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Josef Scharl
Expressionist Still Life

1941

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Geometric Shapes
By Rolph Scarlett
Located in Saratoga Springs, NY
Rolph Scarlett (1889-1984) Geometric Shapes Gauche on Paper 14 ½" x 13” 22" x 21" framed In this original artwork, the artist transforms circles, shapes, and lines within an ide...
Category

1950s Abstract Abstract Paintings

Materials

Gouache, Archival Paper

Abstract
By Rolph Scarlett
Located in Saratoga Springs, NY
Rolph Scarlett (Canadian/American, 1889 - 1984) “Abstract” Signed and dated 1947, lower right Gouache on paper Provenance: Private collection, Miami Florida About Rolph Scarlett w...
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1940s Abstract Abstract Paintings

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Gouache

Abstract
By Rolph Scarlett
Located in Saratoga Springs, NY
Signed lower right. A major exponent of non-objective painting, Rolph Scarlett's career and artistic philosophy is closely linked with the early history of the Solomon R. Guggenheim...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Oil, Paper

Abstract
By Harry Nadler
Located in Saratoga Springs, NY
Singed verso. An abstract painter who lived in New York City; Amagansett, Long Island, and Albuquerque, New Mexico, Harry Nadler is described as a "formalist abstract painter of t...
Category

Abstract Abstract Paintings

Materials

Archival Paper, Mixed Media

Abstract Shapes
By Joseph Presser
Located in Saratoga Springs, NY
Josef Presser (Poland, United States, 1907 - 1967) Abstracted Shapes signed in red lower right 19 ¾ ” x 14 3/4” 25 1/4 ” x 20 1/4” Medium: Gouache on paper Provenance: Woodstock, NY About Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School and in Europe, with Bryant Baker...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Paper, Mixed Media

Abstract and Fractured, Biomorphic and Geometric Forms
By Agnes Hart
Located in Saratoga Springs, NY
Signed lower left. “Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation. Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

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