Laura Berman

Wonders Land 6

2020

Laura Crehuet Berman is a native of Barcelona, Spain, where her love for pattern, design and bold colors originated. Her work’s focus on relationships and recombination of forms rela...

Laura Crehuet Berman is a native of Barcelona, Spain, where her love for pattern, design and bold colors originated. Her work’s focus on relationships and recombination of forms rela...

Laura Crehuet Berman is a native of Barcelona, Spain, where her love for pattern, design and bold colors originated. Her work’s focus on relationships and recombination of forms relate to her nomadic history of relocation and travel. Indeed, she is always comfortable anywhere as long as her personal collections of things are nearby– and this is her inspiration. "I have spent a lot of time in the middle of Kansas for the past few years. The Flint Hills...

Jen P. Harris combines two hand-cut ink paintings on paper and acrylic media onto two stretched canvases. Her compositions favor bold colors, geometric shapes, and abstraction. Harri...

Artist : Kory Twaddle Title : Portland Old Port Materials : Oil and acrylic on canvas Date : 2004 Dimensions : 20 x 14 x 0.2 inches Kory Twaddle is a Kansas...

Artist : Kory Twaddle Title : Portland Apartment Organ Building Materials : Pastel, charcoal, conté crayon, marker, graphite, and mixed media on paper diptych Date : 2006 Dimensions...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

Anila Quayyum Agha All the Flowers are for Me - Burgundy, 2016 Laser-cut encaustic embroidery on paper 21 x 21 inches 53.3 x 53.3 cm AQA038 Anila Quayyum Agha examines issues of global politics, cultural identity, mass media and gender roles in her multidisciplinary practice. The Pakistani-American artist is best known for her immersive, large-scale light installations in which she laser-cuts elaborate patterns into three-dimensional cubes. Suspended and lit from within, the cubes cast lace-like, floor-to-ceiling shadows that completely transform the surrounding environment, alluding to the richly ornamented public spaces such as mosques that Agha was excluded from as a female growing up in Lahore. In addition to her suspended light installations, Agha also creates wall-mounted sculptural works, including her Flowers series (2018) that explores love and loss inspired by the mixed emotions she experienced following her son’s wedding and mother’s passing, events that happened in the same year. Although these works may appear decorative, they are imbued with meaning, from the floral patterns that express the beauty and femininity of her mother, to the metallic threads commonly used for wedding dresses in Pakistan. The visual elements collectively amplify the interplay between the matrimonial and the funereal, and by extension, the larger cycle of life. To produce these elaborate works, Agha laser-cuts vibrantly hued encaustic paper with intricate patterns and adorns them with light-reflecting embroidery and beads. These exquisitely detailed drawings are framed within shadow boxes, allowing light to pass through the cut-outs and cast patterned shadows in a manner similar to her large-scale light installations. The framing and shadows allow these works to transcend their two-dimensionality. Anila Quayyum Agha has an M.F.A. in fiber arts from the University of North Texas. She has exhibited her work across the globe, including in the 2018 Kansas City Biennale, curated by Dan Cameron; the Peabody Essex Museum, Massachusetts; the Brooklyn Academy of Music, New York; the Dallas Contemporary Art Museum, Texas; the National Museum of Sculpture, Valladolid, Spain; and the Cheongju Craft Biennale, Korea. Her work is in the collections of the Cincinnati Art Museum, Ohio; the Grand Rapids Art...