June Glasson

Delights 126 - Contemporary Abstract Shapes Pattern Teal Green Gold, 2024

2024

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in dark charcoal gray, olive, ...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in dark brown, taupe, charcoal ...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous neon y...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous golden...

Signed, verso, 'Holly Blake', dated 2016 and titled 'A Pattern of Chance'. Holly Blake (American, 20th century) first attended Ohio's Columbus College of Art and Design and subseque...

"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Abstract Oil Painting, Green, Blue and Gold Colour By French artist Roland Gautier, 20th Century Signed by the artist on the back of the painting Oil painting on board, framed Framed...

Katherine Bello Is That So Mixed media on canvas 2023 Size: 40x30x1.5in Signed, dated and titled by hand COA provided Ref.: 924802-1881 *on stretcher frame - ready to hang ** additi...