Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Katherine Borkowski-Byrne
"Nowhere", abstract, red, turquoise, blue, purple, white, oil painting

2020

About the Item

Katherine Borkowski-Byrne’s “Nowhere” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, turquoises, purples and blues on a white background. This emotionally raw and expressionist painting changes dramatically in different lighting and will continue to reveal surprising details. “Nowhere” is unframed and the signature is on front and back. Katherine paints while listening to opera and translates the many layered-music into many-layered paintings. She is influenced by the art of the New York School of Abstract Expressionism with it’s focus on being in the moment and the use of fortunate accidents and experimental techniques. Katherine’s work is in many corporate and private collections. She is represented by Fountain Street Gallery in Boston, MA.
  • Creator:
    Katherine Borkowski-Byrne (1946, American)
  • Creation Year:
    2020
  • Dimensions:
    Height: 20.5 in (52.07 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Natick, MA
  • Reference Number:
    Seller: Borkowski-Nowhere1stDibs: LU50035725722

More From This Seller

View All
"Unearthing", Abstract, Texture, Multi-Colored, Red, Green, Grey, Oil Painting
By Katherine Borkowski-Byrne
Located in Natick, MA
Katherine Borkowski-Byrne’s “Unearthing” is an energetic multi-colored abstract oil painting, 22 x 17.5 x 1.5 inches on oil-prepared paper within a maple shadow-box frame. “Unearthi...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Paper

"Little Blue", abstract, contemporary, red, green, orange, blue, oil painting
By Katherine Borkowski-Byrne
Located in Natick, MA
Katherine Borkowski-Byrne’s “Little Blue” is a colorful abstract oil painting, 22.5 x 18 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, greens,...
Category

2010s Abstract Abstract Paintings

Materials

Paper, Oil

"Doodle All Day", abstract, blue, red, green, orange, oil painting
By Katherine Borkowski-Byrne
Located in Natick, MA
Katherine Borkowski-Byrne’s “Doodle All Day” is a colorful abstract oil painting, 20.5 x 17 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, gree...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Paper

"My Little Hearth", abstract, red, orange, purple, blue, white, oil painting
By Katherine Borkowski-Byrne
Located in Natick, MA
Katherine Borkowski-Byrne’s “My Little Hearth” is a colorful abstract oil painting, 22.5 x 16.5 inch, on paper with very thick texture and spontaneous brushwork in saturated reds, or...
Category

2010s Abstract Abstract Paintings

Materials

Paper, Oil

"Ultra Secret Passage", abstract, blue, orange, red, green, oil painting
Located in Natick, MA
“Ultra Secret Passage” by artist Mary Spencer is a 22 x 30 inch abstract oil painting on embossed paper with dominant colors of blue, orange, red and green. The painting is signed an...
Category

Early 2000s Abstract Paintings

Materials

Oil, Paper

"Fishing", abstract, red, turquoise, blue, purple, white, oil painting
By Katherine Borkowski-Byrne
Located in Natick, MA
Katherine Borkowski-Byrne’s “Fishing” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, turquoises,...
Category

2010s Abstract Abstract Paintings

Materials

Paper, Oil

You May Also Like

"Untitled" Norman Bluhm, circa 1960 Abstract Black and White Composition
By Norman Bluhm
Located in New York, NY
Norman Bluhm Untitled, circa 1960 Signed lower right Oil on paper laid down on board 22 x 30 inches Norman Bluhm (1921-1999) was an American Abstract Expressionist celebrated for c...
Category

1960s Abstract Abstract Paintings

Materials

Paper, Oil

Sant titre (buveuse)
By James Coignard
Located in Malmo, SE
Free shipment worldwide Acquired directly from the artist. Size without frame: 63x36 cm (Size with frame 84x56 cm) “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...
Category

Early 2000s Abstract Abstract Paintings

Materials

Paper, Oil

Camel
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Camel
Price Upon Request
Reef Painting #7
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Blue Tree
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Sumac
By Melinda Hackett
Located in New Orleans, LA
Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...
Category

2010s Abstract Abstract Paintings

Materials

Oil, Archival Paper

Sumac
Price Upon Request

Recently Viewed

View All