist, James O'Shea in 2021
Oil, copper leaf, and pencil on board
10 x 10 inches unframed, 12 x 12 x 2 inches in an off-white painted wood floater frame
Wire backing, ready to hang
Excellent condition
James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using brushes loaded with oil paint. Large swaths of earthy tones – teals, blues, greens, and brick red - are bordered by a muscular yet nimble line. James O’Shea was born in Buffalo, NY and studied in London at the City and Guilds of London Art School. He also attended Goldsmith’s College and the University of London where he majored in printmaking. Since moving to New York City in 1975, O’Shea continues to experiment with different media, but works mostly in oil and encaustics. Today, he spends his time between Barrytown, NY and Manhattan.
About the artist:
O'Shea's compositions of layered colors and shapes, seeming architectural and yet organic, are inspired by experiences near his studio on the Hudson River. The artist's interest in the energy surrounding nature's changing of seasons is clear as each color and shape come to represent a particular time of day or year. O’Shea finds revelation in observing the world while it’s deep in hibernation during the winter months. With foliage shed from the trees, therein lies nature’s defining qualities – branches that are finely etched against blue and gray winter skies, animals that are exposed to the elements, their tracks in the snow leaving proof of scurried movements. These characteristics of the land can only truly be known when it is cold and summer’s distractions are put to rest.
James O'Shea was born in 1952 in Buffalo, New York. He lived in London from 1970 to 1975 where he attended the City and Guilds of London Art School studying with Eric Morby. He also attended Goldsmith's College and the University of London, where he majored in printmaking. Moving to New York in 1975, he spent 10 years life drawing and investigating color. He experiments in most media, and is now primarily interested in oils and encaustic paints. In 2004, he exhibited his work at the Charter Oak Cultural Center in Hartford, Connecticut, in a one man show. In 2006 he exhibited at Paesaggio Fine Arts’ 100 Pearl Street Gallery in Hartford, Connecticut. O’Shea has also shown at the Albright-Knox Art Gallery in Buffalo, NY, and the Guildhall in London. His work is included in many private collections. Mr. O’Shea divides his time between New York City and the Hudson River Valley.
- Creator:
- Creation Year:2021
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2279957142
James O'Shea
James O'Shea was born in 1952 in Buffalo, New York. He lived in London from 1970–75, where he attended the City and Guilds of London Art School studying with Eric Morby. He also attended Goldsmith's College and the University of London, where he majored in printmaking. Moving to New York in 1975, he spent 10 years life drawing and investigating color. He experiments in most media and is now primarily interested in oils and encaustic paints. In 2004, he exhibited his work at the Charter Oak Cultural Center in Hartford, Connecticut, in a one man show. In 2006, he exhibited at Paesaggio Fine Arts’ 100 Pearl Street Gallery in Hartford, Connecticut. O’Shea has also shown at the Albright-Knox Art Gallery in Buffalo, New York and the Guildhall in London. His work is included in many private collections. O’Shea divides his time between New York City and the Hudson River Valley.
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This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, midnight blue, dusty peach, and green. The contrasting patches of dark yellow and forest green pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting.
Artist Statement:
My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting.
I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward.
I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole.
