Jean Rustin

Large Lyrical French Contemporary - Post War Abstract Oil Painting Jean Rustin

1967

Gloria Heilman-C, contemporary woman artist. She is a well known Beverly Hills, California Icon of the woman's art movement. Her work consists of many extreme elements and images including bronze sculptures which depict iconographic rendering of the female body. Self-portraits done in an expressionist style. Many of her works feature the same imagery as seen in her sculptures. She has had her "Women loving Women" art exhibitions in California, New York and Internationally. She is collected and sells much of her work to a jet set celebrity crowd and the New York Andy Warhol Factory crowd. Though references to pornography and blatant self-promotion are combined in the work of Lynda Benglis, Jeff Koons, Andres Serrano, Richard Hawkins...

Fantasy Nude Mermaid German outsider Naive artist born in 1922. has exhibited in Germany in 1969 worked in painting, gouache and linocuts. Expressionist Folk Art style. Art brut, pr...

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work included streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets. Starting in 1947, Stettner photographed the changes in the people, culture, and architecture of both cities. Stettner also spent significant time sculpting and painting, as well as mixing his work and “painting” on some of his photographic images. He continued to photograph New York and Paris up until his death. Louis Stettner was born in Brooklyn, New York, to Austrian immigrant parents where he was one of four children. His father was a cabinet maker, and Louis learned the trade when young, using the money he earned to support his growing love of photography. He decides to be a photographer after seeing photographs by Alfred Stieglitz and Weegee. He was given a box camera as a child, and his love affair with photography began. His family went on trips to Manhattan and visited museums, including the Metropolitan Museum of Art, where his love of art began. At 18, in 1940, Stettner enlisted in the United States army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Through the Photo League’s exhibits, Stettner was further exposed to the work of Weegee, Edward Weston, and Lewis Hine. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returned to New York. Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connect people to one another. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Robert Doisneau, Brassaï, Edouard Boubat, Izis Bidermanas, and Willy Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the "Salon des Indépendants" at the Bibliothèque Nationale, Paris. In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time magazine, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand, who had also left New York because of the political intolerance of the McCarthy era—Strand had been a founder of the Photo League that would be blacklisted and then banned during those years. In the 1970s Stettner spent more time in New York City, where he taught at Brooklyn College, Queens College, and Cooper Union. In his own social realist work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt that the cities belong to the people who live there, not to tourists or visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured noteworthy architectural images of both cities, including bridges, buildings, and monuments. Stettner produced well-known silver gelatin prints in fine images, including: Aubervilliers, Brooklyn Promenade...

Genre: Israeli Subject: Abstract Medium: Oil Surface: Canvas Dimensions: 24" x 20" Bezalel (nicknamed “Lilik”) Schatz was an Israeli artist, son of Boris Schatz, founder of the Bezalel School of Arts and Crafts in Jerusalem. Born in 1912 to Boris Schatz, and his wife Olga, an art critic. From an early age, he demonstrated considerable talent for gymnastics and music, but especially for art. He grew up in a home in which artists were a constant presence, he was introduced to Israel’s most prominent leaders, and the first public exhibition of his artwork coincided with his Bar Mitzvah celebration. He attended the Gymnasia in Jerusalem and at age 14 completed his studies at the Bezalel School. In 1930, Bezalel joined his father on a fundraising tour of Europe and the United States, where they also exhibited their artwork and that of Bezalel students. Following his father’s death in 1932, Bezalel left Israel for a period of about two decades. He spent the first four years studying at the Grand Chaumiere Academy in Paris. There, given the fairly conservative artistic views he had acquired at home and school – where modernism was denounced – he had to pave his own way as an artist among his peers. Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray...

A charming painting by the sister of famed Abstract Expressionist New York School artist, Barnett Newman. Stamped verso with artist estate stamp, retains part of old exhibition label. Painted circa 1940s. An unusual interior with nude female figure...

