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Jeff Koons
Jeff Koons, Pink Bow - Celebration Series, 2013

2013

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Study By Flora Yukhnovich
Located in London, GB
Study By Flora Yukhnovich Flora Yukhnovich is a British contemporary artist known for her vibrant, Rococo-inspired abstract paintings. Her work reinterprets historical art movement...
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2010s Contemporary Abstract Paintings

Materials

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Untitled, by Eddie Martinez
By Eddie Martinez
Located in London, GB
By Eddie Martinez Untitled, 2015 Crayon, coloured pencil, sharpie and enamel 15 x 21 cm
Category

2010s Contemporary Abstract Paintings

Materials

Enamel

Posters By Cy Twombly
By Cy Twombly
Located in London, GB
Posters After Cy Twombly Cy Twombly's posters often reflect his expressive and gestural style, showcasing abstract marks, scribbles, and poetic text. These posters capture the ess...
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2010s Contemporary Abstract Paintings

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Femme endormie (Dormeuse), By Pablo Picasso
By Pablo Picasso
Located in London, GB
Femme endormie [Dormeuse] By Pablo Picasso Pablo Picasso, a pioneering Spanish artist, co-founded the Cubist movement and played a pivotal role in the development of modern art dur...
Category

1960s Contemporary Figurative Prints

Materials

Archival Paper, Linocut

L'Oiseau Bleu By Marc Chagall
By Marc Chagall
Located in London, GB
L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...
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1960s Contemporary Figurative Prints

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Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011
By Richard Prince
Located in London, GB
Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011 As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). Signed and numbered by artist in ink on interior of card. From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
Category

21st Century and Contemporary Contemporary More Prints

Materials

Archival Paper

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