Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Liz Rundorff Smith
Major (abstract, bright colors, yellow, blue, layers)

2021

$800
£594.71
€696.21
CA$1,118.78
A$1,249.23
CHF 651.63
MX$15,361.20
NOK 8,224.44
SEK 7,743.02
DKK 5,193.74
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Gouache on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings are manifested into small awards to herself. They are an acknowledgement of her own successes and of the care and work that she does to ensure her daughters are raised differently than herself. She states: “I get into the grid and I lose the state of structure because it is fascinating to destroy the grid itself.” She memorializes her childhood and she leaves other elements behind. Rundorff Smith is interested in kitsch as an accessible form of beauty, related to the aesthetics of her youth. The nostalgic color choices and build up of encaustic is reminiscent of mid-century American decor. In recent paintings like Good Girls, the artist added fringe to the bottom of the canvas. This tactile embellishment plays into kitsch, reminiscent of party decorations, parade floats and prize ribbons—elevating the vessel to something to be celebrated. Patterning, grids, reflected and mirrored vessels suggest the artist's need to nurture the painting through repetition. It is a means to transfer the desired memories and emotions. The artist associates the vessels with her two daughters—or herself and her sister. While many of the forms are repeated, they are never perfect copies. Color is allowed to bleed; lines cut off; previous marks shine through both paper and encaustic pieces. This undulation between symmetry and irregularity creates a need to examine every inch.
  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 9 in (22.86 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU16814341612

More From This Seller

View All
Binge Worthy (abstract, bright colors, dark colors, layers)
By Liz Rundorff Smith
Located in New York, NY
Acrylic on paper 21.5 x 19.75 inches framed
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic

For The Gods (abstract, bright colors, rainbow, layers, pattern)
By Liz Rundorff Smith
Located in New York, NY
gouache on paper 13 x 9 inches 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of vener...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Gouache

Mind Blowing (abstract, bright colors, dark colors, layers)
By Liz Rundorff Smith
Located in New York, NY
Acrylic on paper 21.5 x 19.75 inches framed
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic, Gouache

Sleep Aid (abstract, bright colors, dark colors, layers)
By Liz Rundorff Smith
Located in New York, NY
acrylic on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic

Reliquary (for Gigi) (abstract, bright colors, layers, encaustic, vessel)
By Liz Rundorff Smith
Located in New York, NY
mixed media on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Mixed Media

Reverberate 2, yellow and blue abstract encaustic painting on panel, mixed media
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...
Category

2010s Contemporary Abstract Paintings

Materials

Encaustic, Wood Panel, Fabric, Ink, Mixed Media

You May Also Like

Untitled in Yellow, Painting, Acrylic on Canvas
By Ronald Hunter
Located in Yardley, PA
Acrylic Abstract Painting, Original artwork created by Ronald Hunter. A balanced abstract composition with blue and yellow tones, made with many layers of acrylic paint. You wi...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic

"Blue and Yellow Abstract" Large Gestural Color Field Painting
By Tom Reno
Located in Austin, TX
Blue and Yellow abstract by Tom Reno 60" x 48" Acrylic on Canvas Tom Reno is an abstract artist originally from Southern California who now re...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

"Yellow" (2022) by Jennifer Bobola, Mixed Media Abstract Painting
Located in Denver, CO
"Yellow" is an original, handmade mixed media painting, by Jennifer Bobola, that presents colorful abstract expressionism. Artist Statement: Let’s be honest, understanding abstract ...
Category

21st Century and Contemporary Abstract Expressionist Abstract Paintings

Materials

Mixed Media

Mid Century Yellow and Blue Large Scale Abstract
By Louis Earnest Nadalini
Located in Soquel, CA
Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...
Category

1950s American Modern Abstract Paintings

Materials

Canvas, Oil, Wood Panel

French Expressionist Abstract Original Yellow Blue Colours
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition by Jacques COULAIS (1955-2011) watercolour painting on thick card unframed: 25.5 x 19.5 inches condition: excellent provenance: all the paintings ...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Watercolor

Modernist Blue & Yellow Abstract
By Grady McDonald
Located in Soquel, CA
Beautiful oil abstract titled "Coming Out" by Grady McDonald (American, 1938-1980). Signed lower right, titled and dated 1974 on verso. Unframed. Image, 50”H x 44”W. Grady McDona...
Category

1970s American Modern Abstract Paintings

Materials

Canvas, Oil