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John GrilloJohn Grillo exquisite Signed Abstract Expressionist Sun painting fine provenance2002
2002
$10,000
£7,438.31
€8,708.79
CA$13,953.40
A$15,614.24
CHF 8,153.02
MX$191,960.85
NOK 102,859.79
SEK 96,790.55
DKK 64,974.26
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About the Item
John Grillo
Untitled Abstract Expressionist Painting, 2002
Oil on canvas
Hand signed and dated '02 on the back of the frame by the artist.
11 × 9 inches
Unframed (though the canvas is stretched to wood, so adding an outer frame is optional)
Unique work
This original painting by renowned Abstract Expressionist master John Grillo is signed on both the recto and the verso, and was acquired directly from the artist's son.
Provenance:
Gift of the artist to his son Jamieson Grillo
Acquired directly from the artist's son
Accompanied by Certificate of Guarantee from Alpha 137 Gallery
More about John Grillo
John Grillo 1917 -2014 (Photo by Charles Fields) painter, printmaker, sculptor and teacher, was born in Lawrence, Massachusetts in 1917. After receiving his diploma from the Hartford School of Fine Arts in 1938, Grillo continued his education at the California School of Fine Arts (1946-47), later studying with Hans Hoffman in New York and Provincetown. He taught at various schools, including Southern Illinois University, University of California at Berkeley, New School for Social Research, Iowa University, and Pratt Institute, before accepting the position of Professor of Fine Arts at the University of Massachusetts at Amherst. His honors have included a Ford Foundation Grant for Work in Lithography followed by a Ford Foundation Appointment as Artist in Residence at the Butler Institute and two research grants from the University of Massachusetts, Amherst. Grillo has exhibited extensively and is well represented in numerous museum and corporate collections. John Grillo is regarded as one of the early architects of the Expressionist Movement. Grillo is collected by many museums around the world.
- Creator:John Grillo (1917, American)
- Creation Year:2002
- Dimensions:Height: 11 in (27.94 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213954312
John Grillo
John Grillo 1917–2014 A leading exponent of Bay Area Abstract Expressionism during the 1940s, John Grillo was a painter, sculptor, and printmaker regarded as one the purest and most influential “action painters” on the West Coast. Though his diverse and colorful body of work ranged from abstraction to figuration, his art is considered linked in its uniquely aggressive and spontaneous approach. Grillo creates bold, fluid, gestural works such as Untitled #69 (1947) and Untitled (1949) that draw on the influence of Surrealist automatism. After moving to New York in 1948, Grillo began a series of paintings consisting of small, precisely organized colored squares, as seen in Untitled (1951) and Untitled (1959); these and other works were influenced by the color theories of Hans Hofmann, with whom he studied. Grillo’s later work was more figurative, but no less colorful, with works such as Blue Hat (1978) or Duerme (1980) recalling the Expressionism of Max Beckmann. 1947 Daliel Gallery 1960 Tanager Gallery
1961 The Howard Wise Gallery
1962 University of California, Berkeley
1964 Butler Institute of American Art
1969 Benedict Art Center
1970 Robert Dain Gallery
1973 Landmark Gallery
1982 Jean Lumbard Fine Arts
1984 Museo de Arte Moderna
2000 Aaron Gallery
1988 Provincetown Art Association Selected Group Exhibitions 1950 The Kootz Gallery
1955 Walker Arts Center
1953 Whitney Museum of American Art
1960 Walker Art Center
1961 Solomon R. Guggenheim Museum
1961 Yale University
1962 Dallas Museum of Fine Arts
1962 Seattle Worlds Fair
1963 Museum of Modern Art, New York
1963 San Francisco Museum of Modern Art
1970 The Brooklyn Museum of Art
1973 The Oakland Museum of California
1979 The Metropolitan Museum of Art
1996 The Laguna Beach Museum Selected Collections The British Museum The Metropolitan Museum of Art
The Solomon R. Guggenheim Museum of Art
The Whitney Museum of American Art
The Brooklyn Museum of Art
Walker Art Center
Los Angeles County Museum
Butler Institute of American Art
Bundy Art Gallery Museum
Smith College Museum
Bennington College
Portland Museum
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Frame included: held in original vintage frame with original gallery label
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Image:
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Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
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Unframed
Hand signed by the artist on the front and stamped by the artist's estate on the back. Acquired from the Estate of Ben Wilson.
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Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance.
Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting.
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By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings.
Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn...
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