Roger Lersy, French (1920 - 2004) Oil on canvas Signed, R. Lersy, dated 1961 lower right Measuring 35 X 31 Matted and framed. sight 26 X 21.5 Roger Lersy was born in Paris, France 1920, in the rough neighborhood surrounding Place Pigalle. His youth was marked by extreme poverty. Lersy studied art and music at the École des Arts Apppliqués. He was a painter, lithographer and musician-composer He belongs to the École de Paris and was a member in the movement of the Young Painting. By 1946, when he first exhibited in Paris, Lersy became one of the founders of the School of Paris’ New Graphic School. Lersy received the Prix des Amateurs d’Art in 1953, the Shell Prize in 1954 and the Grand Prize of the City of Marseilles in 1953. Lersy could be defined as a Baroque expressionist. For Bernard Dorival, Roger Lersy is along with Gabriel Dauchot, Jean Commère and Raymond Guerrier among "the most noted champions of this expressionism which is part of the continuation of Bernard Buffet's miserabilism". Famous works: New Year's Eve , Aubusson tapestry of the Manufacture des Gobelins , Permanent Mission of France to the United Nations , One Dag Hammarskjöld Plaza , New York . Venice , bridges , watercolor, 1963 (theme of the Roger Lersy exhibition, Chicago). The poppy , original lithograph, Imprimerie Bellini, 1978, collection of the Cabinet des estampes , BNF . Still life at the pedestal table , oil on canvas, Jonzac town hall. Lohengrin , oil on canvas, Versailles Administrative Court of Appeal. Portrait of the painter Tony Agostini , drawing. Series Eiffel Tower. Stained glass: Saint-Laurent Church, Longlaville ( Meurthe-et-Moselle ), 29 stained glass windows. Musical works: Stained glasses for clarinet , saxophone, cello and percussion , creation in the church of Longlaville, 1972. Three pieces for two waves Martenot : 1. Scum of dream, 2. Scare and jubilation. Malicious connivance, sheet music Editions A. Leduc, Paris, 1979. Work for trumpet and piano , published by Éditions G. Billaudot, Paris, 1984. Five pieces for piano , scores published by G. Billaudot, Paris, 1989. Five preludes for piano and alto saxophone , scores at Éditions Combre, premiere at Flâneries musicales de Reims , 1993. In memory of Chagall , piece for flute and percussion , recording of Duo Hyksos (Henri Tournier, flute and Michel Gastaud, percussion) in 1995. Preface in black and yellow for horn and piano , score at Éditions Combre, Arc-en-ciel collection, 2000. Soundtracks: Diatomées Note 4 , 19 , film by Jean Painlevé...

Title: Ancient Chinese Ladies Medium: Oil on canvas Size: 13.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Syril Frank (American, 1929-2021) Untitled, c. 1970s/80s Oil on canvas Framed: 21 3/4 x 25 2/3 x 1 in. This fantastic painting in the abstract expressionist style loosely depicts a ...

Abstract Expressionist painting by Southern California artist Chris Hamamoto (American, 20th century). Image, 40"H x 30"W. Unframed. Chris, a native of Southern California, has enjoyed creating artwork since childhood. After trying various media, he decided to specialize in painting on canvas and paper with acrylic paints. He is inspired by the works of Monet, Van Gogh, Sergeant, and Diebenkorn. Chris displays and sells his paintings in art festivals throughout California, Arizona, and Nevada. Education: Los Angeles Valley...

Monday’s Muse by Darryl Hughto, American (1943) Date: 1988 Oil on Canvas, signed and dated verso Size: 55 x 42.25 in. (139.7 x 107.32 cm) Frame Size: 57.5 x 44.25 inches

Nerea Caos (1993) - to all my lovers - Oil on canvas Canvas size 60X60 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art student...

Original Mid-Century oil on canvas composition by American Artist Edith E. Ferullo (1928 - 2008). The painting features a thick textured abstract nude subject. The brutalist artwork ...