James Siena

Sessile Amissae

2020

James Siena Infolded Ridgeling, 2020 Charcoal and acrylic on linen 36 x 48 inches 91.4 x 121.9 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable process of creating intricate abstractions, driven by a practice of self-imposed rules termed visual algorithms. The artist preemptively determines his marks and actions and repeats them procedurally as his works result in intensely concentrated, vibrantly colored, freehand compositions. His oeuvre often references diagrams, complex puzzles, labyrinths, and mapping, resulting in inward meditations that actively engage traditions of pattern and mark-making in an ongoing exploration of scale, materiality, and interaction of color. Maneuvering across a diverse range of mediums, including painting, sculpture, drawing, lithography, etching and woodcuts, his work has placed him firmly within the canon of contemporary American art...

James Siena Aoxomoxoa, second version, 2021 Acrylic and charcoal on linen 36 x 48 inches 91.4 x 121.9 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable process of creating intricate abstractions, driven by a practice of self-imposed rules termed visual algorithms. The artist preemptively determines his marks and actions and repeats them procedurally as his works result in intensely concentrated, vibrantly colored, freehand compositions. His oeuvre often references diagrams, complex puzzles, labyrinths, and mapping, resulting in inward meditations that actively engage traditions of pattern and mark-making in an ongoing exploration of scale, materiality, and interaction of color. Maneuvering across a diverse range of mediums, including painting, sculpture, drawing, lithography, etching and woodcuts, his work has placed him firmly within the canon of contemporary American art...

James Siena Lovvellaacecceaddaell, 2019 Acrylic and charcoal on canvas 90 1/2 x 70 1/4 inches 229.9 x 178.4 cm Signed, titled and dated (verso) -- James Siena is celebrated for his...

James Siena Dyscopia, 2021 Acrylic and colored pencil on linen 60 x 48 inches 152.4 x 121.9 cm Signed, titled and dated (verso) -- James Siena is celebrated for his inimitable proc...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

James Siena Double Recursive Combs, Boustrophedonic, 2005 Silk-screen Artist's proof 7/12, aside from the edition of 75 21 x 28 inches Framed

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

b. Long Beach, CA (April 9, 1926 – January 17, 2018), video copyright by the artist and Bentley Gallery, Inc. Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...