Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Joseph Meierhans
"Tarus"

$15,650
£11,906.05
€13,921.83
CA$21,887.22
A$24,587.81
CHF 13,085.35
MX$304,037.70
NOK 159,446.47
SEK 154,161.86
DKK 103,843.82
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Jim’s of Lambertville is proud to offer this artwork. Signed Lower Right Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associated with Bucks County and the New Hope artists. His large body of work spans over five decades beginning with a representational Ashcan style and evolving into variations of modernism, including cubist, semi-abstract, abstract, and abstract-expressionist works. Meierhans felt closest in spirit to Kandinsky, of whom he explained, “His distinctive style consists of very loaded canvases--representational elements co-exist with abstract shapes”. Kandinsky’s influence was apparent in Meierhans works from the 1940s. Meierhans compared painting to composing music, often saying, “A painting must sing for the eye as music does for the ears”. He felt that creating a balanced integrated abstract painting was much more difficult than painting a landscape. “Abstracts are far more difficult to execute than traditional paintings…landscapes always turn out alright, but I find myself destroying a lot of moderns. It must be a symphony of form, balance, and color…or it’s terrible”. Born in Aargau, Switzerland, in 1890, Joseph Meierhans studied textile design in Zurich before coming to America in 1917. He first visited New York City while working for a Swiss textile mill. During this visit, Meierhans was offered a position with an American manufacturer as a textile designer and decided to stay. Meierhans was captivated by the New York art scene and soon began evening studies with Karl Knaths and later with John Sloan at the Art Students League from 1919-1921. He also studied with A. N. Lindenmuth in Allentown. In 1932, Meierhans had saved enough money from the textile business to buy a unique 52-acre property in Hagersville, Pennsylvania, about fifteen miles from New Hope. Dubbed the Meierhans Manor, amidst rolling acres of farmland sat a stately Victorian mansion surrounded by an assortment of farm structures. There, he converted a 200-foot-long chicken coop into a studio and art gallery. For the next twenty-five years he divided his time between New York and Bucks County, devoting as much time as possible to his painting. In 1957 he retired from the textile business enabling him to concentrate solely on his art. A generous man dedicated to familiarizing people with the rich local artistic tradition, Meierhans made exhibition space in his gallery available to seven other artists each year. Over the years, Ben Solowey and Katherine Steele Renninger were among the many artists to take advantage of this opportunity. While spending all of his “painting time” in Pennsylvania, Meierhans made efforts to stay involved in the New York art scene. He exhibited in the 1940s and 1950s at the Artist’s Gallery in New York where he was the recipient of five one-man shows. Meierhans also joined the avant-garde group known as AAA (American Abstract Artists) exhibiting in New York from 1946-1957 and in as faraway places as Europe and Japan. He also exhibited at the Whitney Museum of American Art, the Society of Independent Artists, the Salons of America, the Art Institute of Chicago, the Provincetown Art Association, American Federation of Artists Traveling Exchange, the Pennsylvania Academy of Fine Arts, Tokyo (1956), and the Crest Gallery, New Hope (solo 1958). Sources: -New Hope for American Art by James M. Alterman -Joseph Meierhans, Princeton Gallery of Art 1985 -Daily Intelligencer, Doylestown, PA 8/9/63 -Call-Chronicle, Allentown, PA 9/28/58 -The Archives of American Art, Smithsonian Institution
  • Creator:
    Joseph Meierhans (1890-1981, American)
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Lambertville, NJ
  • Reference Number:
    Seller: JOLNJ1110201691stDibs: LU3741464293

More From This Seller

View All
"The Three Nuns"
By Alice Musicant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed upper right.
Category

20th Century Abstract Abstract Paintings

Materials

Masonite, Oil

"Black on Black No. 3"
By Lloyd Raymond Ney
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...
Category

1950s Abstract Abstract Paintings

Materials

Masonite, Oil

"Turkish Troops with Tambourines"
By Tobias Musicant
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed upper right. Framed. Tobias Musicant (1921 – 2004) A new discovery in the art world is something always searched for...
Category

20th Century Abstract Abstract Paintings

Materials

Masonite, Oil

"Geometric Rainbow"
By Joseph Meierhans
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed Lower Right Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associate...
Category

20th Century Abstract Abstract Paintings

Materials

Masonite, Oil

"Pink Dot"
By Rex Ashlock
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...
Category

20th Century Abstract Abstract Paintings

Materials

Canvas, Oil

"Manhattan Night Life"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category

1930s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

You May Also Like

Un Fuego Magico, Abstract Expressionist Oil Painting by Leonardo Nierman
By Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman Title: Un Fuego Magico (Variation) Year: 1965 Medium: Oil on Masonite, signed and dated l.r. Size: 24 x 31.5 inches Frame: 28 x 36 inches
Category

1960s Abstract Abstract Paintings

Materials

Oil, Masonite

Abstract Earth Tone Textured Square Landscape
Located in Soquel, CA
A textural, earth tone abstract landscape evocative of rolling hillsides in brown and white neutrals by an unknown artist (American, 20th Century). Unsigned. Unframed. Image, 24"H x...
Category

1980s Abstract Expressionist Abstract Paintings

Materials

Fabric, Masonite, Oil

Victorian Couple with Angel - Figurative Abstract
By David Rosen (b.1912)
Located in Soquel, CA
Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Masonite, Oil

Boats Near Shore - Abstracted Seascape
By Robert Canete
Located in Soquel, CA
Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...
Category

1980s Abstract Expressionist Landscape Paintings

Materials

Masonite, Oil

Rocket Boy Abstract Expressionist Figurative
By Kristin Cohen
Located in Soquel, CA
A lighthearted figurative abstract by Bay Area artist Kristin Cohen (American, b.1963). Signed and dated lower left, "Cohen '95." Presented in the artist's painted wood frame. From ...
Category

1990s Abstract Expressionist Figurative Paintings

Materials

Masonite, Oil

Mid-Century Paleolithic Hunt Scene
By Nan Street Fowler
Located in Soquel, CA
A wonderful mid-century interpretation of prehistoric, Paleolithic cave paintings; done in reddish earth tones and rich in visual texture by Sausalito, California artist Nan Street F...
Category

1950s Abstract Expressionist Animal Paintings

Materials

Masonite, Oil