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About the artist:
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Solo Shows:
2019 Carrie Haddad Gallery, Hudson, NY
2019 Hidell Brooks Gallery, Charlotte NC
2018 Light Waves, Hidell Brooks Gallery, Charlotte NC
2017 New Works, Carrie Haddad Gallery, Hudson NY
2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC
2013 Traveling Light, Tria Gallery, Manhattan NY
2012 New Work, Smink Modern, Dallas TX
2012 New Work, Carrie Haddad Gallery, Hudson NY
2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY
2010 New Paintings, Chace-Randall Gallery, Andes NY
2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ
2008 The Light Between, Chace-Randall Gallery, Andes NY
2007 New Work, Carrie Haddad Gallery, Hudson NY
2006 Of Line and Light, Chace-Randall Gallery, Andes NY
2006 Abstractions, Gallery 100, Saratoga NY
2005 Spring Collection, Coffey Gallery, Kingston NY
2005 New Work, Carrie Haddad Gallery, Hudson NY
2004 Summer, Omega Institute, Rhinebeck NY
2004 New Work, Carrie Haddad Gallery, Hudson NY
2003 Paintings from Shady, Coffey Gallery, Kingston NY
2001 Fisher Studio Art Gallery, Annandale-on-Hudson
Group Exhibitions:
2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA
2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY
2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC
2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2013 AD Boston Art Fair, Gold Gallery, Boston
2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY
2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2012 Tria Gallery Summer Exhibition, Manhattan, NY
2012 AAF NYC, Tria Gallery, Manhattan, NY
2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2011 AAF NYC, Tria Gallery, Manhattan, NY
2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY
2010 Art Hamptons, Tria Gallery, Manhattan NY
2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA
2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA
2009 Curators Choice, Chace-Randall Gallery, Andes NY
2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY
2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA
2009 Small Works, Anne Irwin Fine Art, Atlanta GA
2009 Winter White, Tria Gallery, Manhattan NY
2009 Contrasts, Anne Irwin Fine Art, Atlanta GA
2009 AAF NYC Tria Gallery, Manhattan NY
2008 Summer Cocktail, Tria Gallery, Manhattan NY
2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY
2007 Faculty Plus One, Columbia Greene Community College, Hudson NY
2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY
2007 One New Work, Chace-Randall Gallery, Andes NY
2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY
2006 Beach, Gallery Yellow, Cross River NY
2006 Flow, Kleinart/James Gallery, Woodstock, NY
2006 Group Exhibition, James Cox Gallery, Woodstock NY
2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY
2005 Group Exhibition, Chace Randall Gallery, Andes NY
2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY
2005 New Talent, Alpha Gallery, Boston MA
2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY
2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY
2003 Senate House Show, Kingston NY
2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY
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2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY
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Cecilia Greene, New York NY
Helen Chapman, New York NY
Michael & Sheila Faharty, New York NY
Christopher Dlutowski, New York NY
Jim & Dianne Footlicke, New York NY
Laurent Gaudry, New York NY
Nancy Seigal, Boca Raton FL
Holli Gersh, Boca Raton FL
Kenneth & Margaret Uhle, Ridgefield CT
Dr. Lee Sider, Mt. Tremper NY
Friedrike Merck, Woodstock NY
Weston & Julia Blelock, Woodstock NY
Miller Howard Investments, Woodstock NY
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James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...
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EDUCATION
1983-1987 Hunter College: Master of Fine Arts, New York
EXHIBITIONS (Most recent)
2021 Le Comptoir des Motifs, Artefactory, Geneva, Switzerland, fabric design, group show
2018 Eric Laffer Gallery, Upstate Invitational, 3 person show, Schuylerville, NY
The Arts Center of the Capital Region, Configurations, one person show, Troy, NY
Carrie Haddad gallery, Ebb and Flow, Hudson, NY
Saratoga Arts, Then and Now, Saratoga Springs, NY 12866
2017 Byrdcliffe Kleinert/James Center, The Ritual of Construction, group show, Woodstock, NY
Carrie Haddad gallery, Summer, group show
Thompson Giroux gallery, En Masse, group show
Eric Laffer gallery, Winter Show, Schuylerville, NY
2016 Saratoga Arts, 30th Anniversary Invitational, Saratoga Springs, NY
Carrie Haddad Gallery, Summer Color, Hudson, NY
Laffer Gallery, 5th Annual Juried Group Show, Schuylerville, NY
2015 Carrie Haddad Gallery, Paper, group show, Hudson, NY
2014 Luminarté, Contemporary Islamic Art, group show, Dallas, TX
Spring Street Gallery, Where are you from? 3 persons show, Saratoga Spgs, NY
Albany Institute of History and Art, Mohawk Hudson Regional, group show NY
Albany International Airport, Natural Gestures, 3 persons show Albany, NY
Laffer Gallery, Winter show, Schuylerville, NY
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2021 Community Mural United Nations International school, NY “The Year that Zoomed by”
2020 Fulbright U.S. Scholar award 2020-2021 (travel postponed to 2021-2022)
2019 1001 Hands (“1001 Mains”) Concept, design and direction of a 150 sqft community ceramic mural with 600 participants, Ibn Rachiq Art Center,Tunis, Tunisia. Funded through the US Embassy and the Swiss Embassy in Tunis.
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